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Metal Print : The Arbour, c1900

The Arbour, c1900



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The Arbour, c1900

The Arbour, c1900. Inverforth House (formally known as The Hill) is a large detached house at North End Way on the outskirts of Hampstead, London. It was owned by William Lever, 1st Viscount Leverhulme from 1904 to 1925. It was rebuilt in the Queen Anne style in 1895 by the architectural firm Grayson and Ould. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Heritage Images features heritage image collections

Media ID 14930064

© The Print Collector

Arbour Camden Gate Hampstead Horatio Nelson Lever Lord Queen Anne Queen Anne Style Step Steps Studio Publications Studio Volume 57 Symmetry Leverhulme The Hill Viscount Leverhulme


16"x24" (61x41cm) Metal Print

Bring the charm of the past into your modern home with Media Storehouse's Metal Print of The Arbour, c1900 from Heritage Images. This stunning vintage photograph captures the beauty of Inverforth House, also known as The Hill, a historic large detached property located at North End Way in Hampstead, London. Our high-quality Metal Prints are not just a picture, they are a work of art. The vibrant colors and exceptional detail are brought to life through the unique process of printing on a sheet of aluminum. The sleek, modern metal surface not only enhances the image but also adds a contemporary twist to any room. Preserve the history and elegance of The Arbour with this beautiful Metal Print from Media Storehouse.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > England

> Architecture > Related Images

> Architecture > Styles > Queen Anne Architecture

> Arts > Artists > D > William Day

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > Camden

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Towns > Hampstead


The Arbour, c1900 - A Glimpse into the Grandeur of Inverforth House

EDITORS COMMENTS
. This print transports us back to the early 20th century, offering a glimpse into the grandeur of Inverforth House. Nestled on the outskirts of Hampstead in London, this large detached house exudes an air of elegance and sophistication. Originally known as The Hill, Inverforth House was owned by William Lever, 1st Viscount Leverhulme from 1904 to 1925. Rebuilt in the Queen Anne style by renowned architectural firm Grayson and Ould in 1895, it stands as a testament to their craftsmanship. The photograph captures the magnificent arbour set amidst a beautifully manicured garden. Symmetrical steps lead up to an ornate gate adorned with statues, creating a sense of regality and charm. The monochrome palette adds a timeless quality to this scene from yesteryear. As we gaze upon this image published in The Studio Volume 57 in London during that era, we can almost imagine Lord Leverhulme himself strolling through these grounds, appreciating its serene beauty. Inverforth House remains an iconic landmark today and serves as a reminder of both its historical significance and architectural brilliance. This print allows us to appreciate not only its physical splendor but also offers us a window into the past – capturing moments frozen in time for generations to come.

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