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Circa 1600 Collection

"Circa 1600: A Glimpse into the Artistic Tapestry of a Transformative Era" Step back in time to the captivating world of circa 1600

Background imageCirca 1600 Collection: A Four Year Old with a Cat and a Fish, 1647 (oil on canvas)

A Four Year Old with a Cat and a Fish, 1647 (oil on canvas)
7300633 A Four Year Old with a Cat and a Fish, 1647 (oil on canvas) by Cuyp, Jacob Gerritsz (1594-1651); 108x80 cm; Private Collection; (add.info)

Background imageCirca 1600 Collection: Charles I (chromolitho)

Charles I (chromolitho)
820904 Charles I (chromolitho) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Charles I (1600-1649). 1649)

Background imageCirca 1600 Collection: The Continence of Scipio, c. 1706 (oil on canvas)

The Continence of Scipio, c. 1706 (oil on canvas)
5860855 The Continence of Scipio, c.1706 (oil on canvas) by Ricci, Sebastiano (1658-1734); 140--182 cm; The Art Institute of Chicago, IL

Background imageCirca 1600 Collection: Royalist cavalry, Battle of Naseby, English Civil War, 1645 (colour litho)

Royalist cavalry, Battle of Naseby, English Civil War, 1645 (colour litho)
7153969 Royalist cavalry, Battle of Naseby, English Civil War, 1645 (colour litho) by Stewart, J. A. (19th Century); Private Collection; (add.info.: Royalist cavalry, Battle of Naseby)

Background imageCirca 1600 Collection: Hall of Mirrors, Palace of Versailles (photo)

Hall of Mirrors, Palace of Versailles (photo)
7423007 Hall of Mirrors, Palace of Versailles (photo) by Mansart, Jules Hardouin (1646-1708); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Hall of Mirrors)

Background imageCirca 1600 Collection: A Man in Armour, 1655 (oil on canvas)

A Man in Armour, 1655 (oil on canvas)
GLS2946 A Man in Armour, 1655 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 137.5x104.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCirca 1600 Collection: The Temptation of Saint Anthony (Oil on canvas)

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageCirca 1600 Collection: The Queens of Persia at the feet of Alexander, also called The Tent of Darius, c

The Queens of Persia at the feet of Alexander, also called The Tent of Darius, c. 1660 (oil on canvas)
5974049 The Queens of Persia at the feet of Alexander, also called The Tent of Darius, c.1660 (oil on canvas) by Le Brun, Charles (1619-90); 117.3x453 cm; Chateau de Versailles

Background imageCirca 1600 Collection: Sant Ignazio di Loyola Church, Rome, Italy, 17th century (fresco)

Sant Ignazio di Loyola Church, Rome, Italy, 17th century (fresco)
3914266 Sant Ignazio di Loyola Church, Rome, Italy, 17th century (fresco) by Pozzo, Andrea (1642-1709); Sant Ignazio, Rome

Background imageCirca 1600 Collection: Saint Luke healing the hydropic child, 17th century (painting)

Saint Luke healing the hydropic child, 17th century (painting)
7129357 Saint Luke healing the hydropic child, 17th century (painting) by Lanfranco, Giovanni (1582-1647); Galleria Nazionale d'Arte Antica, Rome

Background imageCirca 1600 Collection: Penitent Magdalen, (oil on canvas)

Penitent Magdalen, (oil on canvas)
7129325 Penitent Magdalen, (oil on canvas) by Fetti or Feti, Domenico (1589-1624); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Penitent Magdalen, Domenico Fetti, oil on canvas)

Background imageCirca 1600 Collection: Saint Mary Magdalene penitent, 1625-27 (oil on canvas)

Saint Mary Magdalene penitent, 1625-27 (oil on canvas)
7062918 Saint Mary Magdalene penitent, 1625-27 (oil on canvas) by Cagnacci, Guido (1601-63); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageCirca 1600 Collection: Christ Displaying His Wounds, 1615-20 (oil on canvas)

Christ Displaying His Wounds, 1615-20 (oil on canvas)
7333494 Christ Displaying His Wounds, 1615-20 (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 148.7x114 (framed) cm; Perth Museum & Art Gallery

Background imageCirca 1600 Collection: The Temptation of St. Anthony, 17th century (engraving) (b / w photo)

The Temptation of St. Anthony, 17th century (engraving) (b / w photo)
XIR163461 The Temptation of St. Anthony, 17th century (engraving) (b/w photo) by Callot, Jacques (1592-1635); Musee Historique Lorrain, Nancy, France

Background imageCirca 1600 Collection: Portrait of King Charles I of England (oil on canvas)

Portrait of King Charles I of England (oil on canvas)
3524225 Portrait of King Charles I of England (oil on canvas) by Dyck, Anthony van (1599-1641); (add.info.: Portrait of King Charles I, King of England, King of Scotland and King of Ireland)

Background imageCirca 1600 Collection: Westwood House, near Droitwich, Worcestershire (colour litho)

Westwood House, near Droitwich, Worcestershire (colour litho)
7193525 Westwood House, near Droitwich, Worcestershire (colour litho) by Twopeny, William (1797-1873); Private Collection; (add.info.: Westwood House, near Droitwich, Worcestershire)

Background imageCirca 1600 Collection: Jesus Christ anointed by a sinful woman at the house of Simon the Pharisee (engraving)

Jesus Christ anointed by a sinful woman at the house of Simon the Pharisee (engraving)
7172445 Jesus Christ anointed by a sinful woman at the house of Simon the Pharisee (engraving) by European School, (17th century); Private Collection; (add.info)

Background imageCirca 1600 Collection: University of Leiden, Netherlands, 1614 (engraving)

University of Leiden, Netherlands, 1614 (engraving)
7185766 University of Leiden, Netherlands, 1614 (engraving) by Dutch School, (17th century) (after); Private Collection; (add.info.: University of Leiden, founded in 1575 by William)

Background imageCirca 1600 Collection: Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras

Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c
XIR205466 Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas) by Meulen

Background imageCirca 1600 Collection: Jesus Christ driving the money-changers out of the Temple (engraving)

Jesus Christ driving the money-changers out of the Temple (engraving)
7149704 Jesus Christ driving the money-changers out of the Temple (engraving) by English School, (17th century) (after); Private Collection; (add.info)

Background imageCirca 1600 Collection: Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)

Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)
6448694 Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 223x183 cm; (add.info.: Destroyed in 1945)

Background imageCirca 1600 Collection: Portrait of King Charles I (engraving)

Portrait of King Charles I (engraving)
820141 Portrait of King Charles I (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Charles I, King of England, King of Scotland, and King of Ireland)

Background imageCirca 1600 Collection: The Monument to the Great Fire, London (colour photo)

The Monument to the Great Fire, London (colour photo)
3091262 The Monument to the Great Fire, London (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The Monument to the Great Fire, London)

Background imageCirca 1600 Collection: King David playing the harp (detail), Domenico Zampieri, known as the Dominican, 1619

King David playing the harp (detail), Domenico Zampieri, known as the Dominican, 1619
7221396 King David playing the harp (detail), Domenico Zampieri, known as the Dominican, 1619, Palace of Versailles (oil on canvas) by Domenichino (Domenico Zampieri) (1581-1641)

Background imageCirca 1600 Collection: Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or)

Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608)
BEN5479881 Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608), Museo del Bargello, Florence by Giambologna (Giovanni da Bologna)

Background imageCirca 1600 Collection: Detail from San Bernardino da Siena, 1603 (oil on canvas)

Detail from San Bernardino da Siena, 1603 (oil on canvas)
3527203 Detail from San Bernardino da Siena, 1603 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614)

Background imageCirca 1600 Collection: Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e)

Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e)
5859851 Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e) by Moronobu, Hishikawa (c.1618-1694); 27.2 x 38.1 cm; The Art Institute of Chicago, IL

Background imageCirca 1600 Collection: Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)

Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)
XOS5886558 Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 403x394 cm; Cleveland Museum of Art, OH

Background imageCirca 1600 Collection: Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)

Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)
XOS5886548 Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool) by Romanelli

Background imageCirca 1600 Collection: Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)

Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)
XOS5885321 Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot) by Turkish School, (17th century); 172.1x104.1 cm; Cleveland Museum of Art, OH

Background imageCirca 1600 Collection: Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)

Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
1068455 Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint) by Incan; 19.69 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageCirca 1600 Collection: The Monument to the Great Fire of London, aka The Monument, London, England

The Monument to the Great Fire of London, aka The Monument, London, England, seen here in the 19th century
8618000 The Monument to the Great Fire of London, aka The Monument, London, England, seen here in the 19th century, 1890 (print) by Unknown Artist

Background imageCirca 1600 Collection: The Cheapside Cross, demolished in May 1643, London, England, 1890 (print)

The Cheapside Cross, demolished in May 1643, London, England, 1890 (print)
8617984 The Cheapside Cross, demolished in May 1643, London, England, 1890 (print) by Unknown Artist, (19th century); Private Collection; (add.info.: The Cheapside Cross, demolished in May 1643)

Background imageCirca 1600 Collection: Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670

Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670
8608254 Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670. Origin Saint-Sernin church, Toulouse

Background imageCirca 1600 Collection: Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Background imageCirca 1600 Collection: Our Lady of Good Counsel, c.1680 (oil on copper)

Our Lady of Good Counsel, c.1680 (oil on copper)
XOS5884700 Our Lady of Good Counsel, c.1680 (oil on copper) by Perez, Bartolomeo (1634-93); 50x40 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting Bartolome Perez)

Background imageCirca 1600 Collection: Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)
1068462 Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint) by Incan; 14.76x6.67x13.34 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageCirca 1600 Collection: Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)

Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)
1068377 Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber) by South American School; 190.5x154.94x cm; Dallas Museum of Art, Texas

Background imageCirca 1600 Collection: Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)

Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)
1068356 Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint) by Incan; 20.8x16.67x18.49 cm; Dallas Museum of Art, Texas

Background imageCirca 1600 Collection: Hall of Mirrors in versailles, 1910 (photo)

Hall of Mirrors in versailles, 1910 (photo)
2910429 Hall of Mirrors in versailles, 1910 (photo) by Le Brun, Charles (1619-90) & Le Vau, Louis (1612-70); (add.info.: Hall of Mirrors, Versailles, France 1910.); Universal History Archive/UIG

Background imageCirca 1600 Collection: The fame that came from a cobbler's shop (litho)

The fame that came from a cobbler's shop (litho)
976608 The fame that came from a cobbler's shop (litho) by Skinner, Edward Frederick (1865-1924); Private Collection; (add.info.: The fame that came from a cobbler's shop)

Background imageCirca 1600 Collection: Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)

Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)
5862014 Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper) by Ferri, Ciro (1634-89); 20.4x18.5 cm; The Art Institute of Chicago, IL

Background imageCirca 1600 Collection: San Bernardino da Siena, 1603 (oil on canvas)

San Bernardino da Siena, 1603 (oil on canvas)
3527202 San Bernardino da Siena, 1603 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614)

Background imageCirca 1600 Collection: Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)

Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)
XOS5886553 Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 416.4x418.8 cm; Cleveland Museum of Art, OH

Background imageCirca 1600 Collection: Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)
1068463 Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint) by Incan; 17.78x10.64x21.43 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageCirca 1600 Collection: Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)

Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)
1068461 Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint) by Incan; 20.64 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageCirca 1600 Collection: Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)

Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)
1068460 Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint) by Incan; 19.05 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageCirca 1600 Collection: Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)

Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)
1068357 Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal) by Incan; 23.81x19.21x20.95 cm; Dallas Museum of Art, Texas



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"Circa 1600: A Glimpse into the Artistic Tapestry of a Transformative Era" Step back in time to the captivating world of circa 1600, where art and history intertwine to paint a vivid picture of an era marked by political upheaval, religious fervor, and artistic brilliance. From grand oil paintings to intricate engravings, this period showcases the diverse range of artistic expressions that defined the times. One such masterpiece is "The Continence of Scipio, " created around 1706. This oil on canvas painting depicts an ancient Roman general's act of self-restraint amidst temptation—a timeless theme that resonates across centuries. In contrast, we witness the chaos and valor of war through "Royalist cavalry at the Battle of Naseby. " This color lithograph transports us to England during the tumultuous English Civil War in 1645. The intense hues capture both the bravery and brutality experienced on those blood-soaked battlefields. Amidst these historical events stands Charles I himself, immortalized in a chromolithograph portrait. His regal presence emanates from every brushstroke—an emblematic representation of monarchy during this transformative period. Religious themes also dominate this era's artwork. "The Temptation of Saint Anthony" mesmerizes with its rich colors and detailed brushwork—inviting viewers into a mystical realm where faith is tested against worldly temptations. "The Queens of Persia at the feet of Alexander, " or alternatively known as "The Tent Darius, " transports us further back in time to ancient Persia under Alexander's rule. Painted around 1660, it captures a momentous encounter between powerful women and their conqueror—a testament to cultural exchange amid conquests. Religion takes center stage again with depictions like "Saint Luke healing the hydropic child" or "Penitent Magdalen. " These artworks explore themes ranging from miraculous healings to spiritual redemption, offering solace and inspiration to viewers.