Ah Hallam Murray Collection

The Man Sing Palace, Gwalior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Man Sing Palace, Gwalior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Queens House, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Queens House, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Martale Hills, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Martale Hills, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Market, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Market, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). Artist: Alexander Henry Hallam Murray
Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Tropical Shower, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Tropical Shower, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Mountains from Pallekelly, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Mountains from Pallekelly, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Street Scene in Kandy, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Street Scene in Kandy, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Temple of the Tooth, Kandy - Interior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Interior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Temple of the Tooth, Kandy - Exterior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Exterior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Feeding-Place for Birds, Ahmedabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Feeding-Place for Birds, Ahmedabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Bullock Cart, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Bullock Cart, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ascent to the Palace, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ascent to the Palace, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Jodhpur - General view of the Fort, c1880 (1905). Artist: Alexander Henry Hallam Murray
Jodhpur - General view of the Fort, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tank at the Back of the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tank at the Back of the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ana Sagar, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ana Sagar, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Temple in the Tank at Thanesar, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Temple in the Tank at Thanesar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Main Street of Alwar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Main Street of Alwar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Gateway in the Bazaar, Lahore, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Gateway in the Bazaar, Lahore, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Tughlak Shah, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Tughlak Shah, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Gwalior Fort Before Sunrise, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gwalior Fort Before Sunrise, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bazaar, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bazaar, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Taj from the Fort, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Inside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Inside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Outside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Outside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Benares Ekka, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Benares Ekka, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Corner Shrine in a Benares Alley, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Corner Shrine in a Benares Alley, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Returning from the Mela, Allahabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
Returning from the Mela, Allahabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Nameless Tomb, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Nameless Tomb, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Shahpur Gate, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Shahpur Gate, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Doorway, Poona, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Gol Gumbaz, Bijapur, c1880 (1905). Gol Gumbaz is the mausoleum of Mohammed Adil Shah, Sultan of Bijapur. The tomb, located in Bijapur, Karnataka in India

The Wake of a P. & O. c1880 (1905). Artist: Alexander Henry Hallam Murray
The Wake of a P. & O. c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Gibraltar from the West, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gibraltar from the West, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bathing Ghats, Benares, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bathing Ghats, Benares, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

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Alexander Henry Hallam Murray was a talented artist who captured the beauty and essence of various locations in his stunning paintings. His works transport us to different parts of the world, allowing us to experience their unique charm. In "The Man Sing Palace, Gwalior, " we are transported back to c1880 as we admire the intricate details of this majestic palace. Murray's attention to detail brings every element to life, making us feel like we are standing right there. "The Mosque and Gate of Victory, Fatehpur Sikri" showcases Murray's ability to capture architectural marvels. The grandeur and elegance of this mosque are beautifully depicted through his brushstrokes, leaving us in awe. Murray also takes us on a journey through time with "A Camel-Sowar of the 10th Bengal Lancers. " This painting offers a glimpse into the military history of India during c1880. The soldier on his camel exudes strength and pride, reminding us of the bravery displayed by those who served. Moving away from historical landmarks, Murray explores everyday scenes in places like Colombo. In "The Queens House, " he captures the vibrant atmosphere surrounding this bustling city. We can almost hear the sounds and smell the aromas emanating from its marketplaces. Nature lovers will appreciate Murray's ability to depict landscapes that evoke emotions within us. From "The Martale Hills" with its serene beauty to "Morning Mists in the Valley of Mahawelli Gangha" where nature is shrouded in mystery – each painting transports us into these breathtaking settings. Murray also captures fleeting moments such as "A Tropical Shower. " Through his artistry, we can almost feel raindrops falling on our skin while admiring how they transform everything around them. His love for mountains is evident in "The Mountains from Pallekelly. " The majesty and grandeur portrayed here remind us why these natural wonders have captivated humans for centuries.