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Canvas Print : Large-flowered barrenwort, Epimedium grandiflorum

Large-flowered barrenwort, Epimedium grandiflorum



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Large-flowered barrenwort, Epimedium grandiflorum

Large-flowered barrenwort, Epimedium grandiflorum (Large-flowered epimedium, Epimedium macranthum). Handcoloured copperplate engraving by S. Nevitt after a botanical illustration by Miss Sara Maund from Benjamin Maund and the Rev. John Stevens Henslows The Botanist, London, 1836

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23162534

© Florilegius/Mary Evans

Benjamin Botanist Grandiflorum Henslow Large Flowered Maund Nevitt Sara Stevens Barrenwort Epimedium Macranthum Miss


20"x16" (51x41cm) Canvas Print

Bring the enchanting beauty of nature into your home with Media Storehouse's Canvas Prints. This exquisite piece features a hand-colored copperplate engraving of the Large-flowered Barrenwort, Epimedium grandiflorum, from the esteemed archives of Mary Evans Prints Online. With its intricate details and rich colors, this botanical masterpiece is a must-have for nature lovers and garden enthusiasts. Our high-quality canvas prints are printed using archival inks and coated with a protective varnish, ensuring your artwork remains vibrant and fade-resistant for years to come. Experience the timeless charm of this Large-flowered Barrenwort engraving, now available as a stunning canvas print from Media Storehouse.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > John Stevens

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Europe > United Kingdom > England > London > Related Images

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This exquisite hand-colored copperplate engraving showcases the captivating beauty of the Large-flowered Barrenwort, Epimedium grandiflorum (also known as Epimedium macranthum), a rare and intriguing plant that was a popular subject in Victorian botanical illustrations. The engraving, produced by S. Nevitt after a botanical illustration by Miss Sara Maund, was published in Benjamin Maund and the Reverend John Stevens Henslow's esteemed publication, "The Botanist," in London, 1836. The Large-flowered Barrenwort, native to China and the Himalayas, is a hardy perennial herb that thrives in woodland environments. Its elegant, tuberous roots produce striking, heart-shaped leaves that emerge in early spring, followed by an array of delicate, nodding flowers in shades of pink, purple, and red. The flowers appear in late spring to early summer, and their unique shape and vibrant colors have long intrigued botanists and gardeners alike. This engraving is a testament to the meticulous attention to detail and artistic skill of the Victorian botanical illustrators. The intricate veining on the leaves, the delicate petals of the flowers, and the subtle shading all contribute to a stunning visual representation of this rare and beautiful plant. The use of hand-coloring further enhances the engraving's lifelike quality, bringing the Large-flowered Barrenwort to life on the page. As a valued addition to any botanical collection, this engraving not only showcases the aesthetic appeal of the Large-flowered Barrenwort but also serves as a reminder of the rich history of botanical illustration and the important role it played in documenting and preserving the natural world during the Victorian era.

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