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John Everett Millais Ra Gallery

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My First Sermon, 1863, (1947). Creator: John Everett Millais Featured Image

My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). The Artist's Daughter in Winchelsea Church': portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted, listening to the preacher's message. The location was probably All Saints Church at Kingston-on-Thames, Surrey. A companion piece, painted a year or so later, shows her fast asleep, the novelty of a church service having waned. Painting in the Guildhall Art Gallery, London. From "English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]

© The Print Collector/Heritage Images

The North-West Passage, 1874, (1901). Creator: Unknown Featured Image

The North-West Passage, 1874, (1901). Creator: Unknown

The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic. Many such expeditions had ended in failure and death. His daughter reads from a log book as she holds his hand. On the table is a map, behind him hangs the portrait of a ship's commander, and flags lean against the wall: evidence of his seafaring days. After the 1874 painting by John Everett Millais, in the Tate Gallery, London. From "The Illustrated London News Record of the Glorious Reign of Queen Victoria 1837-1901: The Life and Accession of King Edward VII. and the Life of Queen Alexandra". [London, 1901]

© The Print Collector/Heritage Images

Millaiss Studio, 1890
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Millaiss Studio, 1890
Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais Featured Image

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais

Illustration from Sister Anne's Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist. Martineau wrote many books and a multitude of essays most controversially from a feminine perspective; she also translated various works from Auguste Comte.She earned enough to be supported entirely by her writing, a rare feat for a woman in the Victorian era. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]

© The Print Collector


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