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The Mocking of Christ, 1612-13, (painting)
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The Mocking of Christ, 1612-13, (painting)
7130058 The Mocking of Christ, 1612-13, (painting) by Honthorst, Gerrit van (1590-1656); Santa Maria della Vittoria, Rome, Italy; (add.info.: The Mocking of Christ, 1612-13, Gerard van Honthorst, church of Santa Maria della Vittoria, Rome, Italy); Photo © Stefano Baldini
Media ID 31937690
© Stefano Baldini / Bridgeman Images
Belittling Biblical Episode Brazier Braziers Christ The King Crown Of Thorns Crown Of Thorns And Nails Crowns Derides Derision Dozy Drowsy Fires Flame Foolery Humilating Humiliate Humiliated Humiliation Laugh Laughing Laughter Lighted Lighting Lights Make Fun Of Mockery Passion Passion Of Christ Passion Of Jesus Passionate Prisoners Scoff Sleepiness Somnolence The Passion The Passion Of Christ Tired Tired Out Tiredness Tiring Weariness Weary 17 17th 17th 17th Xvii 18th Century Bible Story Biblical Charcter Biblical Events Biblical Figure Biblical Scene Catholic Religion Catholics Christ Jesus Circa 1600 Dutch Netherlands Early 17th Century Early Xvii Century Flames Flemish Art Flemish Artist Hollander Hollanders Jesus Of Nazareth Netherland Netherlands Holland Dutch Prisoner Seventeeth Century Several People Several Persons The Netherland
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EDITORS COMMENTS
The Mocking of Christ, a powerful painting by Gerrit van Honthorst, captures the intense emotions and religious significance of this biblical scene. Created in 1612-13, this masterpiece is housed in the historic Santa Maria della Vittoria church in Rome, Italy. In this image, we witness Jesus Christ enduring unimaginable humiliation and suffering. The crown of thorns adorns his head as a symbol of his impending crucifixion. The lighting expertly illuminates his weary face, emphasizing the exhaustion and pain he endures for humanity's salvation. Surrounded by several individuals who mock him with laughter and derision, Jesus stands as a prisoner to their cruelty. This portrayal evokes deep empathy within viewers as they contemplate the immense sacrifice made by their savior. Honthorst's Flemish art style shines through in every brushstroke, capturing both the physicality and emotional weight of this pivotal moment in Christian history. The firelight flickers behind Jesus, casting an eerie glow that heightens the dramatic atmosphere. This painting serves as a testament to Honthorst's mastery as well as an invitation for contemplation on faith and redemption. Its presence within Santa Maria della Vittoria adds to its spiritual impact on visitors from around the world. Through Stefano Baldini's skillful photography, we are able to appreciate every detail of this profound artwork without being physically present at its location.
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