British Artist Collection

The Tube Station, c. 1932 (linocut printed in colours on tissue Japan)
659543 The Tube Station, c.1932 (linocut printed in colours on tissue Japan) by Power, Cyril Edward (1874-1951); 25.5x29 cm; Private Collection; (add.info.: The Tube Station)

A map from On the Mode of Communication of Cholera, 1855 (litho)
1195411 A map from On the Mode of Communication of Cholera, 1855 (litho) by Snow, John (1813-58) (after); 22, 5x14, 2 cm; Private Collection; (add.info.: Snow)

April, from Twelve Months of Flowers, 1730 (colour engraving)
986032 April, from Twelve Months of Flowers, 1730 (colour engraving) by Casteels, Pieter (1684-1749) (after); 46.8x29 cm; Private Collection; (add.info.: April, from Twelve Months of Flowers)

Eclipse, a Dark Chestnut Racehorse held by a Groom, with a Jockey
652163 Eclipse, a Dark Chestnut Racehorse held by a Groom, with a Jockey, Possibly Jack Oakley, by the Rubbing Down House at Newmarket, 1770 (oil on canvas) by Stubbs

A Southern Railway poster advertising Ramsgate, 1939 (colour lithograph)
1769905 A Southern Railway poster advertising Ramsgate, 1939 (colour lithograph) by Kenneth Shoesmith (1890-1939) & Verney L

The Weald of Kent, a Southern Railway advertising poster, c
1769903 The Weald of Kent, a Southern Railway advertising poster, c.1925 (colour lithograph) by Maxwell, Donald (1877-1936); 102x127 cm; Private Collection; (add.info.: The Weald of Kent)

Children on the Beach, St. Ives, 1886 (oil on canvas)
658034 Children on the Beach, St. Ives, 1886 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 30.5x40 cm; Private Collection; (add.info.: Children on the Beach, St. Ives)

The Merry-Go-Round, 1930 (linocut printed in colours on tissue Japan. Dated 1930. 30. 5 x 3)
659541 The Merry-Go-Round, 1930 (linocut printed in colours on tissue Japan. Dated 1930. 30.5 x 3) by Power, Cyril Edward (1874-1951); 30.5x30.5 cm; Private Collection; (add.info)

In a Rose Garden, (oil on panel)
1199614 In a Rose Garden, (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 37.5x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Laurel Tree, 1731-1743 (hand-coloured etching)
986443 Laurel Tree, 1731-1743 (hand-coloured etching) by Catesby, Mark (1679-1749); Private Collection; (add.info.: Laurel Tree. From The Natural History of Carolina, Florida and the Bahama Islands)

A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour)
828474 A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour) by Thorburn, Archibald (1860-1935); 24.4x34.9 cm; Private Collection; (add.info)

Titania and Bottom from William Shakespeares A Midsummer-Nights Dream
1199541 Titania and Bottom from William Shakespeares A Midsummer-Nights Dream, (pencil and w/c on paper) by Fitzgerald, John Anster (1832-1906)

Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving)
986301 Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving) by Donovan, Edward (1768-1837); Private Collection; (add.info.: Boltons Dragon-fly (Libellula boltonii). Plate 430, Vol

The Blue Boat, 1929 (oil on board)
1197395 The Blue Boat, 1929 (oil on board) by Wood, Christopher (1901-30); 40x55.9 cm; Private Collection; Photo eChristies Images; English, out of copyright

Naomi and Ruth, 1887 (oil on canvas)
1199590 Naomi and Ruth, 1887 (oil on canvas) by Morgan, Evelyn De (1855-1919); 94x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Hunters in a Stable with a Groom, 1809 (oil on canvas)
990550 Hunters in a Stable with a Groom, 1809 (oil on canvas) by Weaver, Thomas (1774-1843); 68.6x89.5 cm; Private Collection; (add.info.: Hunters in a Stable with a Groom. Thomas Weaver (1774-1843)

The Fortune Teller, 1899 (oil on canvas)
989688 The Fortune Teller, 1899 (oil on canvas) by Wontner, William Clark (1857-1930); 81.9x67.9 cm; Private Collection; (add.info.: The Fortune Teller. William Clarke Wontner (1857-1930)

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph)
985994 Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph) by Roberts, David (1796-1864); 62.5x45 cm; Private Collection; (add.info)

Children with a St. Bernard, 1922 (oil on canvas)
989718 Children with a St. Bernard, 1922 (oil on canvas) by Elsley, Arthur John (1861-1952); 78.7x63.5 cm; Private Collection; (add.info.: Children with a St. Bernard. Arthur John Elsley (1861-1952)

St. Tropez, (oil on canvas)
657448 St. Tropez, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: St.Tropez. William Lee Hankey (1869-1952). Oil on canvas

Full Inside, 1899 (oil on canvas)
991396 Full Inside, 1899 (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x71 cm; Private Collection; (add.info.: Full Inside. Arthur John Elsley (1861-1952). Oil on canvas. Painted in 1899

Norwich, LMS & L. N. E. R, c. 1940 (lithograph in colours)
1766923 Norwich, LMS & L.N.E.R, c.1940 (lithograph in colours) by Ginner, Charles (1878-1952); 100x62 cm; Private Collection; (add.info.: Norwich, LMS & L.N.E.R. Charles Ginner (1878-1952)

Girl Reading, 1916 (oil on canvas)
656925 Girl Reading, 1916 (oil on canvas) by Jack, Richard (1866-1952); Private Collection; (add.info.: Girl Reading. Richard Jack (1866-1952). Oil on canvas. Signed and dated 1916

The Harbour, St Ives, (oil on canvas)
657970 The Harbour, St Ives, (oil on canvas) by Hankey, William Lee (1869-1952); 58x71 cm; Private Collection; (add.info.: The Harbour, St Ives. William Lee Hankey (1869-1952). Oil on canvas

A Peter Pan map of Kensington Gardens, 1923 (colour litho)
1198174 A Peter Pan map of Kensington Gardens, 1923 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x127 cm; Private Collection; (add.info.: Gill)

Portrait of Iris Tree Seated on a Four Poster Bed, (oil on canvas)
657158 Portrait of Iris Tree Seated on a Four Poster Bed, (oil on canvas) by Guevara, Alvaro (1894-1951); 182.6x121.4 cm; Private Collection; (add.info)

A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand
651793 A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond Water-Walk, (black chalk and stump)

Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)
1198423 Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured) by Bury, Thomas Talbot (1811-77) (after); 26.5x66 cm; Private Collection; Photo eChristies Images; English

Within the Seraglio, 1879 (oil on canvas)
822685 Within the Seraglio, 1879 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 54.6x73.7 cm; Private Collection; (add.info.: Within the Seraglio. Fredrick Arthur Bridgman (1847-1928)

The Milkmaid, 1902 (pencil and watercolour)
652074 The Milkmaid, 1902 (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 52.7x34.9 cm; Private Collection; (add.info.: The Milkmaid. Charles Edward Wilson (1854-1941)

The Wappenshaw: A Shooting Match, (oil on paper)
1199487 The Wappenshaw: A Shooting Match, (oil on paper) by Faed, John (1820-1902); 38.7x56.3 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas)
990567 Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas) by Cooper, Abraham (1787-1868); 64.8x80 cm; Private Collection; (add.info)

Aldbourne, Wiltshire, (oil on panel)
657230 Aldbourne, Wiltshire, (oil on panel) by Lees, Derwent (1885-1931); Private Collection; (add.info.: Aldbourne, Wiltshire. Derwent Lees (1885-1931). Oil on panel

A Map of the Union of South Africa, 1931 (colour litho)
1198400 A Map of the Union of South Africa, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board)
652103 Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board) by Stannard

Teatime (pencil and watercolour heightened with white on card)
1765030 Teatime (pencil and watercolour heightened with white on card) by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Teatime. Myles Birket Foster (1825-1899)

Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out)
1766697 Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out) by Allingham, Helen (1848-1926); 24.5x32.8 cm; Private Collection; (add.info)

The Fortune Teller, 1907 (oil on canvas)
658467 The Fortune Teller, 1907 (oil on canvas) by Hardy, Heywood (1842-1933); 68.5x100.3 cm; Private Collection; (add.info.: The Fortune Teller. Heywood Hardy (1842-1933). Oil on canvas

Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas)
827857 Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas) by Beechey, William (1753-1839); 76.4x63.5 cm; Private Collection; (add.info)

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Still Life with Tulips and Iona, 1920s (oil on panel)
1197121 Still Life with Tulips and Iona, 1920s (oil on panel) by Cadell, Francis Campbell Boileau (1883-1937); 44.5x36.8 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

At Aphrodites Cradle (The Ever-New Horizon), (oil on panel)
989817 At Aphrodites Cradle (The Ever-New Horizon), (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 49.6x38 cm; Private Collection; (add.info.: At Aphrodites Cradle (The Ever-New Horizon)

A Puppy for My Lady, (oil on canvas)
659164 A Puppy for My Lady, (oil on canvas) by Hardy, Heywood (1842-1933); 25.4x68.5 cm; Private Collection; (add.info.: A Puppy for My Lady. Heywood Hardy (1842-1933). Oil on canvas

The James Caird, Dudley Docker and Stancomb Wills Moored to the Ice-floe in the Weddell
828383 The James Caird, Dudley Docker and Stancomb Wills Moored to the Ice-floe in the Weddell Sea, April 1916, 1916 (oil on canvas) by Marston

Scene from The Mad Hatters Tea Party, c. 1865 (pen and brown ink)
985961 Scene from The Mad Hatters Tea Party, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 12.5x9.9 cm; Private Collection; (add.info.: Scene from The Mad Hatters Tea Party)

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

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British Artist: Capturing the Essence of Time and Place From the picturesque landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster, British artists have long been celebrated for their ability to transport us to different worlds through their art. In 1939, a Southern Railway poster advertising Ramsgate showcased the artist's mastery of color lithography, enticing viewers with its vivid depiction of sun-kissed beaches and inviting waters. Meanwhile, Children on the Beach, St. Ives painted in 1886 captures the innocence and joy of youth against a backdrop of crashing waves and golden sands. Not limited to capturing idyllic scenes, British artists also excelled at portraying powerful subjects such as Eclipse - a Dark Chestnut Racehorse held by a Groom with a Jockey astride. This masterpiece showcases both strength and elegance while highlighting the bond between man and animal. Moving from grandeur to intimacy, A Lady Walking in a Garden portrays tenderness as she stands full length holding her small child's hand. The artist skillfully captures this fleeting moment that encapsulates love and protection. The Milkmaid created in 1902 using pencil and watercolor demonstrates an artist's attention to detail as they bring everyday life into focus. Similarly, The Wappenshaw: A Shooting Match immerses us in an oil-on-paper scene where we can almost hear gunshots echoing across fields. Delving further into history is Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom from 1815 which showcases not only artistic talent but also serves as documentation for equine enthusiasts seeking insight into past bloodlines. Artists throughout history have also found inspiration in nature itself; April from Twelve Months of Flowers transports us back to 1730 with its delicate yet vibrant colors engraved onto paper. Likewise, Laurel Tree hand-coloured etching invites us into lush gardens, evoking a sense of tranquility and beauty.