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Pre Raphaelite Brotherhood Collection

The Pre-Raphaelite Brotherhood: A Captivating Journey into Artistic Romanticism Step into the enchanting world of the Pre-Raphaelite Brotherhood

Background imagePre Raphaelite Brotherhood Collection: The Last of England, 1855. Artist: Ford Madox Brown

The Last of England, 1855. Artist: Ford Madox Brown
The Last of England, 1855. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938]

Background imagePre Raphaelite Brotherhood Collection: Circe Invidiosa, 1892. Artist: Waterhouse, John William (1849-1917)

Circe Invidiosa, 1892. Artist: Waterhouse, John William (1849-1917)
Circe Invidiosa, 1892. Found in the collection of the Art Gallery of South Australia

Background imagePre Raphaelite Brotherhood Collection: A Mermaid. Artist: Waterhouse, John William (1849-1917)

A Mermaid. Artist: Waterhouse, John William (1849-1917)
A Mermaid. Found in the collection of Royal Academy of Arts, London

Background imagePre Raphaelite Brotherhood Collection: Autumn Leaves, 1856, (c1915). Artist: John Everett Millais

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imagePre Raphaelite Brotherhood Collection: Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright

Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright
Parable Of The Wise And Foolish Virgins, 1899

Background imagePre Raphaelite Brotherhood Collection: Choosing The Red and White Roses in the Temple Garden, 1910. Creator: Henry Payne

Choosing The Red and White Roses in the Temple Garden, 1910. Creator: Henry Payne
Choosing The Red and White Roses in the Temple Garden, 1910

Background imagePre Raphaelite Brotherhood Collection: My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

Background imagePre Raphaelite Brotherhood Collection: My Second Sermon, 1864, (1947). Creator: John Everett Millais

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Background imagePre Raphaelite Brotherhood Collection: Pomona, 1872. Creator: Julia Margaret Cameron

Pomona, 1872. Creator: Julia Margaret Cameron
Pomona, 1872. The twenty-year-old Alice Liddell (1852-1934) as the embodiment of fruitful abundance, Pomona, Roman goddess of gardens and fruit trees

Background imagePre Raphaelite Brotherhood Collection: Crenaia, the nymph of the Dargle

Crenaia, the nymph of the Dargle. Found in the Collection of Collection Perez Simon, Mexico

Background imagePre Raphaelite Brotherhood Collection: Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Background imagePre Raphaelite Brotherhood Collection: The Wild Swans (The Twelve Brothers Turned Into Swans), 1928

The Wild Swans (The Twelve Brothers Turned Into Swans), 1928. Re re-telling of the Grimm Brothers fairy tale

Background imagePre Raphaelite Brotherhood Collection: Narcissus and Echo

Narcissus and Echo. Found in the Collection of Walker Art Gallery

Background imagePre Raphaelite Brotherhood Collection: Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis

Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis
Chatterton (The Death of Chatterton), 1856. Thomas Chatterton (1752-1770) was an unsuccessful poet whose suicide became a symbol of blighted artistic genius

Background imagePre Raphaelite Brotherhood Collection: The Last Watch of Hero, 1887, (c1902). Creator: Unknown

The Last Watch of Hero, 1887, (c1902). Creator: Unknown
The Last Watch of Hero, 1887, (c1902). After a painting in the Manchester Art Gallery. Victorian depiction of a scene from Greek mythology

Background imagePre Raphaelite Brotherhood Collection: The Lady of Shalott Looking at Lancelot, 1894, (c1930). Creator: John William Waterhouse

The Lady of Shalott Looking at Lancelot, 1894, (c1930). Creator: John William Waterhouse
The Lady of Shalott Looking at Lancelot, 1894, (c1930). Illustration to Tennysons poem, " The Lady of Shalott" : the Lady sees bold Sir Launcelot in her mirror: she goes to the window

Background imagePre Raphaelite Brotherhood Collection: The Hireling Shepherd, 1851, (1948). Creator: William Holman Hunt

The Hireling Shepherd, 1851, (1948). Creator: William Holman Hunt
The Hireling Shepherd, 1851, (1948). A shepherd neglects his flock and woos a young woman with a lamb on her lap. Behind them, two bloated sheep lie on the ground poisoned by the corn

Background imagePre Raphaelite Brotherhood Collection: The Crystal Ball. Artist: Waterhouse, John William (1849-1917)

The Crystal Ball. Artist: Waterhouse, John William (1849-1917)
The Crystal Ball. Private Collection

Background imagePre Raphaelite Brotherhood Collection: Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

Background imagePre Raphaelite Brotherhood Collection: The Scapegoat, 1856, (c1950). Creator: William Holman Hunt

The Scapegoat, 1856, (c1950). Creator: William Holman Hunt
The Scapegoat, 1856, (c1950). Scene inspired by the Bible: a goat on the salty shore of the Dead Sea at Osdoom with the mountains of Edom in the distance

Background imagePre Raphaelite Brotherhood Collection: The Blessed Damozel. Artist: Rossetti, Dante Gabriel (1828-1882)

The Blessed Damozel. Artist: Rossetti, Dante Gabriel (1828-1882)
The Blessed Damozel. Found in the collection of Fogg Art Museum, Cambridge

Background imagePre Raphaelite Brotherhood Collection: The Rescue, c. 1890. Creator: Waterhouse, John William (1849-1917)

The Rescue, c. 1890. Creator: Waterhouse, John William (1849-1917)
The Rescue, c. 1890. Private Collection

Background imagePre Raphaelite Brotherhood Collection: Vivien and Merlin, 1874. Creator: Julia Margaret Cameron

Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, 1874

Background imagePre Raphaelite Brotherhood Collection: Julia Margaret Cameron, 1870. Creator: Henry Herschel Hay Cameron

Julia Margaret Cameron, 1870. Creator: Henry Herschel Hay Cameron
Julia Margaret Cameron, 1870

Background imagePre Raphaelite Brotherhood Collection: Destiny, 1900, (c1930). Creator: John William Waterhouse

Destiny, 1900, (c1930). Creator: John William Waterhouse
Destiny, 1900, (c1930). Woman holding a glass bowl, with ships reflected in a large mirror behind; allegorical scene with spatial and temporal inconsistencies

Background imagePre Raphaelite Brotherhood Collection: The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley

The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley
The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Found in the Collection of The Faringdon Collection

Background imagePre Raphaelite Brotherhood Collection: Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Portrait of Amy Gaskell, 1893. Private Collection

Background imagePre Raphaelite Brotherhood Collection: The Blind Girl, 1856, (1948). Creator: John Everett Millais

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Background imagePre Raphaelite Brotherhood Collection: The Favourites of the Emperor Honorius, 1883. Artist: Waterhouse, John William (1849-1917)

The Favourites of the Emperor Honorius, 1883. Artist: Waterhouse, John William (1849-1917)
The Favourites of the Emperor Honorius, 1883. Found in the collection of the Art Gallery of South Australia

Background imagePre Raphaelite Brotherhood Collection: The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel Rossetti

The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel Rossetti
The Wedding of St George and Princess Sabra, 1857. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Background imagePre Raphaelite Brotherhood Collection: Vivien, 1863 (oil on canvas)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Background imagePre Raphaelite Brotherhood Collection: The Annunciation, 1894 (oil on canvas)

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imagePre Raphaelite Brotherhood Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imagePre Raphaelite Brotherhood Collection: In the Tepidarium. Artist: Alma-Tadema, Sir Lawrence (1836-1912)

In the Tepidarium. Artist: Alma-Tadema, Sir Lawrence (1836-1912)
In the Tepidarium. Found in the collection of Lady Lever Art Gallery, Liverpool

Background imagePre Raphaelite Brotherhood Collection: Edward Burne Jones and William Morris, 1874 (b / w photo)

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Background imagePre Raphaelite Brotherhood Collection: New Lamps for Old, 1901. Creator: Joseph Edward Southall

New Lamps for Old, 1901. Creator: Joseph Edward Southall
New Lamps for Old (in frame), 1901. The subject is taken from story of Aladdin in the One Thousand and One Nights (The Arabian Nights)

Background imagePre Raphaelite Brotherhood Collection: A Condottiere, 1871-72. Creator: Frederic Leighton

A Condottiere, 1871-72. Creator: Frederic Leighton
A Condottiere, 1871-72

Background imagePre Raphaelite Brotherhood Collection: Helen of Troy, 1863 (oil on panel)

Helen of Troy, 1863 (oil on panel)
XKH147750 Helen of Troy, 1863 (oil on panel) by Rossetti, Dante Gabriel Charles (1828-82); 32.8x27.7 cm; Hamburger Kunsthalle, Hamburg, Germany; English, out of copyright

Background imagePre Raphaelite Brotherhood Collection: Study for female figure in engraved illustration to Amor Mundi, (c1865)

Study for female figure in engraved illustration to Amor Mundi, (c1865). Creator: Frederick Augustus Sandys
Study for female figure in engraved illustration to Amor Mundi, (c1865). Amor Mundi can be translated as worldly love and the sensual pleasure that accompanies it

Background imagePre Raphaelite Brotherhood Collection: Head, 1895. Creator: Simeon Solomon

Head, 1895. Creator: Simeon Solomon
Head, 1895. The unidentified subject - who could be either male or female - is set against the merest suggestion of a landscape and gazes into the wide blue yonder beyond the picture space

Background imagePre Raphaelite Brotherhood Collection: A scene from Tom Brown's Schooldays

A scene from Tom Brown's Schooldays
5307717 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays')

Background imagePre Raphaelite Brotherhood Collection: Valentine Cameron Prinsep, British painter, 19th century (engraving)

Valentine Cameron Prinsep, British painter, 19th century (engraving)
3733568 Valentine Cameron Prinsep, British painter, 19th century (engraving); (add.info.: Portrait of Valentine Cameron Prinsep (1838-1904) a British painter of the Pre-Raphaelite School

Background imagePre Raphaelite Brotherhood Collection: A woman grieving, 1850

A woman grieving, 1850
3478235 A woman grieving, 1850; (add.info.: Illustration depicting a woman grieving. Illustrated by Arthur Hughes (1832-1915)

Background imagePre Raphaelite Brotherhood Collection: Head of a Woman, c.1875 (charcoal on paper)

Head of a Woman, c.1875 (charcoal on paper)
8690958 Head of a Woman, c.1875 (charcoal on paper) by Morgan, Evelyn De (1855-1919); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Evelyn De Morgan)

Background imagePre Raphaelite Brotherhood Collection: A scene from Tom Brown's Schooldays

A scene from Tom Brown's Schooldays
5307715 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays': Chairing Tom in the quadrangle)

Background imagePre Raphaelite Brotherhood Collection: A scene from Tom Brown's Schooldays

A scene from Tom Brown's Schooldays
5307724 A scene from Tom Brown's Schooldays'.; (add.info.: Engraving depicting a scene from Tom Brown's Schooldays': Tom, Captain of the team)

Background imagePre Raphaelite Brotherhood Collection: Portrait of Thomas Woolner

Portrait of Thomas Woolner
672534 Portrait of Thomas Woolner; (add.info.: Thomas Woolner - Woodbury Thomas Woolner (17 December 1825 - 7 October 1892)

Background imagePre Raphaelite Brotherhood Collection: Mrs. George Waugh, 1868 (oil on fabric)

Mrs. George Waugh, 1868 (oil on fabric)
XOS5880420 Mrs. George Waugh, 1868 (oil on fabric) by Hunt, William Holman (1827-1910); 115.5x95.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Holman Hunt The sitter)



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The Pre-Raphaelite Brotherhood: A Captivating Journey into Artistic Romanticism Step into the enchanting world of the Pre-Raphaelite Brotherhood, a group of visionary artists who sought to revive the purity and intensity of medieval art. Circe Invidiosa, painted by John William Waterhouse in 1892, mesmerizes with its bewitching portrayal of the sorceress from Greek mythology. In 1899, William John Wainwright's Parable Of The Wise And Foolish Virgins captivates viewers with its allegorical depiction of virtue and folly. This thought-provoking piece invites contemplation on human nature and moral choices. John Everett Millais' My First Sermon (1863) and My Second Sermon (1864) offer glimpses into Victorian society through innocent yet profound portrayals of children engaged in religious contemplation. These iconic works evoke a sense of innocence lost amidst societal pressures. Waterhouse's A Mermaid transports us to an ethereal underwater realm where myth meets reality. The artist skillfully captures both beauty and danger as we witness this mythical creature luring sailors to their demise. Crenaia, the nymph of Dargle, immortalized by unknown hands, embodies the allure and mystery associated with nymphs in ancient folklore. Her delicate features transport us to a world steeped in magic and wonder. Narcissus and Echo tell a tragic tale through Millais' brushstrokes - Narcissus enamored by his own reflection while Echo pines away for unrequited love. This poignant representation explores themes such as vanity, obsession, and unattainable desire. Sir Isumbras at the Ford (1857) showcases Millais' mastery at capturing historical narratives filled with chivalry and heroism. This evocative painting transports us back to medieval times when knights embarked on daring quests for honor and glory.