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The Tribut, also called Le Denier de Cesar, 1635 (Etching)

The Tribut, also called Le Denier de Cesar, 1635 (Etching)


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The Tribut, also called Le Denier de Cesar, 1635 (Etching)

7393367 The Tribut, also called Le Denier de Cesar, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 3 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Media ID 32105498

© Fonds Glénat / Bridgeman Images

17th Centuries Aureoles Baroque Art Baroque Style Biblical Episode Christ The King Coin Coins Gesticulate Gesticulating Gestural Gesture Gospel Halos Jewish People Judaic Rembrandt Rembrandt 1606 1669 Rembrandt Harmensz Rembrandt Harmenszoon Van Rijn Rembrandt Van Ryn 1606 1669 Roman Civilisation Tax Evasion Taxation Van Rijn 1606 69 17 17th 17th 17th Xvii 18th Century Antic Rome Art Style Aureole Bible Story Biblical Charcter Biblical Events Biblical Figure Biblical Scene Christ Jesus Circa 1600 Dutch Netherlands Early 17th Century Early Xvii Century Halo Hollander Hollanders Jesus Of Nazareth Jewish Religion Jews Netherland Netherlands Holland Dutch Seventeeth Century Several People Several Persons The Netherland


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EDITORS COMMENTS
This etching by Rembrandt Harmensz. van Rijn, titled "The Tribut, also called Le Denier de Cesar" transports us back to the 17th century with its intricate details and masterful technique. Measuring at 7.3 x 10.3 cm, this small yet powerful artwork is housed in the Fondation Glenat in Grenoble, France. In this baroque-style piece, we witness a biblical scene depicting an episode from the New Testament. The central figure of Jesus Christ stands surrounded by a group of men who are engaged in a heated discussion about taxation and tax evasion. The artist skillfully captures their gestures and expressions as they gesticulate passionately. Rembrandt's attention to detail is evident not only in the characters' facial features but also in his use of light and shadow to create depth and atmosphere. A halo or aureole above Jesus' head signifies his divine nature as the King of Kings. "The Tribut" serves as a testament to Rembrandt's mastery as an engraver, showcasing his ability to convey complex narratives within limited space. It invites viewers into a moment frozen in time, allowing us to reflect on themes such as religion, power dynamics, and societal issues that transcend centuries. As we contemplate this remarkable work of art from the early 17th century, it reminds us of the enduring influence that religious stories have had on our collective consciousness throughout history.

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