Alexander Henry Hallam Collection

The Man Sing Palace, Gwalior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Man Sing Palace, Gwalior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Queens House, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Queens House, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Martale Hills, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Martale Hills, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Market, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Market, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). Artist: Alexander Henry Hallam Murray
Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Tropical Shower, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Tropical Shower, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Mountains from Pallekelly, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Mountains from Pallekelly, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Street Scene in Kandy, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Street Scene in Kandy, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Temple of the Tooth, Kandy - Interior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Interior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Temple of the Tooth, Kandy - Exterior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Exterior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Feeding-Place for Birds, Ahmedabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Feeding-Place for Birds, Ahmedabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Bullock Cart, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Bullock Cart, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ascent to the Palace, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ascent to the Palace, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Jodhpur - General view of the Fort, c1880 (1905). Artist: Alexander Henry Hallam Murray
Jodhpur - General view of the Fort, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tank at the Back of the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tank at the Back of the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ana Sagar, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ana Sagar, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Temple in the Tank at Thanesar, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Temple in the Tank at Thanesar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Main Street of Alwar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Main Street of Alwar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Gateway in the Bazaar, Lahore, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Gateway in the Bazaar, Lahore, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Tughlak Shah, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Tughlak Shah, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Gwalior Fort Before Sunrise, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gwalior Fort Before Sunrise, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bazaar, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bazaar, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Taj from the Fort, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Inside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Inside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Outside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Outside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Benares Ekka, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Benares Ekka, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Corner Shrine in a Benares Alley, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Corner Shrine in a Benares Alley, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Returning from the Mela, Allahabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
Returning from the Mela, Allahabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Nameless Tomb, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Nameless Tomb, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Shahpur Gate, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Shahpur Gate, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Doorway, Poona, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Gol Gumbaz, Bijapur, c1880 (1905). Gol Gumbaz is the mausoleum of Mohammed Adil Shah, Sultan of Bijapur. The tomb, located in Bijapur, Karnataka in India

The Wake of a P. & O. c1880 (1905). Artist: Alexander Henry Hallam Murray
The Wake of a P. & O. c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Gibraltar from the West, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gibraltar from the West, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bathing Ghats, Benares, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bathing Ghats, Benares, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

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Alexander Henry Hallam Murray was a talented artist who captured the beauty and essence of various landscapes and cultural landmarks. His works transport us to different places, allowing us to experience the grandeur of historical sites and the charm of everyday scenes. In "The Man Sing Palace, Gwalior, " we are transported back in time to witness the majestic architecture of this palace. Murray's attention to detail brings out the intricate designs that adorn its walls, making us feel like we are standing right there. "The Mosque and Gate of Victory, Fatehpur Sikri" showcases Murray's ability to capture religious structures with reverence. The mosque stands tall against a clear blue sky while the gate invites us into a world filled with history and spirituality. Murray also depicts moments from daily life in his art. In "A Camel-Sowar of the 10th Bengal Lancers, " he captures a soldier mounted on his camel, showcasing both their strength and grace as they traverse through sandy terrains. "The Queens House, Colombo" transports us to Sri Lanka where we can almost feel the warm breeze coming off the ocean. This colonial-era building stands proudly amidst lush greenery, reminding us of an era long gone by. Murray's paintings also showcase natural wonders such as "The Martale Hills. " The rolling hills seem endless under vast skies painted with soft hues that evoke tranquility and serenity. He takes us into bustling marketplaces too. In "The Market, Colombo, " vibrant colors fill our vision as merchants sell their wares amid busy crowds. We can almost hear conversations blending together in this lively scene. "Mornin Mists in the Valley of Mahawelli Gangha" presents an ethereal landscape enveloped in misty veils, and is as if nature itself is putting on a show for our eyes only - a moment frozen forever by Murray's brushstrokes.