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Framed Print : SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497
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SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497
SCRIBE: PAOLO ATTAVANTI.
Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497
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Media ID 7590489
1497 Christian Latin Milan Monk Paolo Paper Profile Scribe Scriptorium Wood Cut Writing Milanese
18"x14" Modern Frame
Discover the timeless beauty of history with our Media Storehouse Framed Prints. This exquisite woodcut, titled "SCRIBE: PAOLO ATTAVANTI," is taken from Paolo Attavanti's "Breviarium totius juris canonici," published in Milan, Italy, in 1497. The intricate details and rich colors of this rare print are brought to life in our high-quality framed presentation. Add a touch of history and artistry to your home or office with this stunning piece from Granger Art on Demand.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases a woodcut from Paolo Attavanti's Breviarium totius juris canonici, created in Milan, Italy in 1497. The image features a profile view of a late Christian scribe named Paolo Attavanti diligently engrossed in his work. With pen in hand, he meticulously writes on the parchment paper laid out before him in the scriptorium. The medieval setting adds an air of authenticity to this snapshot of history. The dimly lit room is filled with the hushed whispers of other monks engaged in their own scholarly pursuits. Latin texts and manuscripts surround them, emphasizing the intellectual atmosphere that pervades this sacred space. Paolo Attavanti himself stands out as a Milanese figure who contributed significantly to the art of writing during this period. His expertise as a scribe is evident through his focused expression and precise strokes captured by the woodcut technique. As we gaze upon this remarkable piece, we are transported back to 1497 Milan, where men like Paolo Attavanti dedicated their lives to preserving knowledge through their meticulous craftsmanship. This print serves as both a testament to their invaluable contributions and an invitation for us to appreciate the beauty found within ancient texts and calligraphy.
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