British Artist Collection (page 3)

The Band, 1949 (oil on canvas)
657260 The Band, 1949 (oil on canvas) by Tibble, Geoffrey (1909-52); 63.5x76 cm; Private Collection; (add.info.: The Band. Geoffrey Tibble (1909-1952). Oil on canvas. Signed and dated 1949

Boscastle Harbour, 1915 (oil on canvas)
657764 Boscastle Harbour, 1915 (oil on canvas) by Ginner, Charles (1878-1952); Private Collection; (add.info.: Boscastle Harbour. Charles Ginner (1878-1952). Oil on canvas. Painted in 1915

Kutenai Duck Hunter, 1910 (photogravure)
1766830 Kutenai Duck Hunter, 1910 (photogravure) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Kutenai Duck Hunter. Edward S. Curtis (1868-1952)

Tapa (Antelope Water), Taos, 1905 (toned platinum print on heavy textured paper)
1766828 Tapa (Antelope Water), Taos, 1905 (toned platinum print on heavy textured paper) by Curtis, Edward Sheriff (1868-1952) ; 39.4x29.1 cm; Private Collection; (add.info.: Tapa (Antelope Water)

Spirit of the Past (platinum print on heavy textured paper)
1766829 Spirit of the Past (platinum print on heavy textured paper) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Spirit of the Past. Edward S. Curtis (1868-1952)

The Ferry, Concarneau, (oil on canvas)
657909 The Ferry, Concarneau, (oil on canvas) by Hankey, William Lee (1869-1952); 51x61 cm; Private Collection; (add.info.: The Ferry, Concarneau. William Lee Hankey (1869-1952). Oil on canvas

The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas)
826729 The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas) by Ginner, Charles (1878-1952); 51x61 cm; Private Collection; (add.info.: The Landing Stage, Stratford-Upon-Avon)

A Corner in Chelsea, 1910 (oil on canvas)
1197128 A Corner in Chelsea, 1910 (oil on canvas) by Ginner, Charles (1878-1952); 94x133 cm; Private Collection; Photo © Christie's Images

Homeward, 1898 (orotone)
1766834 Homeward, 1898 (orotone) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Homeward. Edward S. Curtis (1868-1952). Orotone, 1898.); Photo © Christie's Images

The Oath - Apsaroke, 1920 (orotone print)
1766827 The Oath - Apsaroke, 1920 (orotone print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: The Oath - Apsaroke. (C. 1908). Edward S. Curtis (1868-1952)

Spring-Boulevard St, (oil on canvas)
989989 Spring-Boulevard St, (oil on canvas) by Hankey, William Lee (1869-1952); 63.5x76.2 cm; Private Collection; (add.info.: Spring-Boulevard St. Michel, Paris; Printemps-Boulevard St)

Goodnight, 1911 (oil on canvas)
989637 Goodnight, 1911 (oil on canvas) by Elsley, Arthur John (1861-1952); 99.3x72.3 cm; Private Collection; (add.info.: Goodnight. Arthur John Elsley (1861-1952). Oil on canvas

The Morning Greeting, 1898 (oil on canvas)
989518 The Morning Greeting, 1898 (oil on canvas) by Elsley, Arthur John (1861-1952); 87x65.4 cm; Private Collection; (add.info.: The Morning Greeting. Arthur John Elsley (1861-1952). Oil on canvas

Mother and Child, (oil on canvas)
657292 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Mother and Child. William Lee Hankey (1869-1952). Oil on canvas

Notre Dame, Paris, (oil on canvas)
657219 Notre Dame, Paris, (oil on canvas) by Hankey, William Lee (1869-1952); 28x36in cm; Private Collection; (add.info.: Notre Dame, Paris. William Lee Hankey (1869-1952). Oil on canvas

Women on the Quayside, Etaples, (oil on canvas)
657218 Women on the Quayside, Etaples, (oil on canvas) by Hankey, William Lee (1869-1952); 26x36in cm; Private Collection; (add.info.: Women on the Quayside, Etaples. William Lee Hankey (1869-1952)

The Quai, Dieppe, (oil on canvas)
657450 The Quai, Dieppe, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Quai, Dieppe. William Lee Hankey (1869-1952). Oil on canvas

Home Again, (oil on canvas)
991397 Home Again, (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x71 cm; Private Collection; (add.info.: Home Again. Arthur John Elsley (1861-1952). Oil on canvas

The Punch and Judy Show, 1912 (oil on canvas)
991387 The Punch and Judy Show, 1912 (oil on canvas) by Elsley, Arthur John (1861-1952); 112x169 cm; Private Collection; (add.info.: The Punch and Judy Show. Arthur John Elsley (1861-1952)

The New Dress, 1912 (oil on canvas)
989583 The New Dress, 1912 (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x65.5 cm; Private Collection; (add.info.: The New Dress. Arthur John Elsley (1861-1952). Oil on canvas

Sardine Fishers, Concarneau, (oil on canvas)
826910 Sardine Fishers, Concarneau, (oil on canvas) by Hankey, William Lee (1869-1952); 50.8x61 cm; Private Collection; (add.info.: Sardine Fishers, Concarneau. William Lee Hankey (1869-1952)

Chief of the Desert, Navaho, 1904 (platinum or toned gelatin silver print on porous paper)
1766838 Chief of the Desert, Navaho, 1904 (platinum or toned gelatin silver print on porous paper) by Curtis, Edward Sheriff (1868-1952) ; 41.3x31.7 cm; Private Collection; (add.info)

Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c
1197961 Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c.1927 (colour litho) by Mills

An Indian Boy, 1927 (oil on canvas)
657748 An Indian Boy, 1927 (oil on canvas) by Birley, Oswald Hornby Joseph (1880-1952); Private Collection; (add.info.: An Indian Boy. Oswald Hornby Joseph Birley (1880-1952). Oil on canvas

Poster advertising Imperial Airways (colour lithograph)
1770095 Poster advertising Imperial Airways (colour lithograph) by Dickson, Charles C. (fl.1927); 76x50 cm; Private Collection; (add.info.: Poster advertising Imperial Airways. Charles C)

The Death of Hyacinth, 1920 (oil on canvas)
1769782 The Death of Hyacinth, 1920 (oil on canvas) by Morley, Harry (1881-1943); 95.4x109.3 cm; Private Collection; (add.info.: The Death of Hyacinth. Harry Morley (1881-1943). Oil on canvas

The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
1196715 The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint) by Howitt, Samuel (1756-1822) (after); 46x58.5 cm; Private Collection; Photo © Christies Images

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

The White Lily, 1799 (colour aquatint and mezzotint, finished in hand)
985913 The White Lily, 1799 (colour aquatint and mezzotint, finished in hand) by Thornton, Robert John (1768?-1837) (after); 59x46 cm; Private Collection; (add.info.: The White Lily)

Goshawk, (watercolour heightened with bodycolour)
651876 Goshawk, (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 17.1x24.1 cm; Private Collection; (add.info.: Goshawk. Archibald Thorburn (1860-1935)

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

The Kill, 19th century (oil on canvas)
1765046 The Kill, 19th century (oil on canvas) by Alken, Samuel Henry (1810-94); Private Collection; (add.info.: The Kill. Samuel Henry Alken Jnr. (1810-1894)

The Night Blowing Cereus, 1800 (coloured engraving)
985827 The Night Blowing Cereus, 1800 (coloured engraving) by Reinagle, Philip (1749-1833) (attr. to); 57.5x46 (folio) cm; Private Collection; (add.info.: The Night Blowing Cereus)

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

Sapphic Love, (pencil and pen and brown ink)
651806 Sapphic Love, (pencil and pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 17.2x12.4 cm; Private Collection; (add.info.: Sapphic Love)

The Westminster Pitt, 1798 (pen and ink and watercolour)
651804 The Westminster Pitt, 1798 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 22x32 cm; Private Collection; (add.info.: The Westminster Pitt. Thomas Rowlandson (1756-1827)

Early Sorrow, 1861 (oil on canvas)
658745 Early Sorrow, 1861 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 65.5x100 cm; Private Collection; (add.info.: Early Sorrow. Frederick Daniel Hardy (1826-1911). Oil on canvas

Girl in Yellow Drapery, 1901 (oil on canvas)
989717 Girl in Yellow Drapery, 1901 (oil on canvas) by Godward, John William (1861-1922); 30.5x61 cm; Private Collection; (add.info.: Girl in Yellow Drapery. John William Godward (1861-1922)

The Queen, 1796-1807 (colour-printed in aquatint and mezzotint and finished by hand)
986418 The Queen, 1796-1807 (colour-printed in aquatint and mezzotint and finished by hand) by Henderson, Peter Charles (fl.1799-d.1829) (after); 55.8x44 cm; Private Collection; (add.info)

The Infant Hercules, (oil on canvas)
652123 The Infant Hercules, (oil on canvas) by Reynolds, Joshua (1723-92); 127x101.6 cm; Private Collection; (add.info.: The Infant Hercules. Sir Joshua Reynolds (1723-1792). Oil on canvas

Double Anemones, 1921 (oil on canvas)
1197222 Double Anemones, 1921 (oil on canvas) by Nicholson, William (1872-1949); 45.1x47 cm; Private Collection; Photo © Christies Images; © Desmond Banks

Wash Day, 1923 (oil on canvas)
1199505 Wash Day, 1923 (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 66x80.9 cm; Private Collection; Photo © Christies Images

A Map of Australia, 1930 (colour litho)
1198399 A Map of Australia, 1930 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

A Young Fishergirl by the Sea, 1884 (pencil and watercolour)
828460 A Young Fishergirl by the Sea, 1884 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 40.4x29.5 cm; Private Collection; (add.info.: A Young Fishergirl by the Sea)

The Pianist, (oil on canvas)
826779 The Pianist, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 107x76 cm; Private Collection; (add.info.: The Pianist. Wilfrid Gabriel de Glehn (1870-1951). Oil on canvas

Study for the Model in Youth, (oil on canvas)
657085 Study for the Model in Youth, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 91.5x71 cm; Private Collection; (add.info.: Study for the Model in Youth)

Powder Play, (oil on canvas)
989715 Powder Play, (oil on canvas) by Armour, George Denholm (1864-1949); 97.2x141 cm; Private Collection; (add.info.: Powder Play. George Denholm Armour (1864-1949). Oil on canvas

Lifes Ambitions, 1920? (oil on canvas)
828452 Lifes Ambitions, 1920? (oil on canvas) by Collings, Albert Henry (fl.1893-d.1947); 200x143.8 cm; Private Collection; (add.info.: Lifes Ambitions. Albert Henry Collings (1868- 1947)

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British Artist: Capturing the Essence of Time and Place From the picturesque landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster, British artists have long been celebrated for their ability to transport us to different worlds through their art. In 1939, a Southern Railway poster advertising Ramsgate showcased the artist's mastery of color lithography, enticing viewers with its vivid depiction of sun-kissed beaches and inviting waters. Meanwhile, Children on the Beach, St. Ives painted in 1886 captures the innocence and joy of youth against a backdrop of crashing waves and golden sands. Not limited to capturing idyllic scenes, British artists also excelled at portraying powerful subjects such as Eclipse - a Dark Chestnut Racehorse held by a Groom with a Jockey astride. This masterpiece showcases both strength and elegance while highlighting the bond between man and animal. Moving from grandeur to intimacy, A Lady Walking in a Garden portrays tenderness as she stands full length holding her small child's hand. The artist skillfully captures this fleeting moment that encapsulates love and protection. The Milkmaid created in 1902 using pencil and watercolor demonstrates an artist's attention to detail as they bring everyday life into focus. Similarly, The Wappenshaw: A Shooting Match immerses us in an oil-on-paper scene where we can almost hear gunshots echoing across fields. Delving further into history is Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom from 1815 which showcases not only artistic talent but also serves as documentation for equine enthusiasts seeking insight into past bloodlines. Artists throughout history have also found inspiration in nature itself; April from Twelve Months of Flowers transports us back to 1730 with its delicate yet vibrant colors engraved onto paper. Likewise, Laurel Tree hand-coloured etching invites us into lush gardens, evoking a sense of tranquility and beauty.