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Metal Print : SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497



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SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

SCRIBE: PAOLO ATTAVANTI.
Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7590489

1497 Christian Latin Milan Monk Paolo Paper Profile Scribe Scriptorium Wood Cut Writing Milanese


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of historical art into your modern home with our Media Storehouse Metal Prints. Featuring the intricately detailed woodcut image of Paolo Attavanti's "SCRIBE" from his Breviarium totius juris canonici, published in Milan, Italy in 1497, this metal print is a stunning addition to any decor. With vibrant colors and sharp details, the image is beautifully preserved on a durable metal surface, ensuring long-lasting quality. This unique piece of art, sourced from Granger Art on Demand, adds an air of sophistication and history to any room. Order your Media Storehouse Metal Print of "SCRIBE: Paolo Attavanti" today and experience the fusion of old-world charm and contemporary style.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Granger Art on Demand > Poets and Writers

> Europe > Italy > Related Images


EDITORS COMMENTS
This print showcases a woodcut from Paolo Attavanti's Breviarium totius juris canonici, created in Milan, Italy in 1497. The image features a profile view of a late Christian scribe named Paolo Attavanti diligently engrossed in his work. With pen in hand, he meticulously writes on the parchment paper laid out before him in the scriptorium. The medieval setting adds an air of authenticity to this snapshot of history. The dimly lit room is filled with the hushed whispers of other monks engaged in their own scholarly pursuits. Latin texts and manuscripts surround them, emphasizing the intellectual atmosphere that pervades this sacred space. Paolo Attavanti himself stands out as a Milanese figure who contributed significantly to the art of writing during this period. His expertise as a scribe is evident through his focused expression and precise strokes captured by the woodcut technique. As we gaze upon this remarkable piece, we are transported back to 1497 Milan, where men like Paolo Attavanti dedicated their lives to preserving knowledge through their meticulous craftsmanship. This print serves as both a testament to their invaluable contributions and an invitation for us to appreciate the beauty found within ancient texts and calligraphy.

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