Decorative Arts Gallery

Decorative arts are a form of art that is primarily concerned with the design and production of aesthetically pleasing objects

Greek civilization, Black-figure pottery, Krater depicting fight for the body of Patroclus, From Farsala, Greece
Greek civilization, 6th century b.C. Black-figure pottery. Krater depicting the fight for the body of Patroclus. From Farsala, Greece. Detail

Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk)
CUL4906138 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

The Victory Cross, 908, Cathedral of Oviedo, Spain
CUL4939660 The Victory Cross, 908, Cathedral of Oviedo, Spain by Spanish School, (10th century); (add.info.: The Victory Cross, 908, Cathedral of Oviedo - The Cross of Victory. 908. SPAIN. Oviedo)

Ceramic tile painted under glaze, 15th century
7129576 Ceramic tile painted under glaze, 15th century by Unknown Artist, (15th century); Museum of Islamic Art, Cairo, Egypt; (add.info.: Ceramic tile painted under glaze, 15th century AD)

Ceramic tiles, decorated with floral design, 16th century
7129569 Ceramic tiles, decorated with floral design, 16th century by Arabic School, (16th-17th century); Museum of Islamic Art, Cairo, Egypt; (add.info.: Ceramic tiles)

Karim Khani Nook, Golestan palace, Tehran, Iran (photo)
7062302 Karim Khani Nook, Golestan palace, Tehran, Iran (photo) by Qajar School (19th century); Golestan Palace, Tehran, Iran; (add.info.: Karim Khani Nook, Golestan palace, Tehran)

The marble throne in the Golestan palace, Tehran, Iran (photo)
7062316 The marble throne in the Golestan palace, Tehran, Iran (photo) by Qajar School (19th century); Golestan Palace, Tehran, Iran; (add.info.: The marble throne in the Golestan palace, Tehran)

Golestan palace, Tehran, Iran (photo)
7062310 Golestan palace, Tehran, Iran (photo) by Qajar School (19th century); Golestan Palace, Tehran, Iran; (add.info.: Golestan palace, Tehran, Iran); Photo © Stefano Baldini.

Bagh-e Dolat Abad historic building pavilion, Yazd, Iran (photo)
7062362 Bagh-e Dolat Abad historic building pavilion, Yazd, Iran (photo) by Persian School, (18th century); Yazd, Iran; (add.info.: Bagh-e Dolat Abad historic building pavilion, Yazd)

Mirror Case, 1800s (lacquer)
XOS5888299 Mirror Case, 1800s (lacquer) by Iranian School, (18th Century); Cleveland Museum of Art, OH, USA; (add.info.: This mirror case focuses on a single female figure shown on both the interior and exterior of the case)

The History of Hannibal, c.1570 (tapestry)
CUL4894073 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal in Italy. ca. 1570)

Ceramic tile painted under glaze, 15th century
7129578 Ceramic tile painted under glaze, 15th century by Unknown Artist, (15th century); Museum of Islamic Art, Cairo, Egypt; (add.info.: Ceramic tile painted under glaze, 15th century AD)

Cufflinks, c.1930 (gold, grey & blue enamel)
7265542 Cufflinks, c.1930 (gold, grey & blue enamel) by Brandt, Paul-Emile (1883-1952); Private Collection; (add.info.: Paul-Emile Brandt (1883-1952)); Photo © Christie's Images.

Six Minton Hollis & Co tiles representing the months, c.1880-99 (painted ceramic)
7290919 Six Minton Hollis & Co tiles representing the months, c.1880-99 (painted ceramic) by Moore, Albert Joseph (1841-93) (attr.to); 40x55.5 cm; Private Collection; (add.info)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk)
CUL4906062 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4908343 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

The History of Hannibal, c.1570 (tapestry)
CUL4894909 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: The crossing of the Alps. ca. 1570. Detail)

Story of Gideon, late 16th century (silk and wool)
CUL4904068 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x403 cm; Museo Diocesano, Albarracin, Teruel

Apocalypse Tapestry or 'Apocalypse of Angers', 1375-80 (tapestry)
CUL4925483 Apocalypse Tapestry or 'Apocalypse of Angers', 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 160x230 cm; Chateau d'Angers

The Trojan War: Achilles Tent, c.1470 (tapestry)
CUL4897599 The Trojan War: Achilles Tent, c.1470 (tapestry) by Master of Coetivy, (Henri de Vulcop) (fl.1450-75); 467x690 cm; (add.info.: The Trojan War: Achilles Tent. ca. 1470. Detail of Hector)

Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk)
CUL4905792 Vertumnus and Pomona: Vertumnus transformed into a farmer, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x170 cm; Royal Palace, Aranjuez

The History of Hannibal, c.1570 (tapestry)
CUL4895271 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal's Oath. ca. 1570)

The History of Hannibal, c.1570 (tapestry)
CUL4894838 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: The crossing of the Alps. ca. 1570. Detail)

Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk)
CUL4906044 Vertumnus and Pomona: Vertumnus transformed into a fisherman, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 330x50 cm; Royal Palace, Aranjuez

Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool)
CUL4906842 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Six Minton Hollis & Co tiles representing the months and a tile painted with a medieval scene
7290917 Six Minton Hollis & Co tiles representing the months and a tile painted with a medieval scene, c.1880-99 (painted ceramic) by Moore

The parable of the laborers in the vineyard, c.1500 (tapestry)
CUL4900168 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4927069 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 148x106 cm; Chateau d'Angers

The parable of the laborers in the vineyard, c.1500 (tapestry)
CUL4899701 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The History of Hannibal, c.1570 (tapestry)
CUL4895364 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal's Oath. ca. 1570. Sacrifice and oath against the Romans)

Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool)
CUL4907312 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 298x368 cm; (add.info)

Series of History of David, c.1525 (silk and wool)
CUL4903902 Series of History of David, c.1525 (silk and wool) by Orley, Bernard van (c.1488-1541); Burgos, Spain; (add.info.: David before Saul. ca. 1525. (560 x 410 cm). Series of History of David

The History of Hannibal, c.1570 (tapestry)
CUL4925184 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool)
CUL4906821 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 296x364 cm; (add.info.: Saint Martin. ca. 1560)

Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk)
CUL4906103 Vertumnus and Pomona: Vertumnus transformed into a pruner, c.1550 (gold, wool and silk) by Coecke van Aelst, Pieter (1502-50); 420x570 cm; Royal Palace, Aranjuez

Story of Gideon, late 16th century (silk and wool)
CUL4904498 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x403 cm; Museo Diocesano, Albarracin, Teruel

Story of Gideon, late 16th century (silk and wool)
CUL4904205 Story of Gideon, late 16th century (silk and wool) by Heemskerck, Maerten van (1498-1574); 371x406 cm; Museo Diocesano, Albarracin, Teruel

The History of Hannibal, c.1570 (tapestry)
CUL4894934 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: The crossing of the Alps. ca. 1570. Detail)

The History of Hannibal, c.1570 (tapestry)
CUL4894319 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: The History of Hannibal: Hannibal in Italy. ca. 1570)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4925969 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 152x226 cm; Chateau d'Angers

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Decorative arts are a form of art that is primarily concerned with the design and production of aesthetically pleasing objects. These objects can range from furniture, jewelry, pottery, glassware, and other decorative items. Decorative arts often incorporate elements from other forms of art such as painting and sculpture. The purpose is to create beautiful items that can be used for both practical and aesthetic purposes. Decorative art pieces often feature intricate details such as carvings or inlays that add to their visual appeal and may also be made with materials like wood, metal, glass or ceramic which further enhance their beauty. They have been around since ancient times and continue to be popular today due to their ability to bring beauty into everyday life.