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Metal Print : The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua (colour litho)
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The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua (colour litho)
2778404 The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The electric light and the cinema, of which the inhabitants of the Tigre ignored the existence, have arrived in Adua. Amidst the amazement and enthusiasm of the indigenous people, a film about Italian land and sea maneuvers was screened outdoors, while all around, on the hills, the lighthouses of the camps lit military. Illustration for Courier Sunday, 3 November 1935.); © Look and Learn
Media ID 22716524
© Look and Learn / Bridgeman Images
Aborogines Abyssinia Adwa Audience Audiences Cinema Cinema Film Cinema House Cinema Theater Cinemas Cinematography Cultural Ethiopia Ethiopian Ethiopians Film Filming Films Freight Ship Group Of Persons Indigineous Mauri Movie Movie Scene Movies Nautical Vessel Picturehouse Sat Down Seagoing Ships Spectating Spectator Tanker Ship Viewer Achille Beltrame Beltrame Achille 1871 1945 Central Africa Natives
16"x24" (61x41cm) Metal Print
Step into the past with our stunning Metal Print of 'The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua' by Beltrame, available exclusively through Media Storehouse. This captivating color litho image, brought to you by Bridgeman Images from Fine Art Finder, depicts a scene of an electric light and cinema making their grand entrance into the town of Adua, while the tiger inhabitants remain oblivious. Add a touch of history and intrigue to your space with this beautiful and thought-provoking work of art. Order your Metal Print today and bring the magic of the past into your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua" by Achille Beltrame showcases a significant moment in history. The image depicts the arrival of electric light and cinema to Adua, a town where its residents were previously unaware of their existence. In this scene, we witness the astonishment and enthusiasm of indigenous people as they gather outdoors to watch a film about Italian land and sea maneuvers. Surrounding them on the hills are military camps with lighthouses illuminating their presence. It is an extraordinary sight that captures both cultural exchange and technological advancement. The photograph highlights not only the introduction of modernity but also how it captivates audiences from different backgrounds. Africans sit alongside Italians, all united in their curiosity for this new form of entertainment. The crowd's anticipation is palpable as they eagerly await what unfolds on screen. Beltrame's illustration for Courier Sunday on November 3rd, 1935 offers us a glimpse into an era when cinema was still considered a novelty in certain parts of Africa. This image serves as a testament to how art can bridge gaps between cultures while simultaneously documenting historical milestones. Through this photograph, we are reminded that even small moments like these can have profound impacts on society's collective memory. It stands as a tribute to progress and reminds us that technology has always had the power to bring people together across borders and boundaries.
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