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Wall Art and Prints since 2004

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Pre Raphaelite Brotherhood Gallery

Available as Prints and Gift Items

Choose from 360 pictures in our Pre Raphaelite Brotherhood collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


A Mermaid. Artist: Waterhouse, John William (1849-1917)
A Mermaid. Artist: Waterhouse, John William (1849-1917)
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Crenaia, the nymph of the Dargle
Crenaia, the nymph of the Dargle
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Pomona, 1872. Creator: Julia Margaret Cameron
Pomona, 1872. Creator: Julia Margaret Cameron
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Circe Invidiosa, 1892. Artist: Waterhouse, John William (1849-1917)
Circe Invidiosa, 1892. Artist: Waterhouse, John William (1849-1917)
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Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
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The Last of England, 1855. Artist: Ford Madox Brown
The Last of England, 1855. Artist: Ford Madox Brown
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My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). Creator: John Everett Millais
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My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). Creator: John Everett Millais
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Edward Burne Jones and William Morris, 1874 (b/w photo)
Edward Burne Jones and William Morris, 1874 (b/w photo)
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Narcissus and Echo
Narcissus and Echo
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Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
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Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
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My First Sermon, 1863, (1947). Creator: John Everett Millais Featured Image

My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). The Artist's Daughter in Winchelsea Church': portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted, listening to the preacher's message. The location was probably All Saints Church at Kingston-on-Thames, Surrey. A companion piece, painted a year or so later, shows her fast asleep, the novelty of a church service having waned. Painting in the Guildhall Art Gallery, London. From "English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]

© The Print Collector/Heritage Images

Destiny, 1900, (c1930). Creator: John William Waterhouse
Destiny, 1900, (c1930). Creator: John William Waterhouse
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The Favourites of the Emperor Honorius, 1883. Artist: Waterhouse, John William (1849-1917)
The Favourites of the Emperor Honorius, 1883. Artist: Waterhouse, John William (1849-1917)
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The Crystal Ball. Artist: Waterhouse, John William (1849-1917)
The Crystal Ball. Artist: Waterhouse, John William (1849-1917)
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Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
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Helen of Troy, 1863 (oil on panel)
Helen of Troy, 1863 (oil on panel)
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The Blessed Damozel. Artist: Rossetti, Dante Gabriel (1828-1882)
The Blessed Damozel. Artist: Rossetti, Dante Gabriel (1828-1882)
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Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright
Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright
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Julia Margaret Cameron, 1870. Creator: Henry Herschel Hay Cameron
Julia Margaret Cameron, 1870. Creator: Henry Herschel Hay Cameron
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The Passing of Venus, c.1875 (oil on panel)
The Passing of Venus, c.1875 (oil on panel)
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The Battle of Beth Horon, 1862-3 (stained glass)
The Battle of Beth Horon, 1862-3 (stained glass)
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Self Portrait (pencil & chalk on paper)
Self Portrait (pencil & chalk on paper)
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Perseus and Andromeda, study for The Doom Fulfilled, 1875 (gouache with gold paint on board)
Perseus and Andromeda, study for The Doom Fulfilled, 1875 (gouache with gold paint on board)
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Destiny, 1900, (c1930). Creator: John William Waterhouse Featured Image

Destiny, 1900, (c1930). Creator: John William Waterhouse

Destiny, 1900, (c1930). Woman holding a glass bowl, with ships reflected in a large mirror behind; allegorical scene with spatial and temporal inconsistencies, inscribed Artists War Fund above the signature. Painting in the Towneley Hall Art Gallery & Museum, Burnley, Lancashire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd. London, c1930]

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Aeneas slaying Mezentius, 1873 (pencil on paper)
Aeneas slaying Mezentius, 1873 (pencil on paper)
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Christ Blessing the Little Children, 1892-93 (black & white chalks on paper)
Christ Blessing the Little Children, 1892-93 (black & white chalks on paper)
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Edward Burne-Jones and William Morris, English artists and designers (b/w photo)
Edward Burne-Jones and William Morris, English artists and designers (b/w photo)
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The Parable of the Boiling Pot (engraving)
The Parable of the Boiling Pot (engraving)
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Jesus Christ washing St Peter's feet (colour litho)
Jesus Christ washing St Peter's feet (colour litho)
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The Lady of Shalott (litho)
The Lady of Shalott (litho)
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Brother Brushes: Sir John Everett Millais, British artist; Wilhelm Peters, Norwegian artist, working at Newlyn
Brother Brushes: Sir John Everett Millais, British artist; Wilhelm Peters, Norwegian artist, working at Newlyn
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John Everett Millais, Pre-Raphaelite painter (b/w photo)
John Everett Millais, Pre-Raphaelite painter (b/w photo)
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Cover of a pianoforte designed and painted by Edward Burne-Jones (engraving)
Cover of a pianoforte designed and painted by Edward Burne-Jones (engraving)
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Antony and Cleopatra, Antony and Cleopatra, Act III, Scene IX (engraving)
Antony and Cleopatra, Antony and Cleopatra, Act III, Scene IX (engraving)
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John Everett Millais (b/w photo)
John Everett Millais (b/w photo)
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Illustration for Romeo and Juliet (engraving)
Illustration for Romeo and Juliet (engraving)
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Aeneas slaying Mezentius, 1873 (pencil on paper) Featured Image

Aeneas slaying Mezentius, 1873 (pencil on paper)

955422 Aeneas slaying Mezentius, 1873 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 17.3x17.2 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: In Roman mythology, Mezentius was an Etruscan king, and father of Lausus. Sent into exile because of his cruelty, he moved to Latium. He reveled in bloodshed and was overwhelmingly savage on the battlefield, but more significantly to a Roman audience he was a contemptor divum, a "despiser of the gods."); © Fitzwilliam Museum

© © Fitzwilliam Museum / Bridgeman Images

Sir Edward Burne-Jones (litho)
Sir Edward Burne-Jones (litho)
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Thomas Woolner, Esquire, RA (engraving)
Thomas Woolner, Esquire, RA (engraving)
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Mr Burne-Jones, ARA, at the New Gallery (engraving)
Mr Burne-Jones, ARA, at the New Gallery (engraving)
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Mr Burne-Jones, ARA, at the New Gallery (engraving)
Mr Burne-Jones, ARA, at the New Gallery (engraving)
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Illustration for Romeo and Juliet (engraving)
Illustration for Romeo and Juliet (engraving)
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Circe (engraving)
Circe (engraving)
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Love among the Ruins (litho)
Love among the Ruins (litho)
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Bertram and Helena, All's Well that ends Well, Act II, Scene V (engraving)
Bertram and Helena, All's Well that ends Well, Act II, Scene V (engraving)
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Mr Burne-Jones, ARA, at the New Gallery (engraving)
Mr Burne-Jones, ARA, at the New Gallery (engraving)
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17 Red Lion Square, inhabited by the artists Dante Gabriel Rossetti, William Morris and Edward Burne-Jones (b/w photo)
17 Red Lion Square, inhabited by the artists Dante Gabriel Rossetti, William Morris and Edward Burne-Jones (b/w photo)
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The Sleeping Beauty (colour litho)
The Sleeping Beauty (colour litho)
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Frontispiece and title page for The Vampire by Rudyard Kipling (litho)
Frontispiece and title page for The Vampire by Rudyard Kipling (litho)
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