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Photographic Print : ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic

ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic




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ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic

ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic, caricatured as a bloodstained monster with the head of the guillotined King Louis XVI around its neck, is struck by lightning bolts wielded by Great Britain as it attempts to straddle the Mediterranean. Cartoon by James Gillray, 1798

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6620339

1798 Allegory Anti Christianity Anti Colonialism Blood Bolt Bonaparte Colossus Corpse Crucifix Destruction Egypt Etching French Republic French Revolution Giant Gorgon Great Britain Guillotine Head Horatio Invade Liberty Cap Liberty Park Lightning Mediterranean Nelson Nile North African Politics Pyramid Reign Of Terror Revolutionary Satirical Snake Stain Ugly Union Jack Anti Religion Battle Of The Nile Gill Ray Napoleonic Empire Struck Tri Color


10"x8" Photo Print

Experience history through the lens of satire with our exclusive Media Storehouse range of Photographic Prints. This captivating piece, "ANTI-FRENCH CARTOON, 1798. Destruction of the French Colossus. The French Republic," from The Granger Collection on Granger Art on Demand, offers a unique perspective on a pivotal moment in history. Depicting the French Republic as a bloodstained monster with the head of King Louis XVI around its neck, this caricature reflects the anti-French sentiments during the late 18th century. Bring this intriguing piece of art into your home or office and start a conversation about the power of satire and the enduring impact of historical events. Each print is produced with the highest quality materials and meticulous attention to detail, ensuring a stunning addition to your collection.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 18.5cm x 25.4cm (7.3" x 10")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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ANTI-FRENCH CARTOON, 1798 - Destruction of the French Colossus

EDITORS COMMENTS
. This satirical cartoon from 1798 depicts the turbulent political landscape of Europe during the Napoleonic era. Created by James Gillray, a renowned British caricaturist, it portrays the French Republic as a bloodstained monster with the decapitated head of King Louis XVI hanging around its neck. The colossal figure is shown attempting to straddle the Mediterranean but is struck by lightning bolts wielded by Great Britain. The symbolism in this artwork is rich and thought-provoking. The monstrous representation of France signifies its revolutionary government's reign of terror and aggressive expansionism under Napoleon Bonaparte. The lightning bolts unleashed by Great Britain symbolize their resistance against French dominance and their determination to protect their interests in North Africa. The cartoon also incorporates various allegorical elements such as a snake representing treachery, a crucifix highlighting anti-religious sentiments prevalent during that time, and pyramids signifying Egypt—a significant battleground between France and Britain. Through this powerful visual commentary, Gillray captures both political satire and anti-colonial sentiment prevalent in late 18th-century Europe. This print serves as a historical artifact reminding us of the complex dynamics that shaped European politics during this period.

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