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Fine Art Print : ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic

ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic



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ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic

ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic, caricatured as a bloodstained monster with the head of the guillotined King Louis XVI around its neck, is struck by lightning bolts wielded by Great Britain as it attempts to straddle the Mediterranean. Cartoon by James Gillray, 1798

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6620339

1798 Allegory Anti Christianity Anti Colonialism Blood Bolt Bonaparte Colossus Corpse Crucifix Destruction Egypt Etching French Republic French Revolution Giant Gorgon Great Britain Guillotine Head Horatio Invade Liberty Cap Liberty Park Lightning Mediterranean Nelson Nile North African Politics Pyramid Reign Of Terror Revolutionary Satirical Snake Stain Ugly Union Jack Anti Religion Battle Of The Nile Gill Ray Napoleonic Empire Struck Tri Color


20"x16" (+3" Border) Fine Art Print

Step back in time with Media Storehouse's Fine Art Prints and experience the historical satire of the past. This captivating print, titled "Destruction of the French Colossus. The French Republic," is a rare find from The Granger Collection. Dating back to 1798, this powerful caricature depicts the French Republic as a bloodstained monster with the head of King Louis XVI around its neck, symbolizing the anti-French sentiment during the French Revolution. Add this unique piece to your collection and bring a piece of history into your home or office. Order now from Media Storehouse's range of Fine Art Prints.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 36.9cm x 50.8cm (14.5" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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ANTI-FRENCH CARTOON, 1798 - Destruction of the French Colossus

EDITORS COMMENTS
. This satirical cartoon from 1798 depicts the turbulent political landscape of Europe during the Napoleonic era. Created by James Gillray, a renowned British caricaturist, it portrays the French Republic as a bloodstained monster with the decapitated head of King Louis XVI hanging around its neck. The colossal figure is shown attempting to straddle the Mediterranean but is struck by lightning bolts wielded by Great Britain. The symbolism in this artwork is rich and thought-provoking. The monstrous representation of France signifies its revolutionary government's reign of terror and aggressive expansionism under Napoleon Bonaparte. The lightning bolts unleashed by Great Britain symbolize their resistance against French dominance and their determination to protect their interests in North Africa. The cartoon also incorporates various allegorical elements such as a snake representing treachery, a crucifix highlighting anti-religious sentiments prevalent during that time, and pyramids signifying Egypt—a significant battleground between France and Britain. Through this powerful visual commentary, Gillray captures both political satire and anti-colonial sentiment prevalent in late 18th-century Europe. This print serves as a historical artifact reminding us of the complex dynamics that shaped European politics during this period.

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