Fraud Blocker Skip to main content

J M W Turner Collection

JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces

Background imageJ M W Turner Collection: Venice: The Salute from S. Giorgio Maggiore, 1909. Artist: JMW Turner

Venice: The Salute from S. Giorgio Maggiore, 1909. Artist: JMW Turner
Venice: The Salute from S. Giorgio Maggiore, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: The Fighting Temeraire, 1839. Artist: JMW Turner

The Fighting Temeraire, 1839. Artist: JMW Turner
The Fighting Temeraire, 1839. The 98-gun ship Temeraire became known as the Fighting Temeraire after its role in Nelsons victory at the Battle of Trafalgar in 1805

Background imageJ M W Turner Collection: Whitby, 1824. Artist: JMW Turner

Whitby, 1824. Artist: JMW Turner
Whitby, 1824. From the Tate Gallery, London

Background imageJ M W Turner Collection: Self-portrait of JMW Turner, 1799. Artist: JMW Turner

Self-portrait of JMW Turner, 1799. Artist: JMW Turner
Self-portrait of JMW Turner, 1799. Turner (1775-1851), the Romantic artist who became known as the painter of light. This is his last known self portrait, painted when he was 24

Background imageJ M W Turner Collection: Scarborough, 1909. Artist: JMW Turner

Scarborough, 1909. Artist: JMW Turner
Scarborough, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: A First Rate Taking in Stores, 1818. Artist: JMW Turner

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Background imageJ M W Turner Collection: Brinkburn Priory, Northumberland, c1830. Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830. Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830. Painting held at The Tate, London. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageJ M W Turner Collection: Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

Background imageJ M W Turner Collection: Launceston, 1909. Artist: JMW Turner

Launceston, 1909. Artist: JMW Turner
Launceston, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Hastings, 19th century (1910). Artist: JMW Turner

Hastings, 19th century (1910). Artist: JMW Turner
Hastings, 19th century (1910). From The Connoisseur magazine (September 1910)

Background imageJ M W Turner Collection: Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageJ M W Turner Collection: Crossing the Brook, c1815. Artist: JMW Turner

Crossing the Brook, c1815. Artist: JMW Turner
Crossing the Brook, c1815. From the Tate collection, London

Background imageJ M W Turner Collection: The Angel Standing in the Sun, 1846. Artist: JMW Turner

The Angel Standing in the Sun, 1846. Artist: JMW Turner
The Angel Standing in the Sun, 1846. The Archangel Michael with flaming sword on Judgement Day. From Tate Britain, London

Background imageJ M W Turner Collection: Portsmouth, c1824-5, (1905). Artist: JMW Turner

Portsmouth, c1824-5, (1905). Artist: JMW Turner
Portsmouth, c1824-5. Painting held in the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

Background imageJ M W Turner Collection: Boston, Lincolnshire, 1838, (1943). Creator: Unknown

Boston, Lincolnshire, 1838, (1943). Creator: Unknown
Boston, Lincolnshire, 1838, (1943). View of St Botolphs Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner

Background imageJ M W Turner Collection: Portrait of JMW Turner, c1841 (1904). Artist: Charles Turner

Portrait of JMW Turner, c1841 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1841 (1904). Joseph Mallord William Turner (1775-1851), English landscape painter. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageJ M W Turner Collection: Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner

Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner
Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. From the Tate collection, London

Background imageJ M W Turner Collection: Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner

Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner
Lancaster, from the Aqueduct Bridge, c1825. Painting housed in the Lady Lever Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy

Background imageJ M W Turner Collection: Barnard Castle, 1909. Artist: JMW Turner

Barnard Castle, 1909. Artist: JMW Turner
Barnard Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Lausanne, 1909. Artist: JMW Turner

Lausanne, 1909. Artist: JMW Turner
Lausanne, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner

Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner
Edinburgh: From St. Margarets Loch, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageJ M W Turner Collection: Pembroke Castle, Wales, c1829. Artist: JMW Turner

Pembroke Castle, Wales, c1829. Artist: JMW Turner
Pembroke Castle, Wales, c1829. Painting held in The Holburne Museum of Art, Bath. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Background imageJ M W Turner Collection: Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner

Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. This view of Venice includes the figure of the Venetian artist Antonio Canaletto

Background imageJ M W Turner Collection: High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown

High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown
High Wycombe from the Marlow Road, c1802, (c1900). Rural scene with cows in the foreground, and the town of High Wycombe in Buckinghamshire in the distance

Background imageJ M W Turner Collection: The Crook of the Lune, 1909. Artist: JMW Turner

The Crook of the Lune, 1909. Artist: JMW Turner
The Crook of the Lune. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Grenoble Bridge, 1824. Artist: JMW Turner

Grenoble Bridge, 1824. Artist: JMW Turner
Grenoble Bridge, 1824. Painting held at The Baltimore Museum of Art, Baltimore. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Background imageJ M W Turner Collection: The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner

The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner
The Victory Returning from Trafalgar, in Three Positions; The " Victory" returning from Trafalgar; The Victory returning from Trafalgar, ca. 1806

Background imageJ M W Turner Collection: On the Lake at Petworth - Evening, 1909. Artist: JMW Turner

On the Lake at Petworth - Evening, 1909. Artist: JMW Turner
On the Lake at Petworth - Evening, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Tells Chapel, Fluelen, 1909. Artist: JMW Turner

Tells Chapel, Fluelen, 1909. Artist: JMW Turner
Tells Chapel, Fluelen, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner

Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner
Bellinzona: From the Road to Locarno, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Bellinzona: From the South, 1909. Artist: JMW Turner

Bellinzona: From the South, 1909. Artist: JMW Turner
Bellinzona: From the South, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageJ M W Turner Collection: Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner

Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner
Ulysses deriding Polyphemus - Homers Odyssey, 1829. Painting held in The National Gallery London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C

Background imageJ M W Turner Collection: Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner

Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner
Keelmen Heaving in Coals by Moonlight, 1835. The painting is part of the Widener Collection, National Gallery of Art, Washington DC

Background imageJ M W Turner Collection: The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner

The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner
The Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London

Background imageJ M W Turner Collection: Winchelsea from the Rye Road, (pencil and watercolour)

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

Background imageJ M W Turner Collection: Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner

Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner
Tummel Bridge, Perthshire; Dummel Bridge; Dummel Bridge, Fifeshire, Painted in 1812; Highland Bridge, between 1802 and 1803

Background imageJ M W Turner Collection: Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke

Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke
Ilfracomb, North Devon, c1818. Engraving after Ilfracombe, North Devon: Storm and Shipwreck, painting by JMW Turner, c1813-1816

Background imageJ M W Turner Collection: Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner

Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1827 (1904). A portrait of English landscape painter Joseph Mallord William Turner (1775-1851) at the age of 25

Background imageJ M W Turner Collection: A Marine Study, c1830, (1906-7). Artist: JMW Turner

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Background imageJ M W Turner Collection: View Off Margate, Evening, c1840. Creator: JMW Turner

View Off Margate, Evening, c1840. Creator: JMW Turner
View Off Margate, Evening, c1840. A woman and two children, shrouded in mist and sea spray, seem to be gazing at a passing sailboat or at the ghostly hulk of a distant ship.

Background imageJ M W Turner Collection: Falmouth Harbor, c1825. Creator: JMW Turner

Falmouth Harbor, c1825. Creator: JMW Turner
Falmouth Harbor, c1825.

Background imageJ M W Turner Collection: Ivrea, 1836 or c1845. Creator: JMW Turner

Ivrea, 1836 or c1845. Creator: JMW Turner
Ivrea, 1836 or c1845.

Background imageJ M W Turner Collection: Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water, 1840. Creator: JMW Turner

Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water, 1840. Creator: JMW Turner
Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water, 1840. Shows a storm raging in an English harbor town

Background imageJ M W Turner Collection: What You Will!, 1822. Creator: JMW Turner

What You Will!, 1822. Creator: JMW Turner
What You Will!, 1822. What You Will is the subtitle of Shakespeare's Twelfth Night, a play that involves mistaken identities and flirtatious encounters between characters.

Background imageJ M W Turner Collection: View Of La Riccia (Ariccia), 1817. Creator: JMW Turner

View Of La Riccia (Ariccia), 1817. Creator: JMW Turner
View Of La Riccia (Ariccia), 1817.

Background imageJ M W Turner Collection: 'The Fall of the Reichenbach'...Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865

"The Fall of the Reichenbach"...Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Creator: W
"The Fall of the Reichenbach", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing

Background imageJ M W Turner Collection: 'A Snowstorm on Mont Cenis'...Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865

"A Snowstorm on Mont Cenis"...Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Creator: W
"A Snowstorm on Mont Cenis", from the Farnley Hall Collection of drawings by J.M.W. Turner, R.A., 1865. Engraving of a photograph of a drawing, dated 1820



All Professionally Made to Order for Quick Shipping

JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces. His works captured the essence of nature and human emotions in a way that was both captivating and thought-provoking. One such masterpiece is "The Fighting Temeraire" painted in 1839. This iconic painting depicts the once majestic warship being towed away to be broken up for scrap. Turner's use of vibrant colors and dramatic lighting evokes a sense of nostalgia and melancholy. In "Whitby" from 1824, Turner showcases his ability to capture the beauty of coastal landscapes. The play between light and shadow creates a mesmerizing atmosphere that transports viewers to this picturesque seaside town. Turner's self-portrait from 1799 reveals not only his artistic talent but also hints at his introspective nature. Through loose brushstrokes and subtle expressions, he offers us a glimpse into his inner world as an artist. "Launceston, " painted in 1909, demonstrates Turner's versatility as an artist by depicting architectural elements with precision and detail. The composition exudes tranquility while showcasing the historical significance of this ancient castle. "A First Rate Taking in Stores" from 1818 showcases Turner's fascination with naval scenes. The dynamic composition captures the energy and movement associated with ships at sea, leaving viewers captivated by its sheer power. "The Angel Standing in the Sun, " created in 1846, explores spiritual themes through vivid imagery. With heavenly light illuminating divine figures against darkened skies, Turner invites contemplation on matters beyond our earthly existence. In "Ulysses Deriding Polyphemus, " painted initially in 1829 but later reworked in 1904, Turner draws inspiration from Greek mythology to create a scene filled with drama and intensity. The contrasting elements highlight Ulysses' defiance against adversity.