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Hallam Murray Collection

Alexander Henry Hallam Murray was a talented artist who captured the beauty and essence of various locations in his paintings

Background imageHallam Murray Collection: The Man Sing Palace, Gwalior, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Man Sing Palace, Gwalior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Man Sing Palace, Gwalior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Camel-Sowar of the 10th Bengal Lancers, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Queens House, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Queens House, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Queens House, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Martale Hills, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Martale Hills, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Martale Hills, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Market, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Market, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Market, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905)

Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). Artist: Alexander Henry Hallam Murray
Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Tropical Shower, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Tropical Shower, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Tropical Shower, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Mountains from Pallekelly, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Mountains from Pallekelly, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Mountains from Pallekelly, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Street Scene in Kandy, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Street Scene in Kandy, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Street Scene in Kandy, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Temple of the Tooth, Kandy - Interior, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Temple of the Tooth, Kandy - Interior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Interior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Temple of the Tooth, Kandy - Exterior, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Temple of the Tooth, Kandy - Exterior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Exterior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Feeding-Place for Birds, Ahmedabad, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Feeding-Place for Birds, Ahmedabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Feeding-Place for Birds, Ahmedabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Bullock Cart, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Bullock Cart, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Bullock Cart, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Ascent to the Palace, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Ascent to the Palace, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ascent to the Palace, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Jodhpur - General view of the Fort, c1880 (1905). Artist: Alexander Henry Hallam Murray

Jodhpur - General view of the Fort, c1880 (1905). Artist: Alexander Henry Hallam Murray
Jodhpur - General view of the Fort, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Tank at the Back of the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Tank at the Back of the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tank at the Back of the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905)

The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Ana Sagar, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Ana Sagar, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ana Sagar, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905)

The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Temple in the Tank at Thanesar, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Temple in the Tank at Thanesar, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Temple in the Tank at Thanesar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Main Street of Alwar, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Main Street of Alwar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Main Street of Alwar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Gateway in the Bazaar, Lahore, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Gateway in the Bazaar, Lahore, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Gateway in the Bazaar, Lahore, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Tomb of Tughlak Shah, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Tomb of Tughlak Shah, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Tughlak Shah, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Gwalior Fort Before Sunrise, c1880 (1905). Artist: Alexander Henry Hallam Murray

Gwalior Fort Before Sunrise, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gwalior Fort Before Sunrise, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Bazaar, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Bazaar, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bazaar, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Taj from the Fort, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Agra Fort - Inside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray

Agra Fort - Inside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Inside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Agra Fort - Outside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray

Agra Fort - Outside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Outside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Benares Ekka, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Benares Ekka, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Benares Ekka, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Corner Shrine in a Benares Alley, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Corner Shrine in a Benares Alley, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Corner Shrine in a Benares Alley, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Returning from the Mela, Allahabad, c1880 (1905). Artist: Alexander Henry Hallam Murray

Returning from the Mela, Allahabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
Returning from the Mela, Allahabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Nameless Tomb, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Nameless Tomb, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Nameless Tomb, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray

Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Shahpur Gate, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Shahpur Gate, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Shahpur Gate, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray

A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Doorway, Poona, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Gol Gumbaz, Bijapur, c1880 (1905). Gol Gumbaz is the mausoleum of Mohammed Adil Shah, Sultan of Bijapur. The tomb, located in Bijapur, Karnataka in India

Background imageHallam Murray Collection: The Wake of a P. & O. c1880 (1905). Artist: Alexander Henry Hallam Murray

The Wake of a P. & O. c1880 (1905). Artist: Alexander Henry Hallam Murray
The Wake of a P. & O. c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: Gibraltar from the West, c1880 (1905). Artist: Alexander Henry Hallam Murray

Gibraltar from the West, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gibraltar from the West, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageHallam Murray Collection: The Bathing Ghats, Benares, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Bathing Ghats, Benares, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bathing Ghats, Benares, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]


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Alexander Henry Hallam Murray was a talented artist who captured the beauty and essence of various locations in his paintings. His works transport us to different parts of the world, allowing us to experience their unique charm. In "The Man Sing Palace, Gwalior, " we are transported back to 1880 as we admire the intricate details of this magnificent palace. Murray's brushstrokes bring life to the architecture, making us feel like we are standing right there. "The Mosque and Gate of Victory, Fatehpur Sikri" takes us on a journey through time. Murray's attention to detail is evident as he captures every minaret and archway with precision. We can almost hear the echoes of prayers that once filled this sacred space. Murray's talent extends beyond architectural wonders; he also portrays people in his art. In "A Camel-Sowar of the 10th Bengal Lancers, " he showcases a brave soldier atop his majestic camel. The painting exudes strength and courage, reminding us of the sacrifices made by those who serve. "The Queens House, Colombo" transports us to Sri Lanka with its vibrant colors and lush greenery. Murray perfectly captures the tropical paradise that awaits visitors in this beautiful country. From landscapes to street scenes, Murray's versatility shines through in "The Martale Hills. " The rolling hills seem alive under his brush, inviting viewers for an adventurous hike or a peaceful picnic amidst nature's splendor. In "The Market, Colombo, " Murray brings bustling energy onto canvas as vendors sell their wares amidst a sea of people. It feels like stepping into a busy marketplace where scents mingle with laughter and chatter fills our ears. "Mornings Mists in the Valley of Mahawelli Gangha" evokes tranquility as fog blankets distant mountains while sunlight peeks through gaps between trees. This painting invites viewers to take a deep breath and immerse themselves in nature's serenity.