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Metal Print : Large-flowered barrenwort, Epimedium grandiflorum
Metal Prints from Mary Evans Picture Library
Large-flowered barrenwort, Epimedium grandiflorum
Large-flowered barrenwort, Epimedium grandiflorum (Large-flowered epimedium, Epimedium macranthum). Handcoloured copperplate engraving by S. Nevitt after a botanical illustration by Miss Sara Maund from Benjamin Maund and the Rev. John Stevens Henslows The Botanist, London, 1836
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Media ID 23162534
© Florilegius/Mary Evans
Benjamin Botanist Grandiflorum Henslow Large Flowered Maund Nevitt Sara Stevens Barrenwort Epimedium Macranthum Miss
16"x20" (51x41cm) Metal Print
Bring the enchanting beauty of nature into your home with Media Storehouse's Metal Prints featuring the Large-flowered Barrenwort (Epimedium grandiflorum). This exquisite botanical print, sourced from the extensive archive of Mary Evans Prints Online, showcases the intricate details of this rare and captivating epimedium in a hand-coloured copperplate engraving by S. Our high-quality Metal Prints are not only visually stunning but also durable, ensuring your print remains vibrant and resilient for years to come. Elevate your interior décor with this unique and elegant addition to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This exquisite hand-colored copperplate engraving showcases the captivating beauty of the Large-flowered Barrenwort, Epimedium grandiflorum (also known as Epimedium macranthum), a rare and intriguing plant that was a popular subject in Victorian botanical illustrations. The engraving, produced by S. Nevitt after a botanical illustration by Miss Sara Maund, was published in Benjamin Maund and the Reverend John Stevens Henslow's esteemed publication, "The Botanist," in London, 1836. The Large-flowered Barrenwort, native to China and the Himalayas, is a hardy perennial herb that thrives in woodland environments. Its elegant, tuberous roots produce striking, heart-shaped leaves that emerge in early spring, followed by an array of delicate, nodding flowers in shades of pink, purple, and red. The flowers appear in late spring to early summer, and their unique shape and vibrant colors have long intrigued botanists and gardeners alike. This engraving is a testament to the meticulous attention to detail and artistic skill of the Victorian botanical illustrators. The intricate veining on the leaves, the delicate petals of the flowers, and the subtle shading all contribute to a stunning visual representation of this rare and beautiful plant. The use of hand-coloring further enhances the engraving's lifelike quality, bringing the Large-flowered Barrenwort to life on the page. As a valued addition to any botanical collection, this engraving not only showcases the aesthetic appeal of the Large-flowered Barrenwort but also serves as a reminder of the rich history of botanical illustration and the important role it played in documenting and preserving the natural world during the Victorian era.
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