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Poster Print : Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)

Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)




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Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)

7394141 Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper) by Ruskin, John (1819-1900); 51.5x30.6 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s): John Ruskin (1819 - 1900)
Guido Bigarelli (active 1244 - died before 1257)
Display: watercolour and bodycolour over graphite on wove paper
Dimensions: h x w: sheet 51.5 x 30.6 cm
Associated place(s): subject: Europe, Italy, Tuscany, Province of Pisa, Pisa, Pisa Baptistery); © Ashmolean Museum

Media ID 32103820

© Ashmolean Museum / Bridgeman Images

Baptismal Font Baptistery Baptistry Benediction Blessing Decorative Arts Font John Ruskin Patterns Pisa Stoup Tuscan


20x30 inch Poster Print

Bring the timeless beauty of art into your home with our Media Storehouse range of Poster Prints. This exquisite piece features "Study of a Panel on the Font of the Baptistery, Pisa, 1872" by John Ruskin, a masterpiece from the Ashmolean Museum. Captured in stunning detail from Bridgeman Images through Fine Art Finder, this watercolour and bodycolour over graphite on paper artwork transports you to the historic Baptistery in Pisa, Italy. Add an air of sophistication and culture to any room with this beautiful and authentic reproduction.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > John Ruskin

> Arts > Artists > Related Images

> Arts > Realistic drawings > Graphite art > Fine art

> Arts > Watercolor paintings

> Europe > Italy > Posters

> Europe > Italy > Tuscany > Pisa

> Europe > Italy > Tuscany > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > Northern Ireland > Posters


EDITORS COMMENTS
This print showcases John Ruskin's "Study of a Panel on the Font of the Baptistery, Pisa" from 1872. The artwork, created with watercolor and bodycolor over graphite on paper, measures 51.5x30.6 cm and is housed in the Ashmolean Museum at the University of Oxford in the UK. Ruskin's meticulous attention to detail is evident in this study, as he explores every intricate aspect of the panel. The decorative arts come alive through his brushstrokes, revealing an ornate and beautifully adorned stoup or baptismal font. The artist captures not only its physical appearance but also its spiritual significance by incorporating elements of benediction and blessing into his composition. The drawing transports us to Pisa, Italy, where this magnificent baptistery resides within Tuscany's Province of Pisa. Ruskin's work allows us to appreciate both Italian craftsmanship and European artistry during this period. As we delve into this piece further, we are drawn to the mesmerizing patterns that adorn the font's surface—a testament to Ruskin's keen eye for design. His ability to capture these intricate details invites us to marvel at their beauty while contemplating their historical context. Through Bridgeman Images' lens, we can now explore this exquisite artwork from afar and immerse ourselves in Ruskin's world—where art meets spirituality—and witness his profound appreciation for both English and Italian culture during the late nineteenth century.

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