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Canvas Print : A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
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A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Doorway, Poona, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]
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Media ID 14984676
© The Print Collector
Ah Hallam Murray Alexander Henry Hallam Alexander Henry Hallam Murray Doorway Garland Hallam Murray High Road Of Empire John Murray Maharashtra Murray Ornate Poona Pune Barefoot British Empire Hindoostan
30"x20" (76x51cm) Canvas Print
Step into the past with our exquisite Canvas Print of "A Doorway, Poona, c1880 (1905)" by Alexander Henry Hallam Murray. This stunning vintage image, originally from The High-Road of Empire, transports you to another era with its rich colors and intricate details. The ancient doorway, framed against the warm backdrop of Poona, India, invites you to explore the stories of a bygone era. Bring this beautiful work of art into your home and add a touch of history and character to your décor.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "A Doorway, Poona, c1880 (1905)" transports us to the scenic landscapes of India in the late 19th century. Captured by artist Alexander Henry Hallam Murray, this image is a testament to the beauty and cultural richness of Maharashtra's countryside. In this picture, we see a lone Indian man sitting at the entrance of an ornate doorway adorned with vibrant flowers and garlands. The man's barefoot presence adds a sense of tranquility to the scene as he immerses himself in nature's embrace. The colors are vivid and inviting, reflecting the warmth and vibrancy of his surroundings. This photograph is part of Murray's publication "The High-Road of Empire" which offers glimpses into various locations within British-ruled India during that era. It serves as a visual documentation capturing not only the physical landscapes but also providing insight into daily life and customs. Murray's use of watercolors brings out intricate details while maintaining an overall softness that enhances our connection with both subject and setting. Through this artwork, we can appreciate how art has preserved moments from history for generations to come. As we gaze upon this print, it reminds us that even amidst rapid changes brought about by progress and modernization, there remains an enduring charm in embracing one's heritage and connecting with nature – values that transcend time and place.
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