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Art Style Collection

"Exploring the Timeless Beauty of Art Styles: From Hesperus to Tetrahedra" Art style has always been a captivating aspect of human expression

Background imageArt Style Collection: Napoleon Crossing the Alps, 1803 (oil on canvas)

Napoleon Crossing the Alps, 1803 (oil on canvas)
JLJ4598431 Napoleon Crossing the Alps, 1803 (oil on canvas) by David, Jacques Louis (1748-1825); 259x221 cm; Musee National du Chateau de Malmaison, Rueil-Malmaison

Background imageArt Style Collection: Tetrahedra, c. 1910 (oil on canvas)

Tetrahedra, c. 1910 (oil on canvas)
7241679 Tetrahedra, c.1910 (oil on canvas) by Serusier, Paul (1864-1927); Musee d Orsay, Paris, France; (add.info.: Tetrahedra. Oil on Canvas)

Background imageArt Style Collection: Self-portrait, 1889 (oil on canvas)

Self-portrait, 1889 (oil on canvas)
7305623 Self-portrait, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 51.5x45 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Vincent van Gogh (1853-1890))

Background imageArt Style Collection: Autograph manuscript, Cantata BWV 180 Schmucke dich o liebe Seele by J.S. Bach (ink on paper)

Autograph manuscript, Cantata BWV 180 Schmucke dich o liebe Seele by J.S. Bach (ink on paper)
CH15836 Autograph manuscript, Cantata BWV 180 Schmucke dich o liebe Seele by J.S. Bach (ink on paper) by Bach, Johann Sebastian (1748-78); Private Collection; Photo © Christie's Images

Background imageArt Style Collection: La Grenouillere, 1869 (oil on canvas)

La Grenouillere, 1869 (oil on canvas)
PHD926 La Grenouillere, 1869 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 65x92 cm; Oskar Reinhart Collection ʻAm Romerholz, Winterthur, Switzerland; (add.info.: by Pierre Auguste Renoir)

Background imageArt Style Collection: The Virgin and Child between Saints John the Evangelist, James and two Angels, c

The Virgin and Child between Saints John the Evangelist, James and two Angels, c. 1480-1490 (tempera and oil on panel)
885727 The Virgin and Child between Saints John the Evangelist, James and two Angels, c.1480-1490 (tempera and oil on panel) by Giovanni

Background imageArt Style Collection: Neptune and Triton, 1622-1623, (sculpture)

Neptune and Triton, 1622-1623, (sculpture)
7130125 Neptune and Triton, 1622-1623, (sculpture) by Bernini, Gian Lorenzo (1598-1680); Victoria & Albert Museum, London, UK; (add.info.: Neptune and Triton, 1622-1623, Gian Lorenzo Bernini)

Background imageArt Style Collection: Vivien, 1863 (oil on canvas)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Background imageArt Style Collection: The Annunciation, 1894 (oil on canvas)

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageArt Style Collection: Saint Luke healing the hydropic child, 17th century (painting)

Saint Luke healing the hydropic child, 17th century (painting)
7129357 Saint Luke healing the hydropic child, 17th century (painting) by Lanfranco, Giovanni (1582-1647); Galleria Nazionale d'Arte Antica, Rome

Background imageArt Style Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageArt Style Collection: Isolde writing to Tristan, 1892-1894 (engraving)

Isolde writing to Tristan, 1892-1894 (engraving)
AIS5356036 Isolde writing to Tristan, 1892-1894 (engraving) by Beardsley, Aubrey (1872-98); (add.info.: Art Nouveau: Iseult (iseut, Yseut or Isolde) writing to Tristan

Background imageArt Style Collection: Salisbury Cathedral (oil)

Salisbury Cathedral (oil)
PCD282337 Salisbury Cathedral (oil) by Ginner, Charles (1878-1952); Private Collection; Piccadilly Gallery, London, UK

Background imageArt Style Collection: Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)

Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)
AIS5356057 Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho) by Beardsley, Aubrey (1872-98); 32x25 cm; (add.info)

Background imageArt Style Collection: Portrait of Adele Bloch-Bauer, 1907 (oil, silver and gold on canvas)

Portrait of Adele Bloch-Bauer, 1907 (oil, silver and gold on canvas)
JLJ4658051 Portrait of Adele Bloch-Bauer, 1907 (oil, silver and gold on canvas) by Klimt, Gustav (1862-1918); 140x140 cm; (add.info)

Background imageArt Style Collection: Hesperus, the Evening Star, Sacred to Lovers, 1855 (oil on millboard)

Hesperus, the Evening Star, Sacred to Lovers, 1855 (oil on millboard)
GLS15147 Hesperus, the Evening Star, Sacred to Lovers, 1855 (oil on millboard) by Paton, Joseph Noel (1821-1901); 91.4x68.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageArt Style Collection: Penitent Magdalen, (oil on canvas)

Penitent Magdalen, (oil on canvas)
7129325 Penitent Magdalen, (oil on canvas) by Fetti or Feti, Domenico (1589-1624); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Penitent Magdalen, Domenico Fetti, oil on canvas)

Background imageArt Style Collection: Ferdinand Victor Eugene Delacroix. (print)

Ferdinand Victor Eugene Delacroix. (print)
7315209 Ferdinand Victor Eugene Delacroix. (print) by French Photographer, (19th century); Private Collection; (add.info.: Ferdinand Victor Eugene Delacroix, 1798-1863)

Background imageArt Style Collection: Lake Attersee, 1901 (oil on canvas)

Lake Attersee, 1901 (oil on canvas)
8933884 Lake Attersee, 1901 (oil on canvas) by Klimt, Gustav (1862-1918); Leopold Museum, Vienna, Austria; (add.info.: Painting by Gustav Klimt)

Background imageArt Style Collection: Portrait of Warington Taylor, William Morris business manager, 1860s (photograph)

Portrait of Warington Taylor, William Morris business manager, 1860s (photograph)
8620222 Portrait of Warington Taylor, William Morris business manager, 1860s (photograph) by Mayer Freres (fl.1850-65); William Morris Gallery, Walthamstow

Background imageArt Style Collection: Portrait of a young woman in an interior (Portrait de Mme H), c.1877 (oil on canvas)

Portrait of a young woman in an interior (Portrait de Mme H), c.1877 (oil on canvas)
8933771 Portrait of a young woman in an interior (Portrait de Mme H), c.1877 (oil on canvas) by Caillebotte, Gustave (1848-94); 81 x 65 cm; Private Collection; (add.info)

Background imageArt Style Collection: William Morris on horseback, 1870 (drawing)

William Morris on horseback, 1870 (drawing)
8620230 William Morris on horseback, 1870 (drawing) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow, UK; (add.info.: William Morris on horseback, 1870, Edward Burne Jones)

Background imageArt Style Collection: Edward Burne Jones and William Morris, William Morris gallery, London (photograph)

Edward Burne Jones and William Morris, William Morris gallery, London (photograph)
8620225 Edward Burne Jones and William Morris, William Morris gallery, London (photograph) by Hollyer, Frederick (1837-1933); William Morris Gallery, Walthamstow

Background imageArt Style Collection: Frugoni in Arcadia, 1763 (oil on canvas)

Frugoni in Arcadia, 1763 (oil on canvas)
8620001 Frugoni in Arcadia, 1763 (oil on canvas) by Ferrari, Pietro Melchiorre (1735-1787); Galleria Nazionale (Complesso Monumentale della Pilotta), Parma, Emilia-Romagna

Background imageArt Style Collection: Bathsheba at her bath, late 17th century (oil on canvas)

Bathsheba at her bath, late 17th century (oil on canvas)
8620003 Bathsheba at her bath, late 17th century (oil on canvas) by Ricci, Sebastiano (1658-1734); Galleria Nazionale (Complesso Monumentale della Pilotta), Parma, Emilia-Romagna

Background imageArt Style Collection: The Presentation in the Temple (chalk with pen & ink, wash, & white heightening on paper)

The Presentation in the Temple (chalk with pen & ink, wash, & white heightening on paper)
8933882 The Presentation in the Temple (chalk with pen & ink, wash, & white heightening on paper) by Luini, Aurelio (c.1530-93) (attr)

Background imageArt Style Collection: Dante Gabriel Rossetti, photographed by Lewis Carroll, 1863 (photograph)

Dante Gabriel Rossetti, photographed by Lewis Carroll, 1863 (photograph)
8620223 Dante Gabriel Rossetti, photographed by Lewis Carroll, 1863 (photograph) by Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98); William Morris Gallery, Walthamstow

Background imageArt Style Collection: Sketch for Frontispiece Illustration for Living English Poets, 1882 (drawing)

Sketch for Frontispiece Illustration for Living English Poets, 1882 (drawing)
8620228 Sketch for Frontispiece Illustration for Living English Poets, 1882 (drawing) by Crane, Walter (1845-1915); William Morris Gallery, Walthamstow

Background imageArt Style Collection: Book collector, William Morris in his library at Kelmscott House, Hammersmith, 1890s (photograph)

Book collector, William Morris in his library at Kelmscott House, Hammersmith, 1890s (photograph)
8620226 Book collector, William Morris in his library at Kelmscott House, Hammersmith, 1890s (photograph) by British Photographer, (19th century); William Morris Gallery, Walthamstow

Background imageArt Style Collection: Design for a workman's small house, 1884 (print)

Design for a workman's small house, 1884 (print)
8620219 Design for a workman's small house, 1884 (print) by Morris & Company; William Morris Gallery, Walthamstow, UK; (add.info.: Design for a workman's small house, 1884)

Background imageArt Style Collection: Unidentified subject, possibly Cupid's daughter by his forge, c.1857 (pen, pencil on paper)

Unidentified subject, possibly Cupid's daughter by his forge, c.1857 (pen, pencil on paper)
8620209 Unidentified subject, possibly Cupid's daughter by his forge, c.1857 (pen, pencil on paper) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow

Background imageArt Style Collection: Art Deco necklace, c.1925 (emeralds, diamonds & rock crystal)

Art Deco necklace, c.1925 (emeralds, diamonds & rock crystal)
6322973 Art Deco necklace, c.1925 (emeralds, diamonds & rock crystal) by European School, (20th century); length: 44.5 cm; Private Collection; (add.info.: owned by Anita Delgado)

Background imageArt Style Collection: The Tower of Babel, 1604 (oil on panel)

The Tower of Babel, 1604 (oil on panel)
8933820 The Tower of Babel, 1604 (oil on panel) by Grimmer or Grimer, Abel (1570-1619); 51.1 x 66.3 cm; Private Collection; (add.info.: Painting by Abel Grimmer); Photo © Christie's Images

Background imageArt Style Collection: King Nimrod ordering the construction of the Tower of Babel (oil on panel)

King Nimrod ordering the construction of the Tower of Babel (oil on panel)
8933819 King Nimrod ordering the construction of the Tower of Babel (oil on panel) by Caullery, Louis de (c.1580-1621) (circle of); 48 x 62.9 cm; Private Collection; (add.info)

Background imageArt Style Collection: The Tower of Babel, c.1650 (oil on canvas)

The Tower of Babel, c.1650 (oil on canvas)
8933817 The Tower of Babel, c.1650 (oil on canvas) by Brueghel, Jan (1568-1625) (follower of); 53 x 76 cm; Private Collection; (add.info)

Background imageArt Style Collection: Max Morise, Simone Breton, Paul Eluard, Joseph Delteil, Gala Desnos, Andre Breton

Max Morise, Simone Breton, Paul Eluard, Joseph Delteil, Gala Desnos, Andre Breton, and Max Ernst (on the bicycle)
XEE4106944 Max Morise, Simone Breton, Paul Eluard, Joseph Delteil, Gala Desnos, Andre Breton, and Max Ernst (on the bicycle), at the Foire de Montmartre, 1923

Background imageArt Style Collection: Julius Caesar depicted in heroic nudity, 1st century BC (sculpture)

Julius Caesar depicted in heroic nudity, 1st century BC (sculpture)
7322948 Julius Caesar depicted in heroic nudity, 1st century BC (sculpture) by Roman, (1st century BC); Louvre, Paris, France; (add.info.: Julius Caesar depicted in heroic nudity)

Background imageArt Style Collection: The Stocklet Palace in Brussels (Belgium), by Josef Hoffman, 1999 (photo)

The Stocklet Palace in Brussels (Belgium), by Josef Hoffman, 1999 (photo)
TED4667514 The Stocklet Palace in Brussels (Belgium), by Josef Hoffman, 1999 (photo) by Hoffman, Josef (1831-1904); (add.info.: The Stocklet Palace in Brussels (Belgium)

Background imageArt Style Collection: Maison Saint Cyr, Square Ambiorix in Brussels (Belgium). Construction 1898

Maison Saint Cyr, Square Ambiorix in Brussels (Belgium). Construction 1898, architect Gustave Strauven (1878-1919)
TED4640249 Maison Saint Cyr, Square Ambiorix in Brussels (Belgium). Construction 1898, architect Gustave Strauven (1878-1919). Photography 10/10/99

Background imageArt Style Collection: Maison Saint Cyr, Square Ambiorix in Brussels (Belgium). Construction 1898

Maison Saint Cyr, Square Ambiorix in Brussels (Belgium). Construction 1898, architect Gustave Strauven (1878-1919)
TED4640230 Maison Saint Cyr, Square Ambiorix in Brussels (Belgium). Construction 1898, architect Gustave Strauven (1878-1919). Photography 10/10/99

Background imageArt Style Collection: The Arc de Triomphe du Carrousel, Tuileries, Paris, France (photo)

The Arc de Triomphe du Carrousel, Tuileries, Paris, France (photo)
TED4603461 The Arc de Triomphe du Carrousel, Tuileries, Paris, France (photo) by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info)

Background imageArt Style Collection: The Arc de Triomphe du Carrousel, Tuileries, Paris, France (photo)

The Arc de Triomphe du Carrousel, Tuileries, Paris, France (photo)
TED4603444 The Arc de Triomphe du Carrousel, Tuileries, Paris, France (photo) by Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853); (add.info)

Background imageArt Style Collection: Internally decorated vase with a pink clematis and green stem design by Auguste Daum (1853-1909)

Internally decorated vase with a pink clematis and green stem design by Auguste Daum (1853-1909) (glass)
BON109584 Internally decorated vase with a pink clematis and green stem design by Auguste Daum (1853-1909) (glass) by Daum

Background imageArt Style Collection: Landscape, 1907 (drawing on paper)

Landscape, 1907 (drawing on paper)
8724153 Landscape, 1907 (drawing on paper) by Malharro, Martin (1865-1911); Museo Nacional de Bellas Artes, Buenos Aires, Argentina; (add.info.: By Martin Malharro)

Background imageArt Style Collection: A swag of grapes, hollyhocks, irises, mallow, African marigolds, clematis

A swag of grapes, hollyhocks, irises, mallow, African marigolds, clematis
8725168 A swag of grapes, hollyhocks, irises, mallow, African marigolds, clematis, a horse chestnut and blackberries with butterflies and other insects suspended before a stone arch

Background imageArt Style Collection: Study for House Painters: Man on a Ladder, Three-Quarter Back View, 1877 (pencil on paper)

Study for House Painters: Man on a Ladder, Three-Quarter Back View, 1877 (pencil on paper)
8901176 Study for House Painters: Man on a Ladder, Three-Quarter Back View, 1877 (pencil on paper) by Caillebotte, Gustave (1848-94); 47.5 x 30 cm; Private Collection; (add.info)

Background imageArt Style Collection: Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze)

Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze)
BEN82525 Amphitrite, sculpture by Stoldo Lorenzi (1534-83) 1572 (bronze); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo © Raffaello Bencini

Background imageArt Style Collection: Flower meadow at Giverny, 1890 (oil on canvas)

Flower meadow at Giverny, 1890 (oil on canvas)
8859834 Flower meadow at Giverny, 1890 (oil on canvas) by Monet, Claude (1840-1926); 65 x 92 cm; Private Collection; (add.info)



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"Exploring the Timeless Beauty of Art Styles: From Hesperus to Tetrahedra" Art style has always been a captivating aspect of human expression, transcending time and evoking emotions. Take, for instance, "Hesperus, the Evening Star, Sacred to Lovers, " an enchanting oil painting from 1855 by an unknown artist on millboard. This piece transports us to a world where love and celestial beauty intertwine. Moving forward in time but still immersed in the realm of paintings, we encounter "Saint Luke healing the hydropic child, " a mesmerizing 17th-century masterpiece that showcases both artistic skill and religious devotion. The intricate brushstrokes bring life to this scene of miraculous healing. The power of art continues with "Penitent Magdalen, " an oil-on-canvas creation that captures the essence of remorse and redemption. Its emotional depth resonates through every stroke, inviting viewers into a contemplative journey. Shifting gears slightly towards printmaking, Ferdinand Victor Eugene Delacroix's work captivates with its unique interpretation of various subjects. His prints are windows into his creative mind – each one telling a story or conveying an idea through masterful techniques. Branching out further into different mediums brings us to "Tetrahedra, " an intriguing oil-on-canvas artwork from around 1910. With geometric shapes merging harmoniously on the canvas, this piece represents avant-garde exploration within art styles during its time. While paintings have their allure, photography also plays a significant role in capturing architectural wonders such as Dyrham Park's west front or Eaton Hall's Entrance Hall showcased in black-and-white photographs from books like "Country Houses of the Cotswolds" or "The English Country House. " These images transport us back in time while highlighting grandeur and elegance preserved within these historic structures.