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Fine Art Print : The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891

The Cyclists Sunday Dinner at Ripley; 'The Anchor' at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; 'The Anchor' at Ripley--The Cyclists Inn, 1891



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The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. Creator: Charles Joseph Staniland. The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891

The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

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Media ID 36299893

© The Print Collector/Heritage Images

Association Bicycle Bicycles Bike Bikes Charles Joseph Staniland Cj Staniland Club County Cyclist Cyclists Day Out Day Trip Meeting Outing Public House Staniland Charles Joseph Surrey Tavern The Graphic


20"x20" (+3" Border) Fine Art Print

Step back in time with this exquisite Fine Art Print of 'The Cyclists' Sunday Dinner at Ripley; The Anchor at Ripley--The Cyclists Inn', created by Charles Joseph Staniland in 1891. Originally published in The Graphic, this captivating image depicts a lively scene of cyclists gathered for a Sunday dinner at a cozy English inn. The warm glow of the fireplace, the laughter and conversation, and the sense of community are all beautifully captured in this intricately detailed work of art. Add this stunning print to your home or office to bring a touch of history and charm to your space.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 50.8cm (20" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > Charles White

> Europe > United Kingdom > England > Sports > Cycling

> Europe > United Kingdom > England > Surrey > Related Images

> Europe > United Kingdom > England > Surrey > Ripley

> Sport > Cycling

> Transportation > Motorbikes > Road Bikes


The Cyclists' Sunday Dinner at Ripley;

EDITORS COMMENTS
The Anchor" at Ripley--The Cyclists Inn," 1891, is a captivating photograph by Charles Joseph Staniland that offers a glimpse into the pastime and camaraderie of Victorian-era cycling clubs. The image, published in "The Graphic: An Illustrated Weekly Newspaper," Volume 44, July to December, 1891, depicts a group of cyclists gathered at "The Anchor" public house in Ripley, Surrey, England. The cyclists, all men, are dressed in their Sunday best, with some wearing bowler hats and others donning ties. They sit at long tables, some engaged in animated conversation, while others help themselves to the hearty meal before them. In the background, more cyclists can be seen arriving, their bicycles lined up outside the tavern. The exterior of "The Anchor" serves as the perfect backdrop to this scene, with its ornate sign and red-tiled roof. The building's warm, inviting appearance contrasts with the cool, crisp air of the English countryside. The image captures the essence of a day out or weekend trip for these cycling enthusiasts, who came together to enjoy each other's company, good food, and the simple pleasure of the open road. Charles Joseph Staniland's photograph is a testament to the popularity of cycling clubs during the late 19th century and the sense of community they fostered. It also showcases the importance of the press in documenting and sharing these moments with a wider audience. Today, this photograph remains a fascinating window into a bygone era, offering a glimpse into the lives and pastimes of Victorian-era cyclists.

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