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Sir John Everett Millais Collection

Sir John Everett Millais was a renowned British artist who lived from 1829 to 1896

Background imageSir John Everett Millais Collection: The Order of Release, 1746, 1852-1853. Artist: John Everett Millais

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

Background imageSir John Everett Millais Collection: John Ruskin, 1853-1854, (1944). Creator: John Everett Millais

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

Background imageSir John Everett Millais Collection: My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

Background imageSir John Everett Millais Collection: My Second Sermon, 1864, (1947). Creator: John Everett Millais

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Background imageSir John Everett Millais Collection: Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Background imageSir John Everett Millais Collection: Autumn Leaves, 1856, (c1915). Artist: John Everett Millais

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageSir John Everett Millais Collection: My First Sermon, 1863, (1912). Artist: John Everett Millais

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageSir John Everett Millais Collection: Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

Background imageSir John Everett Millais Collection: The Boyhood of Raleigh, after the painting by Sir John Everett Millais

The Boyhood of Raleigh, after the painting by Sir John Everett Millais. Walter, and his older brother, seated on the ground listening to a sailors story. Sir Walter Raleigh, c.?1552 /1554 - 1618

Background imageSir John Everett Millais Collection: The Blind Girl, 1856, (1948). Creator: John Everett Millais

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Background imageSir John Everett Millais Collection: Sir John Everett Millais, 1st Baronet, 1829 - 1896

Sir John Everett Millais, 1st Baronet, 1829 - 1896
3083245 Sir John Everett Millais, 1st Baronet, 1829 - 1896.; Private Collection; (add.info.: English painter and illustrator, one of the founders of the Pre-Raphaelite Brotherhood)

Background imageSir John Everett Millais Collection: The Earl of Beaconsfield, Benjamin Disraeli, 1881

The Earl of Beaconsfield, Benjamin Disraeli, 1881
3480295 The Earl of Beaconsfield, Benjamin Disraeli, 1881; (add.info.: Portrait of the Earl of Beaconsfield, Benjamin Disraeli by Sir John Everett Millais. 1881)

Background imageSir John Everett Millais Collection: Portrait of Sir John Everett Millais

Portrait of Sir John Everett Millais
672596 Portrait of Sir John Everett Millais; (add.info.: J E Millais - Woodbury Sir John Everett Millais, 1st Baronet (8 June 1829 - 13 August 1896)

Background imageSir John Everett Millais Collection: Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers

Christmas Story-telling - drawn by J. E. Millais, 1862. Creator: Dalziel Brothers
Christmas Story-telling - drawn by J. E. Millais, 1862. Victorian family entertainment. From "Illustrated London News", 1862.

Background imageSir John Everett Millais Collection: The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde

The Nearest Way to School, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'The Nearest Way to School, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageSir John Everett Millais Collection: Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde

Caller Herrin, after James Clarke Hook, R.A. c1880-83. Creator: Otto Theodor Leyde
'Caller Herrin, after James Clarke Hook, R.A.'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageSir John Everett Millais Collection: James Clarke Hook, R.A. after J.E.Millais, R.A., c1880-83. Creator: Otto Theodor Leyde

James Clarke Hook, R.A. after J.E.Millais, R.A., c1880-83. Creator: Otto Theodor Leyde
'James Clarke Hook, R.A. after J.E.Millais, R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageSir John Everett Millais Collection: Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner

Forbidden Fruit, after John Everett Millais, Esq. R.A. c1880-83. Creator: Charles Waltner
Forbidden Fruit, after John Everett Millais, Esq. R.A. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageSir John Everett Millais Collection: The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin

The North West Passage, after John Everett Millais, Esq. R.A. 1874. c1880-83. Creator: A Mongin
'The North West Passage, after John Everett Millais, Esq. R.A. 1874. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageSir John Everett Millais Collection: John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner

John Everett Millais, Esq. R.A. after himself, c1880-83. Creator: Charles Waltner
'John Everett Millais, Esq. R.A. after himself'. From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]

Background imageSir John Everett Millais Collection: The Proscribed Royalist, 1858. Creator: William Henry Simmons

The Proscribed Royalist, 1858. Creator: William Henry Simmons
The Proscribed Royalist, 1858

Background imageSir John Everett Millais Collection: Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

Background imageSir John Everett Millais Collection: Lovers in Woods, 1850/96. Creator: John Everett Millais

Lovers in Woods, 1850/96. Creator: John Everett Millais
Lovers in Woods, 1850/96

Background imageSir John Everett Millais Collection: Summer Indolence, 1861. Creator: John Everett Millais

Summer Indolence, 1861. Creator: John Everett Millais
Summer Indolence, 1861

Background imageSir John Everett Millais Collection: Happy Springtime, 1860. Creator: John Everett Millais

Happy Springtime, 1860. Creator: John Everett Millais
Happy Springtime, 1860

Background imageSir John Everett Millais Collection: A Penny for Her Thoughts, 1878. Creator: John Everett Millais

A Penny for Her Thoughts, 1878. Creator: John Everett Millais
A Penny for Her Thoughts, 1878

Background imageSir John Everett Millais Collection: Bridge of Sighs, 1858. Creator: John Everett Millais

Bridge of Sighs, 1858. Creator: John Everett Millais
Bridge of Sighs, 1858

Background imageSir John Everett Millais Collection: Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais

Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852. Creator: John Everett Millais
Mr. Wray's Cash Box; or, The Mask and the Mystery, 1852

Background imageSir John Everett Millais Collection: The Young Mother, 1857. Creator: John Everett Millais

The Young Mother, 1857. Creator: John Everett Millais
The Young Mother, 1857

Background imageSir John Everett Millais Collection: Going to the Park, 1872. Creator: John Everett Millais

Going to the Park, 1872. Creator: John Everett Millais
Going to the Park, 1872

Background imageSir John Everett Millais Collection: Saint Agnes of Intercession, 1850. Creator: John Everett Millais

Saint Agnes of Intercession, 1850. Creator: John Everett Millais
Saint Agnes of Intercession, 1850

Background imageSir John Everett Millais Collection: The Baby House, 1863. Creator: John Everett Millais

The Baby House, 1863. Creator: John Everett Millais
The Baby House, 1863

Background imageSir John Everett Millais Collection: Jephthah, 1867 (oil on canvas)

Jephthah, 1867 (oil on canvas)
NGW184269 Jephthah, 1867 (oil on canvas) by Millais, John Everett (1829-96); 127x162.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSir John Everett Millais Collection: Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

Background imageSir John Everett Millais Collection: The Vale of Rest, 1858-1859, (c1902). Creator: Unknown

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Background imageSir John Everett Millais Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageSir John Everett Millais Collection: Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915)

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageSir John Everett Millais Collection: Skit on Sir Isumbras and the P. R. B. (1923)

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageSir John Everett Millais Collection: The Blind Girl, 1856. Artist: John Everett Millais

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

Background imageSir John Everett Millais Collection: The Ornithologist, 1885 (oil on canvas)

The Ornithologist, 1885 (oil on canvas)
2636045 The Ornithologist, 1885 (oil on canvas) by Millais, John Everett (1829-96); 160.7x215.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageSir John Everett Millais Collection: Wandering Thoughts, c. 1855 (oil on canvas)

Wandering Thoughts, c. 1855 (oil on canvas)
MAN62963 Wandering Thoughts, c.1855 (oil on canvas) by Millais, John Everett (1829-96); 35.2x24.9 cm; Manchester Art Gallery

Background imageSir John Everett Millais Collection: Only a Lock of Hair, c. 1857-58 (oil on panel)

Only a Lock of Hair, c. 1857-58 (oil on panel)
MAN62964 Only a Lock of Hair, c.1857-58 (oil on panel) by Millais, John Everett (1829-96); 35.3x25 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageSir John Everett Millais Collection: Study for The Vale of Rest (w/c, gouache & gum arabic on paper)

Study for The Vale of Rest (w/c, gouache & gum arabic on paper)
5890678 Study for The Vale of Rest (w/c, gouache & gum arabic on paper) by Millais, John Everett (1829-96); 13.3x20.9 cm; Manchester Art Gallery, UK; (add.info.: Graveyard scene at twilight)

Background imageSir John Everett Millais Collection: Stella, 1868 (oil on canvas)

Stella, 1868 (oil on canvas)
MAN62961 Stella, 1868 (oil on canvas) by Millais, John Everett (1829-96); 112.7x92.1 cm; Manchester Art Gallery, UK; (add.info)

Background imageSir John Everett Millais Collection: Glen Birnam, 1891 (oil on canvas)

Glen Birnam, 1891 (oil on canvas)
MAN62962 Glen Birnam, 1891 (oil on canvas) by Millais, John Everett (1829-96); 145.2x101.1 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageSir John Everett Millais Collection: Victory O Lord, 1871 (oil on canvas)

Victory O Lord, 1871 (oil on canvas)
MAN62959 Victory O Lord, 1871 (oil on canvas) by Millais, John Everett (1829-96); 194.7x141.3 cm; Manchester Art Gallery, UK; (add.info)

Background imageSir John Everett Millais Collection: Autumn Leaves, 1856 (oil on canvas)

Autumn Leaves, 1856 (oil on canvas)
MAN62958 Autumn Leaves, 1856 (oil on canvas) by Millais, John Everett (1829-96); 104.3x74 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Background imageSir John Everett Millais Collection: Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)

Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas)
MAN62965 Mrs Leopold Reiss, of Broom House, Eccles, 1876 (oil on canvas) by Millais, John Everett (1829-96); 122x95 cm; Manchester Art Gallery



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Sir John Everett Millais was a renowned British artist who lived from 1829 to 1896. He was one of the founding members of the Pre-Raphaelite Brotherhood, a group that sought to revive the detailed and vibrant style of early Renaissance art. Millais's works encompassed various themes and subjects, showcasing his exceptional talent and versatility. In "My First Sermon" (1863), we see a young boy engrossed in religious contemplation, while "My Second Sermon" (1864) depicts him lost in mischievous thoughts during church service. These paintings highlight Millais's ability to capture human emotions with great precision. Another notable work by Millais is "John Ruskin" (1853-1854), which portrays the influential art critic and philosopher. This painting showcases Millais's skillful use of light and shadow, as well as his attention to detail. Millais also delved into historical scenes, such as "Sir Isumbras at the Ford" (1857), where he depicted a knight on horseback crossing a river. The meticulous rendering of armor and landscape demonstrates his dedication to accuracy. One of his most famous pieces is "Autumn Leaves" (1856), featuring four young girls gathering fallen leaves in an autumnal setting. This painting exemplifies Millais's mastery in capturing natural beauty and evoking emotion through color and composition. "The Order of Release" (1746) is another remarkable work by Millais that depicts a Scottish rebel being freed from prison after receiving pardon. The intricate details in clothing and facial expressions reveal his commitment to historical authenticity. Additionally, he illustrated scenes from literature like Anthony Trollope's novel Framley Parsonage in 1860, showcasing his ability to bring fictional characters to life through visual storytelling. Millais even ventured into portraiture with "The Boyhood of Raleigh, " portraying Sir Walter Raleigh listening intently to a sailor's story.