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Photo Mug : Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)

Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)




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Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)

7394141 Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper) by Ruskin, John (1819-1900); 51.5x30.6 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s): John Ruskin (1819 - 1900)
Guido Bigarelli (active 1244 - died before 1257)
Display: watercolour and bodycolour over graphite on wove paper
Dimensions: h x w: sheet 51.5 x 30.6 cm
Associated place(s): subject: Europe, Italy, Tuscany, Province of Pisa, Pisa, Pisa Baptistery); © Ashmolean Museum

Media ID 32103820

© Ashmolean Museum / Bridgeman Images

Baptismal Font Baptistery Baptistry Benediction Blessing Decorative Arts Font John Ruskin Patterns Pisa Stoup Tuscan


Large Photo Mug (15 oz)

Bring the timeless beauty of art into your daily routine with our Media Storehouse Photo Mugs. This mug features the captivating Study of a Panel on the Font of the Baptistery, Pisa, 1872 by John Ruskin, an exquisite watercolour and bodycolour over graphite on paper artwork from the Ashmolean Museum. Each mug showcases high-quality prints of fine art, allowing you to enjoy a piece of history with every sip. Perfect for art lovers and collectors, these mugs are not only functional but also a beautiful addition to your kitchen or office space.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate


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> Fine Art Finder > Artists > Japanese School

> Fine Art Finder > Artists > John Ruskin

> Arts > Artists > R > John Ruskin

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> Arts > Realistic drawings > Graphite art > Fine art

> Arts > Watercolor paintings

> Europe > Italy > Posters

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> Europe > Italy > Tuscany > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > Northern Ireland > Posters


EDITORS COMMENTS
This print showcases John Ruskin's "Study of a Panel on the Font of the Baptistery, Pisa" from 1872. The artwork, created with watercolor and bodycolor over graphite on paper, measures 51.5x30.6 cm and is housed in the Ashmolean Museum at the University of Oxford in the UK. Ruskin's meticulous attention to detail is evident in this study, as he explores every intricate aspect of the panel. The decorative arts come alive through his brushstrokes, revealing an ornate and beautifully adorned stoup or baptismal font. The artist captures not only its physical appearance but also its spiritual significance by incorporating elements of benediction and blessing into his composition. The drawing transports us to Pisa, Italy, where this magnificent baptistery resides within Tuscany's Province of Pisa. Ruskin's work allows us to appreciate both Italian craftsmanship and European artistry during this period. As we delve into this piece further, we are drawn to the mesmerizing patterns that adorn the font's surface—a testament to Ruskin's keen eye for design. His ability to capture these intricate details invites us to marvel at their beauty while contemplating their historical context. Through Bridgeman Images' lens, we can now explore this exquisite artwork from afar and immerse ourselves in Ruskin's world—where art meets spirituality—and witness his profound appreciation for both English and Italian culture during the late nineteenth century.

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