Charles Joseph Staniland Collection

Scenes now being acted in the London Theatres; "A Sailors Knot" at Drury Lane Theatre, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

The Cyclists Sunday Dinner at Ripley; The Clubs at Dinner. 1891. Creator: Charles Joseph Staniland
The Cyclists Sunday Dinner at Ripley; The Clubs at Dinner. 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

The Cyclists Sunday Dinner at Ripley; The Church at which the Cyclists Service is held. 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

The Cyclists Sunday Dinner at Ripley; "The Anchor" at Ripley--The Cyclists Inn, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Scenes now being acted in the London Theatres; " The Trumpet Call" at the Adelphi Theatre, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44

The Naval Manoeuvres - Torpedo Drill on board an Ironclad: Ready !, 1891. Creator: Charles Joseph Staniland
The Naval Manoeuvres - Torpedo Drill on board an Ironclad: Ready !, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Scene from Mr Mackenzie's new opera "The Troubadour" Act 3, 1886. Creator: Charles Joseph Staniland
Scene from Mr Mackenzie's new opera "The Troubadour" Act 3, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

The Visit of the French Fleet: "For they are jolly good fellows, and so say all of us", 1891
The Visit of the French Fleet: "For they are jolly good fellows, and so say all of us". The Officers Banquet at the Royal Naval College, 1891. From "The Graphic

"For The Patients";Flower-Girls outside the University Hospital on a visiting day, 1890
" For The Patients" ; Flower-Girls outside the University Hospital on a visiting day, 1890

The Naval Mobilisation, "A"Squadron at Portsmouth, 1888. Creator: Charles Joseph Staniland
The Naval Mobilisation, " A" Squadron at Portsmouth, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888

The Lotus Eaters, 1883 (pencil and watercolour heightened with white)
652065 The Lotus Eaters, 1883 (pencil and watercolour heightened with white) by Staniland, Charles J. (1838-1896); 74.9x121.9. cm; Private Collection; (add.info.: The Lotus Eaters)

The Twine Walk, Lowestoft, 1876 (pencil and watercolour with touches of white heightening
659761 The Twine Walk, Lowestoft, 1876 (pencil and watercolour with touches of white heightening) by Staniland, Charles J

Throwing the Life-Line, 1890. Creator: Unknown
Throwing the Life-Line, 1890. Lifeboatmen in sou westers carrying out a rescue in rough seas - the man in the centre preparing to throw the rope wears a belt of buoyancy aids

The old clothes exchange, Phils Building, Houndsditch, London, 1882. Artist: Charles Joseph Staniland
The old clothes exchange, Phils Building, Houndsditch, London, 1882. A print from The Illustrated London News, 21st January 1882

Entering the New World, 1892. Artist: Charles Joseph Staniland
Entering the New World, 1892. See the daystar of Liberty rise. Jewish refugees from Russia passing the colossal Statue of Liberty in New York harbour

Distress in the East End of London, 1886. Artist: Charles Joseph Staniland
Distress in the East End of London, 1886. From a supplement to The Graphic, 20 February 1886 (hand coloured later)

Monday afternoon at the zoological societys gardens, 1871. Artist: Charles Joseph Staniland
Monday afternoon at the zoological societys gardens, 1871. A print from the Illustrated London News, 23rd September 1871

An entertainment at Kings College Hospital, 1885. Artist: Charles Joseph Staniland
An entertainment at Kings College Hospital, 1885. Illustration from the The Graphic, (23 May 1885)

Jan Huss, heretical Bohemian theologian, 1866. Artist: Charles Joseph Staniland
Jan Hus, Bohemian religious reformer and theologian, 1493. Hus (1369-1415), shown here in prison, was burnt as a heretic at Constance for preaching the teachings of the English reformist clergyman

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Charles Joseph Staniland, a renowned artist of the 19th century, captured the essence of humanity through his diverse range of artworks. His dedication to depicting real-life situations and emotions is evident in his masterpieces. "For The Patients"; Flower-Girls outside the University Hospital on a visiting day, 1890: In this heartwarming scene, Staniland portrays the joyous encounter between patients and flower-girls at the University Hospital. Through vibrant colors and delicate brushstrokes, he captures the beauty of human connection amidst challenging circumstances. The Naval Mobilisation, "A" Squadron at Portsmouth, 1888: With meticulous attention to detail, Staniland immortalizes the strength and unity of naval forces during mobilization. This painting serves as a testament to their unwavering commitment to protect their nation's shores. The Lotus Eaters, 1883 (pencil and watercolor heightened with white): Inspired by Greek mythology's enchanting tale, Staniland transports us into a dreamlike world where we witness ethereal beings indulging in blissful oblivion. His use of pencil and watercolor creates an otherworldly atmosphere that captivates our imagination. The Twine Walk, Lowestoft, 1876 (pencil and watercolor with touches of white heightening): Staniland invites us on a serene stroll along Lowestoft's picturesque coastline. Through delicate strokes and subtle highlights of white paint, he captures the tranquility found in nature's embrace. Throwing the Life-Line, 1890: A moment frozen in time when unknown hands extend salvation towards those struggling against treacherous waves. Though created by an anonymous artist but attributed to Staniland due to its similar style; this artwork echoes his compassionate spirit for capturing moments that inspire hope amid adversity. The old clothes exchange Phils Building Houndsditch London 1882: Staniland takes us back in time as we witness bustling activity at the old clothes exchange in Houndsditch.