Naples, Il Borgo Loreto Forte del Carmine showing royal procession entering Piazza del Carmine, by Antonio Joli, Oil on canvas

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Naples, Il Borgo Loreto Forte del Carmine showing royal procession entering Piazza del Carmine, by Antonio Joli, Oil on canvas

Antonio Joli (1700-1777). Naples. Il Borgo Loreto Forte del Carmine showing the royal procession entering Piazza del Carmine. Oil on canvas, 73x125 cm

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Media ID 9503673

© DEA / L. PEDICINI

18th Century Cityscape Coastline Harbor Naples Oil Painting Painting Pier Procession Promenade Ship Vedutism Waterfront Antonio Joli

EDITORS COMMENTS
This print by Antonio Joli transports us back to 18th century Naples, Italy. The painting, titled "Il Borgo Loreto Forte del Carmine showing the royal procession entering Piazza del Carmine" captures a moment of grandeur and historical significance. In this scene, we witness a majestic royal procession making its way into the bustling Piazza del Carmine. The artist's meticulous attention to detail brings every element to life - from the architectural splendor of Il Borgo Loreto Forte del Carmine in the background to the vibrant promenade along the waterfront. The focal point of this masterpiece is undoubtedly the magnificent ship anchored at the harbor. Its presence symbolizes both power and prosperity, reminding us of Naples' rich maritime history. As we gaze upon this oil painting, we can almost feel ourselves being transported onto that ship, sailing through time towards an era filled with opulence and adventure. Joli's use of light and perspective adds depth and realism to his work. The warm rays of sunlight illuminate every corner of this cityscape while casting shadows on the pier and coastline. It is as if we are standing right there on that day, witnessing history unfold before our eyes. This remarkable piece belongs to vedutism - a genre dedicated to capturing detailed views or panoramas of cities - which was popular during that period in Italy. With no people present in this particular composition, it allows us to focus solely on admiring Joli's masterful brushstrokes

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