Artist British Gallery

British artist Damien Hirst is one of the most influential and successful artists of his generation

The Weald of Kent, a Southern Railway advertising poster, c
1769903 The Weald of Kent, a Southern Railway advertising poster, c.1925 (colour lithograph) by Maxwell, Donald (1877-1936); 102x127 cm; Private Collection; (add.info.: The Weald of Kent)

Eclipse, a Dark Chestnut Racehorse held by a Groom, with a Jockey
652163 Eclipse, a Dark Chestnut Racehorse held by a Groom, with a Jockey, Possibly Jack Oakley, by the Rubbing Down House at Newmarket, 1770 (oil on canvas) by Stubbs

Children on the Beach, St. Ives, 1886 (oil on canvas)
658034 Children on the Beach, St. Ives, 1886 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 30.5x40 cm; Private Collection; (add.info.: Children on the Beach, St. Ives)

Girl Reading, 1916 (oil on canvas)
656925 Girl Reading, 1916 (oil on canvas) by Jack, Richard (1866-1952); Private Collection; (add.info.: Girl Reading. Richard Jack (1866-1952). Oil on canvas. Signed and dated 1916

Teatime (pencil and watercolour heightened with white on card)
1765030 Teatime (pencil and watercolour heightened with white on card) by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Teatime. Myles Birket Foster (1825-1899)

The Fortune Teller, 1907 (oil on canvas)
658467 The Fortune Teller, 1907 (oil on canvas) by Hardy, Heywood (1842-1933); 68.5x100.3 cm; Private Collection; (add.info.: The Fortune Teller. Heywood Hardy (1842-1933). Oil on canvas

The Studio of Salvator Rosa in the Mountains of the Abruzzi, (oil on canvas)
827524 The Studio of Salvator Rosa in the Mountains of the Abruzzi, (oil on canvas) by Barker, Thomas Jones (1815-82) (after); 111.8x183.2 cm; Private Collection; (add.info)

Laurel Tree, 1731-1743 (hand-coloured etching)
986443 Laurel Tree, 1731-1743 (hand-coloured etching) by Catesby, Mark (1679-1749); Private Collection; (add.info.: Laurel Tree. From The Natural History of Carolina, Florida and the Bahama Islands)

A Map of the Union of South Africa, 1931 (colour litho)
1198400 A Map of the Union of South Africa, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board)
652103 Children Feeding Ducks Beside a Cottage in a Wooded Lane, (watercolour with white heightening on board) by Stannard

Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out)
1766697 Beside the Old Church Gate Farm, Smarden, Kent (watercolour with scratching out) by Allingham, Helen (1848-1926); 24.5x32.8 cm; Private Collection; (add.info)

At Aphrodites Cradle (The Ever-New Horizon), (oil on panel)
989817 At Aphrodites Cradle (The Ever-New Horizon), (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 49.6x38 cm; Private Collection; (add.info.: At Aphrodites Cradle (The Ever-New Horizon)

A Southern Railway poster advertising Ramsgate, 1939 (colour lithograph)
1769905 A Southern Railway poster advertising Ramsgate, 1939 (colour lithograph) by Kenneth Shoesmith (1890-1939) & Verney L

A Puppy for My Lady, (oil on canvas)
659164 A Puppy for My Lady, (oil on canvas) by Hardy, Heywood (1842-1933); 25.4x68.5 cm; Private Collection; (add.info.: A Puppy for My Lady. Heywood Hardy (1842-1933). Oil on canvas

Titania and Bottom from William Shakespeares A Midsummer-Nights Dream
1199541 Titania and Bottom from William Shakespeares A Midsummer-Nights Dream, (pencil and w/c on paper) by Fitzgerald, John Anster (1832-1906)

Scene from The Mad Hatters Tea Party, c.1865 (pen and brown ink)
985961 Scene from The Mad Hatters Tea Party, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 12.5x9.9 cm; Private Collection; (add.info.: Scene from The Mad Hatters Tea Party)

Elegant Conversation, (oil on canvas)
659850 Elegant Conversation, (oil on canvas) by King, Henry John Yeend (1855-1924); 45.9x66 cm; Private Collection; (add.info.: Elegant Conversation. Henry John Yeend King (1855-1924). Oil on canvas

Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil
659831 Fowl House Farm, Witley, with Children, a Shepherd and a Flock of Sheep Nearby, (pencil, watercolour and bodycolour) by Foster

The Blue Boat, 1929 (oil on board)
1197395 The Blue Boat, 1929 (oil on board) by Wood, Christopher (1901-30); 40x55.9 cm; Private Collection; Photo eChristies Images; English, out of copyright

Naomi and Ruth, 1887 (oil on canvas)
1199590 Naomi and Ruth, 1887 (oil on canvas) by Morgan, Evelyn De (1855-1919); 94x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Her Majesty Queen Victorias First Entry into Brighton Oct
985719 Her Majesty Queen Victorias First Entry into Brighton Oct. 4th 1837, 1837 (watercolour, pen and ink, pencil) by Cruikshank

A London and North Eastern Railway poster advertising east coast journeys to Scotland
1198172 A London and North Eastern Railway poster advertising east coast journeys to Scotland, (colour lithograph) by Gawthorn

The Doges Palace, Venice, from the Steps of San Giorgio Maggiore
652111 The Doges Palace, Venice, from the Steps of San Giorgio Maggiore, (pencil and watercolour heightened with white on card) by Foster

The Fortune Teller, 1899 (oil on canvas)
989688 The Fortune Teller, 1899 (oil on canvas) by Wontner, William Clark (1857-1930); 81.9x67.9 cm; Private Collection; (add.info.: The Fortune Teller. William Clarke Wontner (1857-1930)

The Lamb, 1789 (hand-coloured relief-etching, watercolour)
985824 The Lamb, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Lamb. Plate 7 from Songs of Innocence)

Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph)
985994 Grand Portico of the Temple of Philae - Nubia, 1842-1849 (tinted lithograph) by Roberts, David (1796-1864); 62.5x45 cm; Private Collection; (add.info)

Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas)
827857 Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas) by Beechey, William (1753-1839); 76.4x63.5 cm; Private Collection; (add.info)

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Still Life with Tulips and Iona, 1920s (oil on panel)
1197121 Still Life with Tulips and Iona, 1920s (oil on panel) by Cadell, Francis Campbell Boileau (1883-1937); 44.5x36.8 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour)
828474 A Cock and Hen Pheasant at the Edge of a Wood, 1897 (pencil and watercolour) by Thorburn, Archibald (1860-1935); 24.4x34.9 cm; Private Collection; (add.info)

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

A map from On the Mode of Communication of Cholera, 1855 (litho)
1195411 A map from On the Mode of Communication of Cholera, 1855 (litho) by Snow, John (1813-58) (after); 22, 5x14, 2 cm; Private Collection; (add.info.: Snow)

The James Caird, Dudley Docker and Stancomb Wills Moored to the Ice-floe in the Weddell
828383 The James Caird, Dudley Docker and Stancomb Wills Moored to the Ice-floe in the Weddell Sea, April 1916, 1916 (oil on canvas) by Marston

Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving)
986301 Boltons Dragon-fly (Libellula boltonii), 1807 (hand coloured engraving) by Donovan, Edward (1768-1837); Private Collection; (add.info.: Boltons Dragon-fly (Libellula boltonii). Plate 430, Vol

Title page and opening page from the Kelmscott Press edition of '
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Study of a Head for The Bower Meadow, 1872 (black chalk)
659777 Study of a Head for The Bower Meadow, 1872 (black chalk) by Rossetti, Dante Gabriel Charles (1828-82); 39.2x31.5 cm; Private Collection; (add.info.: Study of a Head for The Bower Meadow)

Hunters in a Stable with a Groom, 1809 (oil on canvas)
990550 Hunters in a Stable with a Groom, 1809 (oil on canvas) by Weaver, Thomas (1774-1843); 68.6x89.5 cm; Private Collection; (add.info.: Hunters in a Stable with a Groom. Thomas Weaver (1774-1843)

The Library of the Royal Institution, Albemarle Street, (pencil
651805 The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 19.7x27.7 cm; Private Collection; (add.info)

The Sleeping Girl, (oil on canvas)
658486 The Sleeping Girl, (oil on canvas) by Corbet, Edith Ridley (c.1850-1920); 91.7x55.2 cm; Private Collection; (add.info.: The Sleeping Girl. Edith Corbet (1850-1920). Oil on canvas

Corpus Christi College, Oxford, (pencil and watercolour)
824154 Corpus Christi College, Oxford, (pencil and watercolour) by Turner, William (Turner of Oxford) (1789-1862); 22.3x33.4 cm; Private Collection; (add.info.: Corpus Christi College, Oxford)

Mother and Child, (oil on canvas)
826921 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); 45.7x38 cm; Private Collection; (add.info.: Mother and Child. William Lee-Hankey. (1869-1952). Oil on canvas

The Harbour, (oil on canvas)
657089 The Harbour, (oil on canvas) by Hankey, William Lee (1869-1952); 59.1x89.5 cm; Private Collection; (add.info.: The Harbour. William Lee Hankey (1869-1952). Oil on canvas

Indian on Horseback, (oil on canvas)
650902 Indian on Horseback, (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 61x76 cm; Private Collection; (add.info.: Indian on Horseback. Oscar Edward Berninghaus (1874-1952)

The Corner of the Kitchen, (pen, black ink and watercolour)
657258 The Corner of the Kitchen, (pen, black ink and watercolour) by Ginner, Charles (1878-1952); 35x23 cm; Private Collection; (add.info.: The Corner of the Kitchen. Charles Ginner (1878-1952)

Getting Ready, (oil on canvas)
657594 Getting Ready, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Getting Ready. William Lee Hankey (1869-1952). Oil on canvas

Children with a St. Bernard, 1922 (oil on canvas)
989718 Children with a St. Bernard, 1922 (oil on canvas) by Elsley, Arthur John (1861-1952); 78.7x63.5 cm; Private Collection; (add.info.: Children with a St. Bernard. Arthur John Elsley (1861-1952)

The Chinese Chef (Portrait of Hing), 1932 (oil on panel)
1199513 The Chinese Chef (Portrait of Hing), 1932 (oil on panel) by Steegman, Philip (1903-52); 37x29 cm; Private Collection; Photo © Christie's Images

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British artist Damien Hirst is one of the most influential and successful artists of his generation. His works are often characterized by their bold use of color, form, and materials. He is best known for his installation pieces involving animals preserved in formaldehyde, as well as his spot paintings featuring rows of brightly colored dots. His work has been exhibited in galleries around the world and he has won numerous awards including the Turner Prize in 1995. Hirst's art explores themes such as death, mortality, and religion while also incorporating elements from popular culture. He continues to push boundaries with his work while inspiring others to think differently about art and its place in society.