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Portrait of Mrs. Boyd, 1784 (black chalk, stump and watercolour)
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Portrait of Mrs. Boyd, 1784 (black chalk, stump and watercolour)
651801 Portrait of Mrs. Boyd, 1784 (black chalk, stump and watercolour) by Dowman, John (1750-1824); 19.3x15.9 cm; Private Collection; (add.info.: Portrait of Mrs. Boyd. John Downman (1750-1824). Black chalk, stump and watercolour. Dated 1784. 19.3 x 15.9cm.); Photo eChristies Images; English, out of copyright
Media ID 22795878
© Christie's Images / Bridgeman Images
072012upload 1780s 1784 Accessories Aversion Black Chalk Blue Eyes Bosom Breast British Art British Art On Paper Chalk Cleavage Curly Hair Demure Downman Elliptical Expression Eye Colour Facial Expression Facial Feature John Downman Late 18th Century Late Eighteenth Century Looking Away Personal Accessory Shape Shaped Somber Water Color Water Colour Welsh Artist Woman Alone 19th Century Painting Accessory Artist British British Artist Ethnic Origin Headwear Portrait Style Portraiture Young Woman
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EDITORS COMMENTS
This portrait, titled "Portrait of Mrs. Boyd, 1784" showcases the exceptional talent and artistry of British artist John Dowman. Created using black chalk, stump, and watercolour techniques, this exquisite piece measures 19.3x15.9 cm and is currently held in a private collection. Mrs. Boyd's enigmatic gaze draws viewers into the painting as she looks away with an expression of aversion or contemplation. Her curly hair cascades beautifully around her face, framing her striking blue eyes and delicate features. Dressed in elegant attire from the late eighteenth century, Mrs. Boyd exudes grace and sophistication. The oval-shaped composition emphasizes her posture as she sits with a demure yet confident demeanor. The artist's attention to detail is evident in every stroke; from the intricate accessories adorning Mrs. Boyd's headwear to the subtle shading that brings depth to her clothing and facial features. This portrait captures not only Mrs. Boyd's physical appearance but also hints at her personality through subtle nuances such as her somber expression and slightly turned body posture. John Dowman's skillful use of black chalk, stump work, and watercolour creates a timeless masterpiece that transcends its 18th-century origins to resonate with contemporary audiences today. As we admire this artwork by one of Britain's finest artists on paper, we are reminded of the enduring power of portraiture to capture both beauty and introspection within a single frame
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