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Metal Print : The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891
Metal Prints From Heritage Images
The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891
The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891
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Media ID 36299893
© The Print Collector/Heritage Images
Association Bicycle Bicycles Bike Bikes Charles Joseph Staniland Cj Staniland Club County Cyclist Cyclists Day Out Day Trip Meeting Outing Public House Staniland Charles Joseph Surrey Tavern The Graphic
20"x24" (61x51cm) Metal Print
Bring the nostalgic charm of the past into your home with our Media Storehouse Metal Print of 'The Cyclists' Sunday Dinner at Ripley; The Anchor at Ripley--The Cyclists Inn', 1891 by Charles Joseph Staniland. This captivating image, originally published in The Graphic, an illustrated weekly newspaper, showcases a lively scene of cyclists gathered for a Sunday dinner at a cozy English inn. The intricate details of the scene, from the cyclists' colorful attire to the warm glow of the inn's windows, are beautifully preserved in this high-quality metal print. Add a touch of history and character to any room in your home with this stunning piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")
Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Cyclists' Sunday Dinner at Ripley;
EDITORS COMMENTS
The Anchor" at Ripley--The Cyclists Inn," 1891, is a captivating photograph by Charles Joseph Staniland that offers a glimpse into the pastime and camaraderie of Victorian-era cycling clubs. The image, published in "The Graphic: An Illustrated Weekly Newspaper," Volume 44, July to December, 1891, depicts a group of cyclists gathered at "The Anchor" public house in Ripley, Surrey, England. The cyclists, all men, are dressed in their Sunday best, with some wearing bowler hats and others donning ties. They sit at long tables, some engaged in animated conversation, while others help themselves to the hearty meal before them. In the background, more cyclists can be seen arriving, their bicycles lined up outside the tavern. The exterior of "The Anchor" serves as the perfect backdrop to this scene, with its ornate sign and red-tiled roof. The building's warm, inviting appearance contrasts with the cool, crisp air of the English countryside. The image captures the essence of a day out or weekend trip for these cycling enthusiasts, who came together to enjoy each other's company, good food, and the simple pleasure of the open road. Charles Joseph Staniland's photograph is a testament to the popularity of cycling clubs during the late 19th century and the sense of community they fostered. It also showcases the importance of the press in documenting and sharing these moments with a wider audience. Today, this photograph remains a fascinating window into a bygone era, offering a glimpse into the lives and pastimes of Victorian-era cyclists.
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