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Canvas Print : The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891

The Cyclists Sunday Dinner at Ripley; 'The Anchor' at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; 'The Anchor' at Ripley--The Cyclists Inn, 1891



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The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891

The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Heritage Images features heritage image collections

Media ID 36299893

© The Print Collector/Heritage Images

Association Bicycle Bicycles Bike Bikes Charles Joseph Staniland Cj Staniland Club County Cyclist Cyclists Day Out Day Trip Meeting Outing Public House Staniland Charles Joseph Surrey Tavern The Graphic


20"x16" (51x41cm) Canvas Print

Bring the charm of Victorian England into your home with our exquisite Canvas Print of 'The Cyclists' Sunday Dinner at Ripley; The Anchor at Ripley--The Cyclists Inn', 1891 by Charles Joseph Staniland. This captivating image, originally published in The Graphic, depicts a lively scene of cyclists gathered for a hearty Sunday meal at a cozy English inn. The warm glow of the fireplace, the laughter and camaraderie of the group, and the intricate details of the period setting make this a truly unique and beautiful addition to any space. Our high-quality Canvas Prints are printed on premium canvas and coated with a protective, archival-grade finish to ensure lasting vibrancy and durability. Elevate your decor and transport yourself to a bygone era with this stunning work of art.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > Charles White

> Europe > United Kingdom > England > Sports > Cycling

> Europe > United Kingdom > England > Surrey > Related Images

> Europe > United Kingdom > England > Surrey > Ripley

> Sport > Cycling

> Transportation > Motorbikes > Road Bikes


The Cyclists' Sunday Dinner at Ripley;

EDITORS COMMENTS
The Anchor" at Ripley--The Cyclists Inn," 1891, is a captivating photograph by Charles Joseph Staniland that offers a glimpse into the pastime and camaraderie of Victorian-era cycling clubs. The image, published in "The Graphic: An Illustrated Weekly Newspaper," Volume 44, July to December, 1891, depicts a group of cyclists gathered at "The Anchor" public house in Ripley, Surrey, England. The cyclists, all men, are dressed in their Sunday best, with some wearing bowler hats and others donning ties. They sit at long tables, some engaged in animated conversation, while others help themselves to the hearty meal before them. In the background, more cyclists can be seen arriving, their bicycles lined up outside the tavern. The exterior of "The Anchor" serves as the perfect backdrop to this scene, with its ornate sign and red-tiled roof. The building's warm, inviting appearance contrasts with the cool, crisp air of the English countryside. The image captures the essence of a day out or weekend trip for these cycling enthusiasts, who came together to enjoy each other's company, good food, and the simple pleasure of the open road. Charles Joseph Staniland's photograph is a testament to the popularity of cycling clubs during the late 19th century and the sense of community they fostered. It also showcases the importance of the press in documenting and sharing these moments with a wider audience. Today, this photograph remains a fascinating window into a bygone era, offering a glimpse into the lives and pastimes of Victorian-era cyclists.

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