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17th Centuries Collection

The 17th century was a time of great artistic and historical significance, as depicted in various artworks and photographs

Background image17th Centuries Collection: Hall of Mirrors, Palace of Versailles (photo)

Hall of Mirrors, Palace of Versailles (photo)
7423007 Hall of Mirrors, Palace of Versailles (photo) by Mansart, Jules Hardouin (1646-1708); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Hall of Mirrors)

Background image17th Centuries Collection: The Temptation of Saint Anthony (Oil on canvas)

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background image17th Centuries Collection: Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or)

Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608)
BEN5479881 Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608), Museo del Bargello, Florence by Giambologna (Giovanni da Bologna)

Background image17th Centuries Collection: Detail from San Bernardino da Siena, 1603 (oil on canvas)

Detail from San Bernardino da Siena, 1603 (oil on canvas)
3527203 Detail from San Bernardino da Siena, 1603 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614)

Background image17th Centuries Collection: Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e)

Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e)
5859851 Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e) by Moronobu, Hishikawa (c.1618-1694); 27.2 x 38.1 cm; The Art Institute of Chicago, IL

Background image17th Centuries Collection: Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)

Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)
XOS5886558 Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 403x394 cm; Cleveland Museum of Art, OH

Background image17th Centuries Collection: Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)

Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)
XOS5886548 Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool) by Romanelli

Background image17th Centuries Collection: Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)

Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)
XOS5885321 Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot) by Turkish School, (17th century); 172.1x104.1 cm; Cleveland Museum of Art, OH

Background image17th Centuries Collection: Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)

Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
1068455 Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint) by Incan; 19.69 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: The Monument to the Great Fire of London, aka The Monument, London, England

The Monument to the Great Fire of London, aka The Monument, London, England, seen here in the 19th century
8618000 The Monument to the Great Fire of London, aka The Monument, London, England, seen here in the 19th century, 1890 (print) by Unknown Artist

Background image17th Centuries Collection: The Cheapside Cross, demolished in May 1643, London, England, 1890 (print)

The Cheapside Cross, demolished in May 1643, London, England, 1890 (print)
8617984 The Cheapside Cross, demolished in May 1643, London, England, 1890 (print) by Unknown Artist, (19th century); Private Collection; (add.info.: The Cheapside Cross, demolished in May 1643)

Background image17th Centuries Collection: Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670

Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670
8608254 Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670. Origin Saint-Sernin church, Toulouse

Background image17th Centuries Collection: Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Background image17th Centuries Collection: Our Lady of Good Counsel, c.1680 (oil on copper)

Our Lady of Good Counsel, c.1680 (oil on copper)
XOS5884700 Our Lady of Good Counsel, c.1680 (oil on copper) by Perez, Bartolomeo (1634-93); 50x40 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting Bartolome Perez)

Background image17th Centuries Collection: Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)
1068462 Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint) by Incan; 14.76x6.67x13.34 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)

Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)
1068377 Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber) by South American School; 190.5x154.94x cm; Dallas Museum of Art, Texas

Background image17th Centuries Collection: Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)

Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)
1068356 Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint) by Incan; 20.8x16.67x18.49 cm; Dallas Museum of Art, Texas

Background image17th Centuries Collection: Hall of Mirrors in versailles, 1910 (photo)

Hall of Mirrors in versailles, 1910 (photo)
2910429 Hall of Mirrors in versailles, 1910 (photo) by Le Brun, Charles (1619-90) & Le Vau, Louis (1612-70); (add.info.: Hall of Mirrors, Versailles, France 1910.); Universal History Archive/UIG

Background image17th Centuries Collection: Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)

Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)
5862014 Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper) by Ferri, Ciro (1634-89); 20.4x18.5 cm; The Art Institute of Chicago, IL

Background image17th Centuries Collection: San Bernardino da Siena, 1603 (oil on canvas)

San Bernardino da Siena, 1603 (oil on canvas)
3527202 San Bernardino da Siena, 1603 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614)

Background image17th Centuries Collection: Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)

Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)
XOS5886553 Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 416.4x418.8 cm; Cleveland Museum of Art, OH

Background image17th Centuries Collection: Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)
1068463 Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint) by Incan; 17.78x10.64x21.43 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)

Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)
1068461 Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint) by Incan; 20.64 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)

Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)
1068460 Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint) by Incan; 19.05 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)

Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)
1068357 Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal) by Incan; 23.81x19.21x20.95 cm; Dallas Museum of Art, Texas

Background image17th Centuries Collection: The Death of Dido, 1679 (tapestry weave: silk and wool)

The Death of Dido, 1679 (tapestry weave: silk and wool)
XOS5886561 The Death of Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 414x466.5 cm; Cleveland Museum of Art, OH

Background image17th Centuries Collection: Dido and Aeneas, 1679 (tapestry weave: silk and wool)

Dido and Aeneas, 1679 (tapestry weave: silk and wool)
XOS5886546 Dido and Aeneas, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); Cleveland Museum of Art, OH

Background image17th Centuries Collection: Sultan and Musicians, c. 1650 (opaque w/c and gold on paper)

Sultan and Musicians, c. 1650 (opaque w/c and gold on paper)
XOS5884675 Sultan and Musicians, c. 1650 (opaque w/c and gold on paper) by South Indian School, (17th century); 16.9x20.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Southern India)

Background image17th Centuries Collection: Pedestal Kero, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero, 1630-1780 (wood, lacquer-like paint)
1068464 Pedestal Kero, 1630-1780 (wood, lacquer-like paint) by Incan; 10 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint)

Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint)
1068459 Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint) by Incan; 16.67 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint)

Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint)
1068456 Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint) by Incan; 17.31 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero, late 16th-mid 18th century (wood, metal & paint)

Kero, late 16th-mid 18th century (wood, metal & paint)
1068454 Kero, late 16th-mid 18th century (wood, metal & paint) by Incan; 15.4 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool)

Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool)
XOS5886549 Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool) by Romanelli

Background image17th Centuries Collection: Landscape with Hunters, c.1660-80 (oil on canvas)

Landscape with Hunters, c.1660-80 (oil on canvas)
XOS5884572 Landscape with Hunters, c.1660-80 (oil on canvas) by Wijnants, Jan (1631/2-84); 53x58 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Jan Wijnants)

Background image17th Centuries Collection: Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670

Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670
8608265 Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670. Origin Saint-Sernin church, Toulouse

Background image17th Centuries Collection: Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670

Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670
8608258 Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670. Origin Saint-Sernin church, Toulouse

Background image17th Centuries Collection: Les GUEUX - Le beggar au rosaire engraving de 1632 a l'eau forte by Jacques Callot (1592-1635)

Les GUEUX - Le beggar au rosaire engraving de 1632 a l'eau forte by Jacques Callot (1592-1635), Dim en cm 13, 9x8
JEB4890018 Les GUEUX - Le beggar au rosaire engraving de 1632 a l'eau forte by Jacques Callot (1592-1635), Dim en cm 13, 9x8, 7 Collection privee

Background image17th Centuries Collection: Kero: Plowing with Oxen, early 17th-mid 18th century (wood, metal, cane & paint)

Kero: Plowing with Oxen, early 17th-mid 18th century (wood, metal, cane & paint)
1068458 Kero: Plowing with Oxen, early 17th-mid 18th century (wood, metal, cane & paint) by Incan; 18.42 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Kero with cerimonial scene and Inca key tocapu, late 16th-mid 17th century (wood)

Kero with cerimonial scene and Inca key tocapu, late 16th-mid 17th century (wood, lacquer-like paint)
1068457 Kero with cerimonial scene and Inca key tocapu, late 16th-mid 17th century (wood, lacquer-like paint) by Incan; 15.88 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background image17th Centuries Collection: Mercury kills Argus, 17th century (drawing)

Mercury kills Argus, 17th century (drawing)
3125033 Mercury kills Argus, 17th century (drawing) by Rembrandt Harmensz. van Rijn (1606-69); (add.info.: Mercury kills Argus. On the left the cow)

Background image17th Centuries Collection: The Southwark end of old London Bridge, 1616 (engraving)

The Southwark end of old London Bridge, 1616 (engraving)
3793935 The Southwark end of old London Bridge, 1616 (engraving); (add.info.: The Southwark end of old London Bridge, 1616. Engraving by J)

Background image17th Centuries Collection: Emperor Muhammad Akbar (1542-1605) (gouache and w/c on ivory)

Emperor Muhammad Akbar (1542-1605) (gouache and w/c on ivory)
DND221217 Emperor Muhammad Akbar (1542-1605) (gouache and w/c on ivory) by Indian School; Private Collection; (add.info.: Mughal emperor of India (1556-1605);); Dinodia

Background image17th Centuries Collection: Bust of Tilladet, 1842-1843 (sculpture)

Bust of Tilladet, 1842-1843 (sculpture)
7422998 Bust of Tilladet, 1842-1843 (sculpture) by Debay, Jean-Baptiste Joseph (1802-1862); Musee et Domaine National de Versailles et de Trianon, Versailles

Background image17th Centuries Collection: Bust of Feuquetres 1839 (sculpture)

Bust of Feuquetres 1839 (sculpture)
7422997 Bust of Feuquetres 1839 (sculpture) by Lemaire, Philippe Joseph Henri (1798-1880); Musee et Domaine National de Versailles et de Trianon, Versailles

Background image17th Centuries Collection: Christina or Kristina, Queen of Sweden. (print)

Christina or Kristina, Queen of Sweden. (print)
7419914 Christina or Kristina, Queen of Sweden. (print) by Pontius, Paulus (1603-58); Photo © Ken Welsh. All rights reserved 2023

Background image17th Centuries Collection: Lobster and Two Witches, c.1602 (pen & w/c on paper)

Lobster and Two Witches, c.1602 (pen & w/c on paper)
7443777 Lobster and Two Witches, c.1602 (pen & w/c on paper) by Gheyn, Jacques II de (1565-1629); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Jacques de Gheyn II)

Background image17th Centuries Collection: Portrait of Jean-Baptiste Tavernier (1605-1689), c.1678 (oil on canvas)

Portrait of Jean-Baptiste Tavernier (1605-1689), c.1678 (oil on canvas)
8608539 Portrait of Jean-Baptiste Tavernier (1605-1689), c.1678 (oil on canvas) by Largilliere, Nicolas de (1656-1746); Herzog Anton Ulrich Museum, Braunschweig



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The 17th century was a time of great artistic and historical significance, as depicted in various artworks and photographs. "The Temptation of Saint Anthony" showcases the mastery of oil on canvas, capturing the struggle between temptation and faith. In contrast, the portrait of Gabriel Hanotaux provides a glimpse into the late 19th-century photography techniques that immortalized this French historian and politician. Dyrham Park's west front, captured in black-and-white photography from "Country Houses of the Cotswolds, " transports us to an era where grandeur met natural beauty. Similarly, Mells Manor's photograph from "The English Manor House" takes us back to 1917 when this architectural gem stood tall amidst changing times. Harlaxton Manor's front entrance through the forecourt screen is another captivating image from "100 Favourite Houses. " It invites us to explore its history and marvel at its intricate design. The South loggia on Troco Terrace at Bramshill, featured in "The English Country House, " offers a serene view that evokes tranquility. Moving beyond visual arts, we delve into Seville's Merced Calzada Library with friar Hernando De Santiago's stunning oil-on-canvas paintings dating back to 1633. These masterpieces reflect both religious devotion and artistic excellence. "The Drawbridge" transports us further into history with its depiction of life during the late 17th century - a time when castles guarded their inhabitants against external threats while fostering internal unity. In contrast to these scenes of fortification, "Country Kermis" presents a lively panel painting showcasing rural festivities filled with joyous celebrations - providing insight into everyday life during this period. De Waag (Weighing House) and Crane on Spaarne take us on an enchanting journey through Haarlem in Holland during the years spanning 1660-1698. This oil-on-panel artwork captures the bustling activity of a vibrant city.