Studio Publications Collection

The Vale of Aylesbury, 1933. Artist: Rex Whistler
The Vale of Aylesbury, 1933. This painting was used by Shell in the 1930s for an advertsing campaign. Painting housed at Upton House. From The Studio Volume 108

Reading by Lamplight (Twilight: Interior), 1909. Artist: George Clausen
Reading by Lamplight (Twilight: Interior), 1909. Painting housed at Lotherton Hall, Leeds. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

The Old Fisherman, 1903. Artist: Joseph Edward Southall
The Old Fisherman, 1903. From The Studio Volume 79, [London Offices of the Studio, London, 1920]

Madonna and Child, c1918. Artist: Jeanne Labrousse
Madonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Isolde, c1895, (1896). Artist: Aubrey Beardsley
Isolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Christchurch, Oxford, 1916. Artist: Edmund Hort New
Christchurch, Oxford, 1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Martinique Landscape, 1887. Artist: Paul Gauguin
Martinique Landscape, 1887. Painting held in the Scottish National Gallery. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

The Song of the Mad Prince, c1917. Artist: Harry Clarke
The Song of the Mad Prince, c1917. A miniature stained glass panel designed by Harry Clarke (1889-1931). This panel was inspired by the Walter de la Mare (1873?1956) poem of the same name

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Port Vendres, La Ville, c1925. Artist: Charles Rennie Mackintosh
Port Vendres, La Ville, c1925. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]

Morella, c1920. Artist: Harry Clarke
Morella, c1920. An illustration for Tales of Mystery & Imagination by Edgar Allan Poe (1809-1849). From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

The Charmer, 1911. Artist: John William Waterhouse
The Charmer, 1911. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

Landing at Greenwich, c1780. Artist: Thomas Rowlandson
Landing at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

Lady Sybil Smith, c19th century. Artist: Ambrose McEvoy
Lady Sybil Smith, c19th century. A painting thought to be of Lady Sybil Mary Smith nee MacDonnell (1876-1959). Daughter of William Randal McDonnell, 6th Earl of Antrim and wife of Vivian Hugh Smith

Portrait of Jane Seymour by Holbein, 1536, (1936). Creator: Hans Holbein the Younger
Jane Seymour, 1936. Jane Seymour (c1508- 1537). Queen of England 1536-1537, third wife of King Henry VIII. She died two weeks after birth of a son who would become King Edward VI

Trinity College, Oxford, 1905. Artist: Edmund Hort New
Trinity College, Oxford, 1905. From The Studio Volume 64. [London Offices of the Studio, London, 1915]

Mrs Mounter at the Breakfast Table, 1916-17. Artist: Harold Gilman
Mrs Mounter at the Breakfast Table, 1916?7. Painting held in the Tate, London. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

The Old Farm Garden, 1871. Artist: Fred Walker
The Old Farm Garden, 1871. Painting held in the Courtauld Gallery, London. From The Studio Volume 85. [London Offices of the Studio, London, 1923]

Seated Nude: The Black Hat, c1900. Artist: Philip Wilson Steer
Seated Nude: The Black Hat, c1900. Painting housed at the Tate Britain, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

Cricket at Gads Hill Place, Rochester, c1868. Charles Dickens Bowling the first ball at a charity match at the back of Gads Hill Place near Rochester, September 16th 1868. From The Studio Volume 108

Windsor Castle, 1922. (1924). Artist: Dorothy Hutton
Windsor Castle, 1922. From The Studio Volume 88 [London Offices of the Studio, London, 1924.]

Pembroke Castle, Wales, c1829. Artist: JMW Turner
Pembroke Castle, Wales, c1829. Painting held in The Holburne Museum of Art, Bath. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

The Helmsman, 1925, (1926). Artist: Arthur Briscoe
The Helmsman, 1925, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Pinks, c1920. Artist: Charles Rennie Mackintosh
Pinks, c1920. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

A Ground Swell, Carradale, Argyll, c1883. Artist: William McTaggart
A Ground Swell, Carradale, Argyll, c1883. Painting held by Aberdeen Art Gallery & Museums, Aberdeen. From The Studio Volume 47. [London Offices of the Studio, London, 1909]

Embouchure De La Seine A Honfleur, c1865. Artist: Claude Monet
Embouchure De La Seine A Honfleur, c1865. From The Studio Volume 65. [London Offices of the Studio, London, 1915]

A striking bow view of the giant Cunard liner, Queen Mary, at Clydebank, Glasgow, 1934
A striking bow view of the giant Cunard liner, Queen Mary, under construction at Clydebank, Glasgow, 1934. Queen Mary was the flagship of the Cunard Line from May 1936 until October 1946 when she was

Grenoble Bridge, 1824. Artist: JMW Turner
Grenoble Bridge, 1824. Painting held at The Baltimore Museum of Art, Baltimore. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

House at Troon, Ayrshire, c1910. Artist: Arnold Mitchell
House at Troon, Ayrshire, c1910. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Panel in Gesso and Mother-O -Pearl, c1901. Artist: Frederick Marriott
Panel in Gesso and Mother-O -Pearl, c1901. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

The Climax, c1893. Artist: Aubrey Beardsley
The Climax, c1893. An illustration for Oscar Wildes Salome. From The Studio Volume 1 [London Offices of the Studio, London, 1893]

The Polar Star, 1920. Artist: William Shackleton
The Polar Star, 1920. Painting held Bradford Museums and Galleries, Bradford. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Across Mounts Bay, c1880. Artist: Elizabeth Adela Forbes
Across Mounts Bay, c1880. Painting held in the Victoria and Albert Museum, London. From The Studio Volume 47. [London Offices of the Studio, London, 1909]

The Proverbs, 1939. Artist: Tom Chadwick
The Proverbs, 1939. From The Studio Volume 119. [The Studio Ltd, London & New York, 1940]

At the Festival, 1911. Artist: Joza Uprka
At the Festival, 1911. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

The Wedding of St George and Princess Sabra, 1857. Artist: Dante Gabriel Rossetti
The Wedding of St George and Princess Sabra, 1857. Painting held by the Tate, London. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne, 1920. Artist: Philip A de Laszlo
Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne, 1920. Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne (1845-1927)

Street in Lahore, the capital of the Panjab, c1942. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

Dancing Sailors, Brittany by Christopher Woods, 1930, (1936). Creator: Christopher Wood
Dancing Sailors, Brittany, 1930, (1936). Village square with men and girls in Breton costume dancing by English painter John Christopher Wood (1901-1930)

The Yellow Skirt, 1914. Artist: Derwent Lees
The Yellow Skirt, 1914. Painting held at Carrick Hill, Adelaide. From The Studio Volume 126. [London Offices of the Studio, London, 1943]

An Italian Garden, c1903. Artist: George Samuel Elgood
An Italian Garden, c1903. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

Faust Illustration, 1925. Artist: Harry Clarke
Faust Illustration, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Orpheus, 1896. Artist: John MacAllan Swan
Orpheus, 1896. Painting held at the Lady Lever Art Gallery, Liverpool. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Sunset near Colliure, c20th century. Artist: Derwent Lees
Sunset near Colliure, c20th century. From The Studio Volume 108. [The Offices of the Studio, London, 1934]

He Is Coming, 1874. Artist: Matthijs Maris
He Is Coming, 1874. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]

Boy Reading, c1900. Artist: Warwick Reynolds
Boy Reading, c1900. From The Studio Volume 93. [London Offices of the Studio, London, 1927]

Rosehearty, c1909. Artist: Robert Weir Allan
Rosehearty, c1909. From The Studio Volume 46. [London Offices of the Studio, London, 1909]

John Plampin, c1752. Artist: Thomas Gainsborough
John Plampin, c1752. John Plampin (c1727-1805), inherited Shimpling and Chadacre Hall, near Lavenham, Suffolk, in 1757. From The Studio Volume 122. [The Studio Ltd, London, 1941]

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner
The Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London

Study of a Girl, c1910. Artist: Maxwell Gordon Lightfoot
Study of a Girl, c1910. From The Studio Volume 95. [London Offices of the Studio, London, 1928]

True Appreciation, overheard at the Theatre, 1904. Artist: Frederick Henry Townsend
True Appreciation (overheard at the Theatre), 1904. This illustration was featured in Punch magazine, 1904. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Pastures in the Apuan Alps, c1922. Artist: Alfredo Vaccari
Pastures in the Apuan Alps, c1922. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

The centre panel of The Pearl Divers, c1797-98, (1936). Creator: Kitagawa Utamaro
The centre panel of a triptych, c1797-98, (1936). Kitagawa Utamaro (1753-1806), Japanese ukiyo-e woodblock of a woman in patterned blue kimono, combing wet hair while breastfeeding a naked child

Portrait of Madeleine Carroll, 1935, (1936). Creator: Philip de Laszlo
Madeleine Carroll, 1935, (1936). Edith Madeleine Carroll (1906-1987), English actress remembered for her role in Alfred Hitchcocks The 39 Steps (1935)

Right hand panel of The Pearl Divers triptych by Utamaro, c1797-98, (1936). Creator
Right hand panel of The Pearl Divers triptych by Utamaro, c1797-98, (1936). Kitagawa Utamaro (1753-1806), Japanese ukiyo-e woodblock of a woman wringing waistcloth holding knife in her mouth while

Gallic Women at the Time of the Roman Invasion, 1900. Creator: Unknown
" Gallic Women at the Time of the Roman Invasion", 1898. The Gallic wars lasted from 58 BC to 50 BC. Possibly after a sketch made by Mrs Frederic Lees

The Pavilions of Horticulture and Forestry by Tony Grubhofer, 1900. Creator: Tony Grubhofer
The Pavilions of Horticulture and Forestry by Tony Grubhofer, 1900. sketches of the Exposition Universelle in Paris, 1900

Illumination of the Main Entrance to the Paris Exhibition, 1900. Creator
" Illumination of the Main Entrance to the Paris Exhibition" From a water-colour drawing by Tony Grubhofer, 1900

Chateau Tyrolen by Tony Grubhofer, 1900. Creator: Tony Grubhofer
Chateau Tyriolen by Tony Grubhofer, 1900. From " The Studio Volume 20" by [London Offices of the Studio V, Henrietta Street, London, 1900]

Flower Painting by George Sheringham, c1910-1920, (1936). Creator: George Sheringham
Flower Painting, c1910-1920, (1936). George Sheringham (1884-1937) was a British painter and theatre designer. From " The Studio Volume III" [London Offices of the Studio, London, 1936.]

Henry IV, c1600, (1936). Creator: Unknown
Henry IV, late 16th to early 17th century, (1936). Henry IV (1367-1413), Reigned 1399-1413 of Plantagenet descent, first monarch of House of Lancaster. English School. Oil on panel

The left hand and last panel of The Pearl Divers triptych, c1797-98, (1936). Creator
The left hand and last panel of a triptych by Utamaro, c1797-98, (1936). Kitagawa Utamaro (1753-1806), Japanese ukiyo-e woodblock of a woman lowering one leg into water with another pointing at fish

Portrait of John Plampin by Thomas Gainsborough, 1752-1755, (1936). Creator: Thomas Gainsborough
Portrait of John Plampin, 1752-1755, (1936). John Plampin (1727- 1805) inherited Shimpling and Chadacre Hall, near Lavenham, Suffolk in 1757 the vast acres of land showcase his fortune

Totsuka (Branch of Main Street), 1831-1834, (1936). Creator: Ando Hiroshige
Posting Station No 5 of the Tokaido Series - Totsuka (Branch of Main Street), 1831-1834, (1936). Totsuka-juku in 1830s, by Utagawa Hiroshige (1797-1858)

Oxen at Siena, c1910, (1936). Creator: John Singer Sargent
Oxen at Siena by John Singer Sargent, R.A. c1910, (1936). White oxen resting by John Singer Sargent (1856-1925)). In 1907 Sargent closed his portrait studio stating " Painting a portrait would

Sunlight and Almond Blossom, Ibiza, 1936. Creator: Kitty Clausen
Sunlight and Almond Blossom, Ibiza, 1936. Katherine Frances Clausen (1886 - 1936), painter and etcher, born in New York. Daughter of George Clausen

Silver Dinner Service, 1936. Creator: Unknown
Silver Dinner Service, 1936. Silver service made by Danish silversmith, Georg Arthur Jensen (1866-1935). From " The Studio Volume III" [London Offices of the Studio, London, 1936.]

The Chase of the Roebuck, 1834, (1936). Creators: Henry Thomas Alken, Richard Gibson Reeve
The Chase of the Roebuck, 1834, (1936). From Original Drawings by Walter Parry Hodges of hunting scenes in Dorset. Hunters and hounds pursue a roebuck. Aquatint engraving

Porta Cavour, Treviso, 1934, (1936). Creator: Joseph Edward Southall
Porta Cavour, Treviso. By Joseph Southall, 1934, (1936). Porta Santi Quaranta is one of three doors in 16th century walls of Treviso, located in Borgo Cavour

Joan of Arc, c1900, (1918). Artist: Jeanne Labrousse
Joan of Arc, c1900, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Whats O Clock?, c1904. Artist: Edward Atkinson Hornel
Whats O Clock?, c1904. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Suzanne at the Piano, c1900. Artist: Carl Larsson
Suzanne at the Piano, c1900. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

Mother and Child, c1900. Artist: Carl Larsson
Mother and Child, c1900. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

The Bathroom of the Stoclet Palace, Brussels, Belgium, c1914. The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911

The Three Graces, 1639. Artist: Peter Paul Rubens
The Three Graces, 1639. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

Waterloo Bridge - A Rainy Day, c1917. Artist: Emile Claus
Waterloo Bridge - A Rainy Day, c1917. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

Jungle Piece, c1927. Artist: Marian Stoll
Jungle Piece, c1927. From The Studio Volume 94. [London Offices of the Studio, London, 1927]

Setting for Scheherazade, 1910. Artist: Leon Bakst
Setting for Scheherazade, 1910. Scheherazade is a ballet based on the legendary Arabic queen and the storyteller of One Thousand and One Nights. From The Studio Volume 118

Still life, pitcher and fruit, 1894. Artist: Paul Cezanne
Still life, pitcher and fruit, 1894. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]

The Chateau of Medan, c1880, (1936). Artist: Paul Cezanne
The Chateau of Medan, c1880. A view of Emile Zolas house in Medan, France. Painting housed in The Burrell Collection, Glasgow. From The Studio Volume 112 [London Offices of the Studio, London, 1936.]

Wall painting from the Caves of Ajanta of Raja Mahajanaka, c480. The Ajanta Caves in Maharashtra, India dating from c480 depicting figures of the Buddha and depictions of the Jataka tales

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"Exploring the Timeless Beauty: Studio Publications Unveil Artistic Gems" Step into a world of artistic marvels as Studio Publications takes you on a captivating journey through time. Delve into the enchanting Vale of Aylesbury, brought to life in 1933 by the talented brushstrokes of Rex Whistler. Lose yourself in the mesmerizing strokes of JMW Turner's A First Rate Taking in Stores, an exquisite masterpiece from 1818. Immerse yourself in Joseph Edward Southall's The Old Fisherman, a poignant portrayal from 1903 that captures both the serenity and hardships of a noble profession. Surrender to Harry Clarke's spellbinding creation, The Song of the Mad Prince, crafted around 1917 with intricate details that transport you to another realm. Witness Edmund Hort New's breathtaking depiction of Christchurch, Oxford, painted with love and precision back in 1916. Marvel at Charles Rennie Mackintosh's Port Vendres, La Ville - a stunning composition dating back to approximately 1925 that showcases his unparalleled talent. Journey alongside JMW Turner once more as he immortalizes Shoeburyness Fisherman Hailing a Whitstable Hoy - an evocative piece capturing maritime life circa 1809. Allow Harry Clarke's Morella (c1920) to captivate your imagination with its ethereal beauty and haunting allure. Indulge your senses with John William Waterhouse's The Charmer (1911), where every brushstroke tells a tale woven within layers of mystery and fascination. Step further back in time as Hans Holbein the Younger presents us with his timeless Portrait of Jane Seymour from 1536 (1936), offering an intimate glimpse into history. Feel George Clausen’s Reading by Lamplight (Twilight: Interior) embrace you warmly; let it transport you to moments filled with tranquility and introspection.