Pre Raphaelite Brotherhood Collection (page 2)

Portrait of Sir John Everett Millais
672596 Portrait of Sir John Everett Millais; (add.info.: J E Millais - Woodbury Sir John Everett Millais, 1st Baronet (8 June 1829 - 13 August 1896)

Study for "The Hireling Shepherd", 1851 (graphite)
XOS5880747 Study for "The Hireling Shepherd", 1851 (graphite) by Hunt, William Holman (1827-1910); 11.4x18.3 cm; Cleveland Museum of Art, OH

El Haram, Jerusalem (oil on panel)
PNH354617 El Haram, Jerusalem (oil on panel) by Leighton, Frederic (1830-96); 11.5x19.5 cm; Private Collection; (add.info)

Head of an Old Italian Woman, c.1850 (oil on canvas)
8677877 Head of an Old Italian Woman, c.1850 (oil on canvas) by Leighton, Frederic (1830-96); 61.9x48.8 cm; Leighton House Museum, Kensington & Chelsea, London

View from the terrace on a river landscape at night, 1875. Creator: William Holman Hunt
View from the terrace on a river landscape at night, 1875

The Goatherdess, 1864. Creator: Gerard Bilders
The Goatherdess, 1864

The Golden Legend: the Golden Legend of Master William Caxton done anew, 1892

The Birth of Galatea, 1885. Creator: Charles William Campbell
The Birth of Galatea, 1885. Greek mythology: ivory statue carved by Pygmalion of Cyprus, which came to life

"How Lisa Loved The King"; "Lisa, the only child of a rich merchant of Palermo, 1890. Creator: Unknown
'How Lisa Loved The King"; "Lisa, the only child of a rich merchant of Palermo, having fallen ill through love of King Pietro of Sicily, asks his favourite musician

Jeune femme jouant de la mandore ou Solitude, 1910. Creator: Edgard Maxence
Jeune femme jouant de la mandore ou Solitude, 1910. Young woman playing the mandore, or Solitude. Detail

Jeune femme jouant de la mandore ou Solitude, 1910. Creator: Edgard Maxence
Jeune femme jouant de la mandore ou Solitude, 1910. Young woman playing the mandore, or Solitude. Detail

'Pictures of the Year - VIII. "Ulysses and the Sirens", after JW Waterhouse, ARA, 1891. Creator: Unknown
'Pictures of the Year - VIII. "Ulysses and the Sirens", after JW Waterhouse, ARA, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Joan of Arc, 1863. Creator: Rossetti, Dante Gabriel (1828-1882)
Joan of Arc, 1863. Found in the collection of the Musee d'Art Moderne et Contemporain, Strasbourg

Lady Frances Balfour, 1881. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Lady Frances Balfour, 1881. Found in the collection of the Musee des Beaux-Arts, Nantes

The Light of the World, 1860. Creator: William Henry Simmons
The Light of the World, 1860

The Shadow of Death, 1878. Creator: Frederick Stacpoole
The Shadow of Death, 1878

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

Full-length Portrait of a Woman, 1846. Creator: Dante Gabriel Rossetti
Full-length Portrait of a Woman, 1846

Lady with black dress and hat (Alice Hauser), 1901. Creator: John Quincy Adams
Lady with black dress and hat (Alice Hauser), 1901

The Wedding of St George and the Princess Sabra, 1857. Creator: Dante Gabriel Rossetti
The Wedding of St George and the Princess Sabra, 1857. Sabra threads a lock of her hair through St Georges helmet; in the corner is the severed head of the dragon he has just killed to rescue her

The Expulsion of Adam and Eve from Eden, 1897, (c1930). Creator: Arthur Trevethin Nowell
The Expulsion of Adam and Eve from Eden, 1897, (c1930). A group of disapproving angels look on as Adam and Eve, now ashamed of their nakedness

Hylas and the Nymphs, 1896, (c1902). Creator: Unknown
Hylas and the Nymphs, 1896, (c1902). After a painting in the Manchester Art Gallery. Mythological scene showing Hylas being tempted to his death by naked water nymphs surrounded by water lilies

The Bower Meadow, 1850-1872, (c1912). Artist: Dante Gabriel Rossetti
The Bower Meadow, (c1912). Two women playing dulcimer and lute, the landscape background was painted at Sevenoaks in Kent in 1850, painting completed in 1872

Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)
XOS5884752 Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper) by Hueffer, Catherine Nee Madox Brown (1850-1927); 52.7x36.5 cm; Cleveland Museum of Art, OH

King Lear, c.1860 (oil on board adhered to canvas)
XOS5884760 King Lear, c.1860 (oil on board adhered to canvas) by Brown, Ford Madox (1821-93); 30.5x36.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Ford Madox Brown)

Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)
LGH250630 Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Dante Alighieri meets Beatrice, ca 1900 (postcard)
7422863 Dante Alighieri meets Beatrice, ca 1900 (postcard) by Rossetti, Dante Gabriel (1828-82) (after); (add.info.: Literature)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Athlete Struggling with a Python (bronze)
NGW186853 Athlete Struggling with a Python (bronze) by Leighton, Frederic (1830-96); National Museum Wales; National Museums & Galleries of Wales

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Fair Rosamund, c.1916 (oil on canvas)
NGW239421 Fair Rosamund, c.1916 (oil on canvas) by Waterhouse, John William (1849-1917); 60.6x48 cm; National Museum Wales; (add.info)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

The Light of the World, painting in Keble College, Oxford, Oxfordshire, depicting Christ carrying a lantern
5996879 The Light of the World, painting in Keble College, Oxford, Oxfordshire, depicting Christ carrying a lantern and knocking at a door (b/w photo) by Hunt

The Last of England, 1852-1855. Creator: Ford Madox Brown
The Last of England, 1852-1855. This is a painting about emigration, the couple are departing for Australia. The subject itself - departure in desperate circumstances for a foreign land - has

The Nativity, 1858. Creator: Arthur Hughes
The Nativity, 1858

Gareth and Lynette, 1874. Creator: Julia Margaret Cameron
Gareth and Lynette, 1874. A bearded man (Andrew Hichens) poses as Gareth reclining with head cast down and eyes closed. A woman (May Prinsep Hichens), poses as Lynette

Sir Galahad and the Pale Nun, 1874. Creator: Julia Margaret Cameron
Sir Galahad and the Pale Nun, 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

The Passing of King Arthur, 1874. Creator: Julia Margaret Cameron
The Passing of King Arthur, 1874. A melodramatic depiction of Arthurs death scene. A bearded man (William Warder) in profile

The Madonna Penserosa, 1864. Creator: Julia Margaret Cameron
The Madonna Penserosa, 1864

King Arthur, September 1874. Creator: Julia Margaret Cameron
King Arthur, September 1874. A photograph of the torso and head in profile of a bearded and long-haired knight (William Warder) with helmet and chainmail gripping a sword

The Palisades, ca. 1870. Creator: John William Hill
The Palisades, ca. 1870

May Morning on Magdalen Tower, 1888-1890, (1942). Creator: William Holman Hunt
May Morning on Magdalen Tower, 1888-1890, (1942). Dawn on the first day of May: the choristers of Magdalen College, Oxford, are singing a hymn to the rising sun

The Death of Cleopatra, 1890. Creator: John Maler Collier
The Death of Cleopatra, 1890. The Egyptian queen Cleopatra VII (69-30 BC) is believed to have committed suicide by allowing herself to be bitten by an asp. Painting in Gallery Oldham

The Last Watch of Hero, 1887, (c1902). Creator: Unknown
The Last Watch of Hero, 1887, (c1902). After a painting in the Manchester Art Gallery. Victorian depiction of a scene from Greek mythology

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The Pre-Raphaelite Brotherhood: A Captivating Journey into Artistic Romanticism Step into the enchanting world of the Pre-Raphaelite Brotherhood, a group of visionary artists who sought to revive the purity and intensity of medieval art. Circe Invidiosa, painted by John William Waterhouse in 1892, mesmerizes with its bewitching portrayal of the sorceress from Greek mythology. In 1899, William John Wainwright's Parable Of The Wise And Foolish Virgins captivates viewers with its allegorical depiction of virtue and folly. This thought-provoking piece invites contemplation on human nature and moral choices. John Everett Millais' My First Sermon (1863) and My Second Sermon (1864) offer glimpses into Victorian society through innocent yet profound portrayals of children engaged in religious contemplation. These iconic works evoke a sense of innocence lost amidst societal pressures. Waterhouse's A Mermaid transports us to an ethereal underwater realm where myth meets reality. The artist skillfully captures both beauty and danger as we witness this mythical creature luring sailors to their demise. Crenaia, the nymph of Dargle, immortalized by unknown hands, embodies the allure and mystery associated with nymphs in ancient folklore. Her delicate features transport us to a world steeped in magic and wonder. Narcissus and Echo tell a tragic tale through Millais' brushstrokes - Narcissus enamored by his own reflection while Echo pines away for unrequited love. This poignant representation explores themes such as vanity, obsession, and unattainable desire. Sir Isumbras at the Ford (1857) showcases Millais' mastery at capturing historical narratives filled with chivalry and heroism. This evocative painting transports us back to medieval times when knights embarked on daring quests for honor and glory.