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Framed Print : A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
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A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Doorway, Poona, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]
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Media ID 14984676
© The Print Collector
Ah Hallam Murray Alexander Henry Hallam Alexander Henry Hallam Murray Doorway Garland Hallam Murray High Road Of Empire John Murray Maharashtra Murray Ornate Poona Pune Barefoot British Empire Hindoostan
18"x14" Modern Frame
Step into the past with our exquisite framed print, "A Doorway, Poona, c1880 (1905)" by renowned artist A.H. Hallam Murray. This captivating piece is taken from "The High-Road of Empire" publication, showcasing a stunning doorway in Poona, India, captured in the late 19th century. The intricate details and rich colors of this timeless artwork are beautifully preserved in our high-quality framed print, making it a perfect addition to any room in your home or office. Transport yourself to another era with this elegant and thought-provoking piece.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "A Doorway, Poona, c1880 (1905)" transports us to the scenic landscapes of India in the late 19th century. Captured by artist Alexander Henry Hallam Murray, this image is a testament to the beauty and cultural richness of Maharashtra's countryside. In this picture, we see a lone Indian man sitting at the entrance of an ornate doorway adorned with vibrant flowers and garlands. The man's barefoot presence adds a sense of tranquility to the scene as he immerses himself in nature's embrace. The colors are vivid and inviting, reflecting the warmth and vibrancy of his surroundings. This photograph is part of Murray's publication "The High-Road of Empire" which offers glimpses into various locations within British-ruled India during that era. It serves as a visual documentation capturing not only the physical landscapes but also providing insight into daily life and customs. Murray's use of watercolors brings out intricate details while maintaining an overall softness that enhances our connection with both subject and setting. Through this artwork, we can appreciate how art has preserved moments from history for generations to come. As we gaze upon this print, it reminds us that even amidst rapid changes brought about by progress and modernization, there remains an enduring charm in embracing one's heritage and connecting with nature – values that transcend time and place.
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