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Metal Print : ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic
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ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic
ANTI-FRENCH CARTOON, 1798. Destruction of the French Collossus. The French Republic, caricatured as a bloodstained monster with the head of the guillotined King Louis XVI around its neck, is struck by lightning bolts wielded by Great Britain as it attempts to straddle the Mediterranean. Cartoon by James Gillray, 1798
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6620339
1798 Allegory Anti Christianity Anti Colonialism Blood Bolt Bonaparte Colossus Corpse Crucifix Destruction Egypt Etching French Republic French Revolution Giant Gorgon Great Britain Guillotine Head Horatio Invade Liberty Cap Liberty Park Lightning Mediterranean Nelson Nile North African Politics Pyramid Reign Of Terror Revolutionary Satirical Snake Stain Ugly Union Jack Anti Religion Battle Of The Nile Gill Ray Napoleonic Empire Struck Tri Color
16"x20" (51x41cm) Metal Print
Add historical depth to your decor with our Media Storehouse Metal Prints featuring the iconic anti-French cartoon from 1798, "The Destruction of the French Colossus: The French Republic." This captivating image, sourced from The Granger Collection at Granger Art on Demand, showcases a powerful caricature of the French Republic as a bloodstained monster with the head of King Louis XVI around its neck. Our high-quality Metal Prints bring out the intricate details and vibrant colors of this historical artwork, making it a unique and thought-provoking addition to any space. Order now and relive the past in a contemporary way.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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ANTI-FRENCH CARTOON, 1798 - Destruction of the French Colossus
EDITORS COMMENTS
. This satirical cartoon from 1798 depicts the turbulent political landscape of Europe during the Napoleonic era. Created by James Gillray, a renowned British caricaturist, it portrays the French Republic as a bloodstained monster with the decapitated head of King Louis XVI hanging around its neck. The colossal figure is shown attempting to straddle the Mediterranean but is struck by lightning bolts wielded by Great Britain. The symbolism in this artwork is rich and thought-provoking. The monstrous representation of France signifies its revolutionary government's reign of terror and aggressive expansionism under Napoleon Bonaparte. The lightning bolts unleashed by Great Britain symbolize their resistance against French dominance and their determination to protect their interests in North Africa. The cartoon also incorporates various allegorical elements such as a snake representing treachery, a crucifix highlighting anti-religious sentiments prevalent during that time, and pyramids signifying Egypt—a significant battleground between France and Britain. Through this powerful visual commentary, Gillray captures both political satire and anti-colonial sentiment prevalent in late 18th-century Europe. This print serves as a historical artifact reminding us of the complex dynamics that shaped European politics during this period.
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