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Mary Magdalene, 17th-18th century (painting)

Mary Magdalene, 17th-18th century (painting)


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Mary Magdalene, 17th-18th century (painting)

7129457 Mary Magdalene, 17th-18th century (painting) by Trevisani, Francesco (1656-1746); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Mary Magdalene, Francesco Trevisani, national gallery of ancient art, Rome, Italy); Photo © Stefano Baldini

Media ID 31937914

© Stefano Baldini / Bridgeman Images

Art Style Bare Chest Baroque Art Baroque Style Biblical Charcter Biblical Episode Biblical Figure Concentration Ermitage Forgave Forgive Forgiven Forgiveness Hermit Isolated Isolation Loneliness Lonely Mary Madgalena Mary Magdalen Mary Magdalene Meditate Meditates Meditating Meditation Meditative Penitence Penitent Pray Prayers S Mary Magdalene Saint Mary Magdalene Skeleton Skull Skulls Solitude St Mary Magdalene Vanitas 17 17th 17th 17th Xvii 18th Century Bible Story Biblical Events Biblical Scene Catholic Religion Catholics Circa 1600 Early 17th Century Early Xvii Century Semi Nude Seventeeth Century


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> Arts > Art Movements > Baroque

> Arts > Artists > T > Francesco Trevisani

> Arts > Fine Art

> Europe > Italy > Lazio > Rome

> Europe > Italy > Paintings

> Europe > Italy > Rome

> Fine Art Finder > Artists > Francesco Trevisani

> Fine Art Finder > Artists > Giovanni Battista (1639-1709) Gaulli


EDITORS COMMENTS
This print showcases the painting "Mary Magdalene" by Francesco Trevisani, dating back to the 17th-18th century. Held at the Galleria Nazionale d'Arte Antica in Rome, Italy, this masterpiece captures the essence of Mary Magdalene's story with profound artistry. In this depiction, Mary Magdalene is portrayed in deep concentration and meditation. Her bare chest symbolizes vulnerability and penitence while her gaze reflects a sense of loneliness and introspection. The presence of a skull and skeleton hints at the transient nature of life and serves as a reminder of mortality. With her body positioned near a cross, Mary Magdalene represents forgiveness and redemption within Christianity. Holding an open book, she embodies knowledge and spiritual enlightenment. The inclusion of plants signifies growth and renewal amidst her contemplative state. Trevisani's use of Baroque style is evident through his meticulous attention to detail, capturing every nuance with precision. This painting exudes an aura of vanitas - emphasizing the fleeting nature of worldly possessions. Through this print by Stefano Baldini, viewers can appreciate not only Trevisani's artistic mastery but also delve into themes such as faith, devotion, and self-reflection that have resonated throughout history. It serves as a testament to the enduring power that religious art holds in inspiring contemplation and evoking emotions even centuries after its creation.

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