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Fine Art Print : The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua (colour litho)
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The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua (colour litho)
2778404 The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The electric light and the cinema, of which the inhabitants of the Tigre ignored the existence, have arrived in Adua. Amidst the amazement and enthusiasm of the indigenous people, a film about Italian land and sea maneuvers was screened outdoors, while all around, on the hills, the lighthouses of the camps lit military. Illustration for Courier Sunday, 3 November 1935.); © Look and Learn
Media ID 22716524
© Look and Learn / Bridgeman Images
Aborogines Abyssinia Adwa Audience Audiences Cinema Cinema Film Cinema House Cinema Theater Cinemas Cinematography Cultural Ethiopia Ethiopian Ethiopians Film Filming Films Freight Ship Group Of Persons Indigineous Mauri Movie Movie Scene Movies Nautical Vessel Picturehouse Sat Down Seagoing Ships Spectating Spectator Tanker Ship Viewer Achille Beltrame Beltrame Achille 1871 1945 Central Africa Natives
21"x14" (+3" Border) Fine Art Print
Step into the past with our exquisite Fine Art Print of 'The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua' by Beltrame. This captivating color lithograph, brought to you by Bridgeman Images from Fine Art Finder, transports you to the enchanting world of Adua as electric lights and cinemas make their grand entrance. The oblivious inhabitants of the Tiger continue their daily lives, oblivious to the technological revolution unfolding around them. Add this stunning work of art to your collection and let its timeless beauty illuminate your space.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.5cm x 51.5cm (14" x 20.3")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "The electric light and the cinema, of which the inhabitants of the Tiger ignored the existence, have arrived in Adua" by Achille Beltrame showcases a significant moment in history. The image depicts the arrival of electric light and cinema to Adua, a town where its residents were previously unaware of their existence. In this scene, we witness the astonishment and enthusiasm of indigenous people as they gather outdoors to watch a film about Italian land and sea maneuvers. Surrounding them on the hills are military camps with lighthouses illuminating their presence. It is an extraordinary sight that captures both cultural exchange and technological advancement. The photograph highlights not only the introduction of modernity but also how it captivates audiences from different backgrounds. Africans sit alongside Italians, all united in their curiosity for this new form of entertainment. The crowd's anticipation is palpable as they eagerly await what unfolds on screen. Beltrame's illustration for Courier Sunday on November 3rd, 1935 offers us a glimpse into an era when cinema was still considered a novelty in certain parts of Africa. This image serves as a testament to how art can bridge gaps between cultures while simultaneously documenting historical milestones. Through this photograph, we are reminded that even small moments like these can have profound impacts on society's collective memory. It stands as a tribute to progress and reminds us that technology has always had the power to bring people together across borders and boundaries.
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