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Premium Framed Print : The Arbour, c1900
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The Arbour, c1900
The Arbour, c1900. Inverforth House (formally known as The Hill) is a large detached house at North End Way on the outskirts of Hampstead, London. It was owned by William Lever, 1st Viscount Leverhulme from 1904 to 1925. It was rebuilt in the Queen Anne style in 1895 by the architectural firm Grayson and Ould. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]
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Media ID 14930064
© The Print Collector
Arbour Camden Gate Hampstead Horatio Nelson Lever Lord Queen Anne Queen Anne Style Step Steps Studio Publications Studio Volume 57 Symmetry Leverhulme The Hill Viscount Leverhulme
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Arbour, c1900 - A Glimpse into the Grandeur of Inverforth House
EDITORS COMMENTS
. This print transports us back to the early 20th century, offering a glimpse into the grandeur of Inverforth House. Nestled on the outskirts of Hampstead in London, this large detached house exudes an air of elegance and sophistication. Originally known as The Hill, Inverforth House was owned by William Lever, 1st Viscount Leverhulme from 1904 to 1925. Rebuilt in the Queen Anne style by renowned architectural firm Grayson and Ould in 1895, it stands as a testament to their craftsmanship. The photograph captures the magnificent arbour set amidst a beautifully manicured garden. Symmetrical steps lead up to an ornate gate adorned with statues, creating a sense of regality and charm. The monochrome palette adds a timeless quality to this scene from yesteryear. As we gaze upon this image published in The Studio Volume 57 in London during that era, we can almost imagine Lord Leverhulme himself strolling through these grounds, appreciating its serene beauty. Inverforth House remains an iconic landmark today and serves as a reminder of both its historical significance and architectural brilliance. This print allows us to appreciate not only its physical splendor but also offers us a window into the past – capturing moments frozen in time for generations to come.
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