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Poster Print : Large-flowered barrenwort, Epimedium grandiflorum

Large-flowered barrenwort, Epimedium grandiflorum




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Large-flowered barrenwort, Epimedium grandiflorum

Large-flowered barrenwort, Epimedium grandiflorum (Large-flowered epimedium, Epimedium macranthum). Handcoloured copperplate engraving by S. Nevitt after a botanical illustration by Miss Sara Maund from Benjamin Maund and the Rev. John Stevens Henslows The Botanist, London, 1836

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Media ID 23162534

© Florilegius/Mary Evans

Benjamin Botanist Grandiflorum Henslow Large Flowered Maund Nevitt Sara Stevens Barrenwort Epimedium Macranthum Miss


18x24 inch Poster Print

Bring the enchanting beauty of nature into your home with our exquisite Epimedium grandiflorum poster print from Media Storehouse. This stunning hand-colored copperplate engraving, sourced from the esteemed Mary Evans Prints Online, showcases the large-flowered barrenwort in all its glory. With its intricate details and rich colors, this timeless piece is a must-have for nature lovers and garden enthusiasts alike. Add an air of sophistication and charm to any room with this captivating print.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Arts > Artists > S > John Stevens

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This exquisite hand-colored copperplate engraving showcases the captivating beauty of the Large-flowered Barrenwort, Epimedium grandiflorum (also known as Epimedium macranthum), a rare and intriguing plant that was a popular subject in Victorian botanical illustrations. The engraving, produced by S. Nevitt after a botanical illustration by Miss Sara Maund, was published in Benjamin Maund and the Reverend John Stevens Henslow's esteemed publication, "The Botanist," in London, 1836. The Large-flowered Barrenwort, native to China and the Himalayas, is a hardy perennial herb that thrives in woodland environments. Its elegant, tuberous roots produce striking, heart-shaped leaves that emerge in early spring, followed by an array of delicate, nodding flowers in shades of pink, purple, and red. The flowers appear in late spring to early summer, and their unique shape and vibrant colors have long intrigued botanists and gardeners alike. This engraving is a testament to the meticulous attention to detail and artistic skill of the Victorian botanical illustrators. The intricate veining on the leaves, the delicate petals of the flowers, and the subtle shading all contribute to a stunning visual representation of this rare and beautiful plant. The use of hand-coloring further enhances the engraving's lifelike quality, bringing the Large-flowered Barrenwort to life on the page. As a valued addition to any botanical collection, this engraving not only showcases the aesthetic appeal of the Large-flowered Barrenwort but also serves as a reminder of the rich history of botanical illustration and the important role it played in documenting and preserving the natural world during the Victorian era.

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