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Metal Print : Farnley Hall From Above Otley, (pencil and watercolour)

Farnley Hall From Above Otley, (pencil and watercolour)



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Farnley Hall From Above Otley, (pencil and watercolour)

651937 Farnley Hall From Above Otley, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 28.3x39.7 cm; Private Collection; (add.info.: Farnley Hall From Above Otley. Joseph Mallord William Turner (1775-1851). Pencil and watercolour. 28.3 x 39.7cm.); Photo eChristies Images; English, out of copyright

Media ID 22426184

© Christie's Images / Bridgeman Images

072012upload British Art British Art On Paper Early 19th Century Early Nineteenth Century Elevated Elevated View English Art English Artist Goat J M W Turner Joseph Mallord William Turner Pencil Pencil Drawing Romantic Art Romantic Era Romanticism Turner Water Color Water Colour West Yorkshire Wooded Yorkshire Artist British British Artist Farnley Hall Natural Space Otley


16"x20" (51x41cm) Metal Print

Breathtakingly capturing the essence of English countryside, this exquisite Metal Print features the enchanting artwork "Farnley Hall From Above Otley" by J.M.W. Turner from Bridgeman Images through Fine Art Finder. This meticulously crafted pencil and watercolor piece invites you to explore the intricate details of Farnley Hall and its picturesque surroundings from a unique perspective. The vibrant colors and striking contrasts are brilliantly brought to life on the durable metal surface, ensuring a stunning addition to any home or office decor. Experience the timeless beauty of Turner's masterpiece in a contemporary and captivating way with our high-quality Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Goats > British

> Arts > Art Movements > Romanticism

> Arts > Artists > D > William Day

> Arts > Artists > T > Joseph Mallord William Turner

> Arts > Artists > W > Joseph Wood

> Arts > Artists > William Turner > Romanticism in art

> Arts > Artists > William Turner

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Landscape paintings > Forest and woodland scenes > Romantic forest artwork

> Arts > Landscape paintings > Forest and woodland scenes > Woodland scenes


EDITORS COMMENTS
This print showcases Joseph Mallord William Turner's masterpiece, "Farnley Hall From Above Otley". The artwork, created with pencil and watercolour, measures 28.3x39.7 cm and is part of a private collection. Turner's talent for capturing the essence of English countryside shines through in this piece. The elevated view allows us to appreciate the beauty of Farnley Hall as it sits peacefully amidst the woodlands of West Yorkshire. The artist's meticulous attention to detail brings every element to life - from the lush greenery that surrounds the hall to the serene waters that reflect its grandeur. The romantic era influences are evident in Turner's use of soft colors and delicate brushstrokes, creating a dreamlike atmosphere. As we gaze upon this scene, we can almost imagine ourselves transported back to early nineteenth-century England, where time seems to stand still. Notably absent from this idyllic landscape are any human figures; instead, a lone goat grazes peacefully nearby. This absence only enhances our sense of tranquility and allows us to fully immerse ourselves in nature's embrace. As we admire Turner's skillful rendering of Farnley Hall From Above Otley, we cannot help but be reminded of the timeless beauty found within British art. This piece serves as a testament not only to Turner's artistic prowess but also to his ability to capture the essence and charm of rural England during this period.

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