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British Art On Paper Collection

"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper

Background imageBritish Art On Paper Collection: The Battle of Trafalgar, (oil on canvas)

The Battle of Trafalgar, (oil on canvas)
824219 The Battle of Trafalgar, (oil on canvas) by English School, (19th century); 340.5x218.5 cm; Private Collection; (add.info.: The Battle of Trafalgar. English School, 19th Century)

Background imageBritish Art On Paper Collection: A Woman Reading at a Window, 1933 (oil on canvas)

A Woman Reading at a Window, 1933 (oil on canvas)
824141 A Woman Reading at a Window, 1933 (oil on canvas) by Panitzsch, Robert (1879-1949); 50.8x61 cm; Private Collection; (add.info.: A Woman Reading at a Window. Robert Panitzsch (1879-1949)

Background imageBritish Art On Paper Collection: A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand

A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand
651793 A Lady Walking in a Garden, standing full length and Holding her Small Child by the Hand; Possibly a Study for The Richmond Water-Walk, (black chalk and stump)

Background imageBritish Art On Paper Collection: Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening)

Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board)
652103 Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board) by Stannard

Background imageBritish Art On Paper Collection: Teatime (pencil and watercolour heightened with white on card)

Teatime (pencil and watercolour heightened with white on card)
1765030 Teatime (pencil and watercolour heightened with white on card) by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Teatime. Myles Birket Foster (1825-1899)

Background imageBritish Art On Paper Collection: The Doges Palace, Venice, from the Steps of San Giorgio Maggiore

The Doges Palace, Venice, from the Steps of San Giorgio Maggiore
652111 The Doges Palace, Venice, from the Steps of San Giorgio Maggiore, (pencil and watercolour heightened with white on card) by Foster

Background imageBritish Art On Paper Collection: The Library of the Royal Institution, Albemarle Street, (pencil

The Library of the Royal Institution, Albemarle Street, (pencil
651805 The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 19.7x27.7 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Corpus Christi College, Oxford, (pencil and watercolour)

Corpus Christi College, Oxford, (pencil and watercolour)
824154 Corpus Christi College, Oxford, (pencil and watercolour) by Turner, William (Turner of Oxford) (1789-1862); 22.3x33.4 cm; Private Collection; (add.info.: Corpus Christi College, Oxford)

Background imageBritish Art On Paper Collection: Agapanthus, (pencil and watercolour with touches of white heightening on pape)

Agapanthus, (pencil and watercolour with touches of white heightening on pape)
651949 Agapanthus, (pencil and watercolour with touches of white heightening on pape) by Ehret, Georg Dionysius (1710-70); 51.8x35.8 cm; Private Collection; (add.info.: Agapanthus)

Background imageBritish Art On Paper Collection: Palma Americana, (pencil and watercolour with bodycolour)

Palma Americana, (pencil and watercolour with bodycolour)
824116 Palma Americana, (pencil and watercolour with bodycolour) by Ehret, Georg Dionysius (1710-70); 53.1x36.6 cm; Private Collection; (add.info.: Palma Americana. Georg Dionysius Ehret (1710-1770)

Background imageBritish Art On Paper Collection: Martha Hess as Silence (recto), (pencil and white chalk on buff paper)

Martha Hess as Silence (recto), (pencil and white chalk on buff paper)
824148 Martha Hess as Silence (recto), (pencil and white chalk on buff paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 54.5x33 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Goshawk, (watercolour heightened with bodycolour)

Goshawk, (watercolour heightened with bodycolour)
651876 Goshawk, (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 17.1x24.1 cm; Private Collection; (add.info.: Goshawk. Archibald Thorburn (1860-1935)

Background imageBritish Art On Paper Collection: The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

Background imageBritish Art On Paper Collection: A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil)

A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour)
651940 A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour) by Wilkie

Background imageBritish Art On Paper Collection: The Westminster Pitt, 1798 (pen and ink and watercolour)

The Westminster Pitt, 1798 (pen and ink and watercolour)
651804 The Westminster Pitt, 1798 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 22x32 cm; Private Collection; (add.info.: The Westminster Pitt. Thomas Rowlandson (1756-1827)

Background imageBritish Art On Paper Collection: The Outdoor Lesson, (pencil and watercolour)

The Outdoor Lesson, (pencil and watercolour)
652021 The Outdoor Lesson, (pencil and watercolour) by Stannard, Henry John Sylvester (1870-1951); 25.4x35.6 cm; Private Collection; (add.info.: The Outdoor Lesson)

Background imageBritish Art On Paper Collection: A Girl Playing a Mandolin, 1899 (pencil and watercolour heightened with white)

A Girl Playing a Mandolin, 1899 (pencil and watercolour heightened with white)
652020 A Girl Playing a Mandolin, 1899 (pencil and watercolour heightened with white) by Smith, Carlton Alfred (1853-1946); 38.1x46.6 cm; Private Collection; (add.info.: A Girl Playing a Mandolin)

Background imageBritish Art On Paper Collection: An Interior with a Piano, (oil on canvas)

An Interior with a Piano, (oil on canvas)
824142 An Interior with a Piano, (oil on canvas) by Panitzsch, Robert (1879-1949); 80x65 cm; Private Collection; (add.info.: An Interior with a Piano. Robert Panitzsch (1879-1949). Oil on canvas

Background imageBritish Art On Paper Collection: The Pet Rabbit, 1906 (pencil and watercolour heightened with white)

The Pet Rabbit, 1906 (pencil and watercolour heightened with white)
652089 The Pet Rabbit, 1906 (pencil and watercolour heightened with white) by Smith, Carlton Alfred (1853-1946); 24x15.8 cm; Private Collection; (add.info.: The Pet Rabbit)

Background imageBritish Art On Paper Collection: Catching Tiddlers at Eastbury, Berkshire, (pencil and watercolour on card)

Catching Tiddlers at Eastbury, Berkshire, (pencil and watercolour on card)
652081 Catching Tiddlers at Eastbury, Berkshire, (pencil and watercolour on card) by Stannard, Henry John Sylvester (1870-1951); 34.9x52.1 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: A Sheep Lane near Woburn, Bedfordshire, (pencil and watercolour)

A Sheep Lane near Woburn, Bedfordshire, (pencil and watercolour)
652080 A Sheep Lane near Woburn, Bedfordshire, (pencil and watercolour) by Stannard, Henry John Sylvester (1870-1951); 25.4x35.6 cm; Private Collection; (add.info.: A Sheep Lane near Woburn)

Background imageBritish Art On Paper Collection: The Jewel Box, 1897 (pencil and watercolour)

The Jewel Box, 1897 (pencil and watercolour)
651864 The Jewel Box, 1897 (pencil and watercolour) by Smith, Carlton Alfred (1853-1946); 48.9x34.7 cm; Private Collection; (add.info.: The Jewel Box. Carlton Alfred Smith (1853-1946)

Background imageBritish Art On Paper Collection: Watching the Ducks, (watercolour heightened with white)

Watching the Ducks, (watercolour heightened with white)
652051 Watching the Ducks, (watercolour heightened with white) by Stannard, Henry John Sylvester (1870-1951); 36.2x53.6 cm; Private Collection; (add.info.: Watching the Ducks)

Background imageBritish Art On Paper Collection: The First Lesson, 1897 (watercolour heightened with white, on card)

The First Lesson, 1897 (watercolour heightened with white, on card)
651995 The First Lesson, 1897 (watercolour heightened with white, on card) by Smith, Carlton Alfred (1853-1946); 54.6x37.7 cm; Private Collection; (add.info.: The First Lesson)

Background imageBritish Art On Paper Collection: Isambard Kingdom Brunels Office at 18 Duke Street, Westminster (pencil

Isambard Kingdom Brunels Office at 18 Duke Street, Westminster (pencil
1765038 Isambard Kingdom Brunels Office at 18 Duke Street, Westminster (pencil, pen and ink and watercolour) by Carthy, Lady (fl.1840-1850); 36.5x52.1 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: A Still Life with a Jug, Apples, Plums, Grapes and Flowers

A Still Life with a Jug, Apples, Plums, Grapes and Flowers
824128 A Still Life with a Jug, Apples, Plums, Grapes and Flowers, (pencil and watercolour with bodycolour) by Bartholomew, Valentine (1799-1879); 35x46.4

Background imageBritish Art On Paper Collection: Portsmouth Harbour from Gosport, (pencil and watercolour)

Portsmouth Harbour from Gosport, (pencil and watercolour)
824126 Portsmouth Harbour from Gosport, (pencil and watercolour) by Shepherd, George Sidney (1784-1862); 17.3x26.2 cm; Private Collection; (add.info.: Portsmouth Harbour from Gosport)

Background imageBritish Art On Paper Collection: Papaya, (pencil and watercolour)

Papaya, (pencil and watercolour)
824117 Papaya, (pencil and watercolour) by Ehret, Georg Dionysius (1710-70); 53.2x36.9 cm; Private Collection; (add.info.: Papaya. Georg Dionysius Ehret (1710-1770). Pencil and watercolour

Background imageBritish Art On Paper Collection: Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock

Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock
824098 Portrait of Edward Stuart, Bust Length, with Flowing Hair and Lace Stock, (coloured chalks and bodycolour on buff paper) by Ashfield

Background imageBritish Art On Paper Collection: The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount)

The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount)
824097 The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount) by Rowlandson, Thomas (1756-1827); 22.9x29.5 cm; Private Collection; (add.info.: The Butchers Stall, Leadenhall Market)

Background imageBritish Art On Paper Collection: A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour)

A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour)
824095 A Boy making a Dog dance by the Bole of an Ancient Gnarled Beech Tree, (bodycolour) by Sandby, Paul (1725-1809); 44.4x57.8 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Conway Castle, with John Smith The Blind Harper in the foreground, 1796 (pencil

Conway Castle, with John Smith The Blind Harper in the foreground, 1796 (pencil
824085 Conway Castle, with John Smith The Blind Harper in the foreground, 1796 (pencil, pen and ink) by Ibbetson, Julius Caesar (1759-1817); 36.3x50.8 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Twenty-four moths, in three columns, mostly belonging to the family Noctuidae

Twenty-four moths, in three columns, mostly belonging to the family Noctuidae
824073 Twenty-four moths, in three columns, mostly belonging to the family Noctuidae, (watercolour with bodycolour on grey paper) by Rowan

Background imageBritish Art On Paper Collection: Fifteen Swallowtail butterflies (Family Papilionidae) in three columns

Fifteen Swallowtail butterflies (Family Papilionidae) in three columns
824069 Fifteen Swallowtail butterflies (Family Papilionidae) in three columns, (watercolour with bodycolour on grey paper) by Rowan

Background imageBritish Art On Paper Collection: Spoonbill (Spoon-billed) Sandpiper, (pencil and watercolour)

Spoonbill (Spoon-billed) Sandpiper, (pencil and watercolour)
824066 Spoonbill (Spoon-billed) Sandpiper, (pencil and watercolour) by Richter, Henry Constantine (1821-1902); 35.9x53.7 cm; Private Collection; (add.info.: Spoonbill (Spoon-billed) Sandpiper

Background imageBritish Art On Paper Collection: Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)

Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)
824048 Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour) by Rossetti, Dante Gabriel Charles (1828-82); 18.1x16.1 cm; Private Collection; (add.info.: Portrait of Elizabeth Siddal)

Background imageBritish Art On Paper Collection: Children Playing Outside a Cottage in a Village, (watercolour heightened with white

Children Playing Outside a Cottage in a Village, (watercolour heightened with white
652106 Children Playing Outside a Cottage in a Village, (watercolour heightened with white on board) by Strachan, Arthur Claude (1865-1935); 28.3x45.4 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Lucerne from the Lake, 1862 (pencil and watercolour)

Lucerne from the Lake, 1862 (pencil and watercolour)
652085 Lucerne from the Lake, 1862 (pencil and watercolour) by Callow, William (1812-1908); 27.3x73.9 cm; Private Collection; (add.info.: Lucerne from the Lake. William Callow (1812-1908)

Background imageBritish Art On Paper Collection: The Woolpack Inn: Arrival of The Flying Waggon, (pencil

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

Background imageBritish Art On Paper Collection: A Mute Appeal, (pencil and watercolour)

A Mute Appeal, (pencil and watercolour)
652018 A Mute Appeal, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.7x17.1 cm; Private Collection; (add.info.: A Mute Appeal. Charles Edward Wilson (1854-1941)

Background imageBritish Art On Paper Collection: Watching the Ducks, (watercolour heightened with white)

Watching the Ducks, (watercolour heightened with white)
652017 Watching the Ducks, (watercolour heightened with white) by Strachan, Arthur Claude (1865-1935); 29.2x46.3 cm; Private Collection; (add.info.: Watching the Ducks)

Background imageBritish Art On Paper Collection: View of Prince Alberts Swiss Cottage, 1847 (pencil

View of Prince Alberts Swiss Cottage, 1847 (pencil
652000 View of Prince Alberts Swiss Cottage, 1847 (pencil and watercolour with touches of white heightening) by Swarbreck

Background imageBritish Art On Paper Collection: The Royal Lodge, Windsor Park, (pencil and watercolour)

The Royal Lodge, Windsor Park, (pencil and watercolour)
651988 The Royal Lodge, Windsor Park, (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.1 cm; Private Collection; (add.info.: The Royal Lodge, Windsor Park)

Background imageBritish Art On Paper Collection: View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour)

View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour)
651986 View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: View from the Round Tower)

Background imageBritish Art On Paper Collection: Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)

Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)
651982 Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white) by Hine, Henry George (1811-95); 72.4x124.5 cm; Private Collection; (add.info.: Thirlwall Castle)

Background imageBritish Art On Paper Collection: Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)

Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)
651980 Fishing Boats Off Yarmouth, 1832 (pencil and watercolour) by Cotman, John Sell (1782-1842); 36.1x53.9 cm; Private Collection; (add.info.: Fishing Boats Off Yarmouth)

Background imageBritish Art On Paper Collection: Figures Outside an Elegant Country House, (pencil, pen and grey ink

Figures Outside an Elegant Country House, (pencil, pen and grey ink
651967 Figures Outside an Elegant Country House, (pencil, pen and grey ink, watercolour heightened with white) by Malton Jnr

Background imageBritish Art On Paper Collection: An Arab Wedding Procession Through Cairo, (watercolour and bodycolour)

An Arab Wedding Procession Through Cairo, (watercolour and bodycolour)
651963 An Arab Wedding Procession Through Cairo, (watercolour and bodycolour) by Crompton, James Shaw (1853-1916); 74.9x57.1 cm; Private Collection; (add.info)



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"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper, where masterpieces come to life through various mediums and techniques. From oil on canvas to pencil and watercolour, each artwork tells a unique story that resonates with history, culture, and emotion. Witness the grandeur of "The Battle of Trafalgar, " an epic depiction rendered in oil on canvas. Feel the intensity as Admiral Nelson's fleet clashes with its adversaries, forever etching this historic event into our collective memory. In contrast, "A Woman Reading at a Window" transports us to a serene moment captured in 1933. The delicate strokes of oil paint bring forth a sense of tranquility as we glimpse into her private world filled with contemplation and introspection. Stroll through lush gardens alongside "A Lady Walking, " holding her child's hand tightly. This standing figure exudes elegance while showcasing the bond between mother and child. The artist's skillful use of light adds depth to their connection. Venture into nature's embrace with "Children Feeding Ducks Beside a Cottage. " This exquisite watercolour painting invites us down a wooded lane where playful children interact harmoniously with their feathered friends. The artist's white heightening technique enhances every detail, making it truly enchanting. Indulge your senses during teatime depicted in delicate pencil and watercolour strokes heightened by touches of white. In "Teatime, " you can almost smell freshly brewed tea wafting from the card as you join these elegant figures for an intimate gathering. Marvel at architectural wonders like "The Doges Palace" rising majestically against Venetian skies viewed from San Giorgio Maggiore steps. The intricate details meticulously captured transport us to Venice’s romantic allure. Delve into academia within “The Library of Royal Institution.