Studio Volume 57 Collection

New-Year Card or Surimono, c1890. After Katsushika Hokusai (1760-1849). From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Ashford Chace, Petersfield, 1912. Artist: Unsworth, Son & Triggs
Ashford Chace, Petersfield, 1912. Designed by Unsworth Son & Triggs, Henry Inigo Triggs (1876-1923), William Frederick Unsworth (1851-1912), and his son Gerald Unsworth (1883-1946)

A Cornish Cove, c1912. Artist: Elmer Schofield
A Cornish Cove, c1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Near Rotterdam, c1912. Artist: Ernest Bewlay
Near Rotterdam, c1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

The Arbour, c1900. Inverforth House (formally known as The Hill) is a large detached house at North End Way on the outskirts of Hampstead, London

The Pergola, c1900. Artist: Horatio Nelson King
The Pergola, c1900. Inverforth House (formally known as The Hill) is a large detached house at North End Way on the outskirts of Hampstead, London

The Lounge, c1900. Artist: Horatio Nelson King
The Lounge, c1900. Inverforth House (formally known as The Hill) is a large detached house at North End Way on the outskirts of Hampstead, London

The Gates of Pedro Miguel Lock, 1912. Artist: Joseph Pennell
The Gates of Pedro Miguel Lock, 1912. A picture showing the construction of the Pedro Miguel Lock on the Panama Canal. From The Studio Volume 57, [London Offices of the Studio, London, 1912-13]

Lily Basin and West Front; The Hill, Hampstead Heath, c1900. Inverforth House (formally known as The Hill) is a large detached house at North End Way on the outskirts of Hampstead, London

Laying The Floor of Pedro Miguel Lock, 1912. Artist: Joseph Pennell
Laying The Floor of Pedro Miguel Lock, 1912. A picture showing the construction of the Pedro Miguel Lock on the Panama Canal. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

The End of the Day-Gatun Lock, 1912. Artist: Joseph Pennell
The End of the Day-Gatun Lock, 1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Morden House, Blackheath, Kent, c1912. Morden House designed by Architects John Belcher (1841-1913) and John James Joass (1868-1952). From The Studio Volume 57

Night Piece, c1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

A Woodland Pool, c1905. Artist: David Muirhead
A Woodland Pool, c1905. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Matins on Christmas Day, c1912. Artist: Anders Leonard Zorn
Matins on Christmas Day, c1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Woodland, c1912. Artist: Willem Wenckebach
Woodland, c1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

House Near Bielefeld, The Dining Room, c1912. Designed by Herr H Wagner. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Sion Hill, Thirsk, Yorkshire, c1913. Sion Hill Hall designed by Walter Henry Brierley (1862-1926). From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

On The Shuswap Lake, c1911. Artist: Charles John Collings
On The Shuswap Lake, c1911. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

A Decorative Panel, c1912. Artist: George Sheringham
A Decorative Panel, c1912. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

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Step into Studio Volume 57 and embark on a journey through time and artistry. This collection, featuring works from various periods, offers a glimpse into the beauty of bygone eras. Transport yourself to c1890 with the enchanting New-Year Card or Surimono, a delicate piece that captures the essence of celebration. Then, venture to Ashford Chace in Petersfield, 1912, as Unsworth, Son & Triggs bring this idyllic countryside scene to life with their masterful strokes. Continue your exploration with A Cornish Cove from 1912 by Elmer Schofield. Feel the salty breeze and hear the crashing waves as you immerse yourself in this coastal haven. Near Rotterdam awaits another gem from 1912 - Ernest Bewlay's depiction of this bustling cityscape will transport you straight into its vibrant streets. Take a moment to relax in The Arbour from c1900; let its serene atmosphere wash over you like a gentle summer breeze. And don't miss The Pergola by Horatio Nelson King - an exquisite portrayal of nature's splendor intertwined with architectural elegance. As we delve deeper into history, Joseph Pennell's artwork takes us behind-the-scenes at Pedro Miguel Locks in 1912. From laying the floor to witnessing the end of day at Gatun Locks, his detailed illustrations offer insight into monumental engineering feats. Marvel at Lily Basin and West Front; The Hill on Hampstead Heath from c1900 - an ethereal landscape that captures London's natural beauty amidst urbanity. Finally, Morden House in Blackheath beckons us back to Kent in 1912; admire its grandeur and imagine strolling through its lush gardens. Studio Volume 57 invites you on an artistic odyssey spanning decades and continents. Let these captivating artworks ignite your imagination and transport you to worlds both familiar and unknown.