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Mouse Mat : My Second Sermon, 1864, (1947). Creator: John Everett Millais
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My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service. The location was probably All Saints Church at Kingston-on-Thames, Surrey. A companion piece, painted a year or so earlier, shows her sitting upright and looking somewhat daunted during her first sermon. Painting in the Guildhall Art Gallery, London. From " English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]
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Media ID 19777482
© The Print Collector/Heritage Images
Adam Adam Fox Artistic Style Asleep Bored Boredom Britain In Pictures Church Service Cloak Collins John Everett John Everett Millais John Everett Millais Ra John Millais Millais Muff Pews Pre Raphaelite Pre Raphaelite Brotherhood Seating Sermon Sir John Everett Millais Sir John Millais Sleep Sleeping Social History Tired William Collins William Collins And Sons William Collins Sons Effie Euphemia Hassock
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "My Second Sermon, 1864" captures a tender moment in the life of Effie Millais, daughter of renowned artist John Everett Millais. Painted in 1947, this portrait depicts young Effie peacefully asleep during a church service. The location is believed to be All Saints Church at Kingston-on-Thames, Surrey. Effie's slumbering form is beautifully captured by her father's artistic skill. Dressed in Victorian-era clothing and seated on a pew with a hassock beneath her feet, she appears tired but content. Her delicate features and serene expression highlight the innocence of childhood. This painting serves as a companion piece to an earlier work that portrays Effie looking somewhat apprehensive during her first sermon experience. Together, these paintings offer glimpses into the religious upbringing and social history of Britain during the 19th century. John Everett Millais was part of the Pre-Raphaelite Brotherhood artistic school and his attention to detail shines through in this oil painting. The colors are rich and vibrant, showcasing his mastery of technique. Displayed at the Guildhall Art Gallery in London, "My Second Sermon" invites viewers to reflect on themes such as faith, family dynamics, and the passage of time. It stands as a testament not only to Millais' talent but also to his love for his daughter Effie and their shared experiences within their community.
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