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Metal Print : Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)
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Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)
7394141 Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper) by Ruskin, John (1819-1900); 51.5x30.6 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s): John Ruskin (1819 - 1900)
Guido Bigarelli (active 1244 - died before 1257)
Display: watercolour and bodycolour over graphite on wove paper
Dimensions: h x w: sheet 51.5 x 30.6 cm
Associated place(s): subject: Europe, Italy, Tuscany, Province of Pisa, Pisa, Pisa Baptistery); © Ashmolean Museum
Media ID 32103820
© Ashmolean Museum / Bridgeman Images
Baptismal Font Baptistery Baptistry Benediction Blessing Decorative Arts Font John Ruskin Patterns Pisa Stoup Tuscan
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features "Study of a Panel on the Font of the Baptistery, Pisa, 1872" by John Ruskin, a masterpiece from the Fine Art Finder collection. Ruskin's intricate watercolour and bodycolour over graphite on paper depicts the intricate details of the Baptistery font in Pisa, Italy. Our high-quality Metal Prints not only showcase the vibrant colors and fine details of this artwork but also provide a modern and sleek presentation. Each print is printed directly onto a lightweight and durable aluminum sheet, ensuring long-lasting durability and a stunning, glare-free finish. Add this beautiful work of art to your decor and elevate your space with the timeless elegance of Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases John Ruskin's "Study of a Panel on the Font of the Baptistery, Pisa" from 1872. The artwork, created with watercolor and bodycolor over graphite on paper, measures 51.5x30.6 cm and is housed in the Ashmolean Museum at the University of Oxford in the UK. Ruskin's meticulous attention to detail is evident in this study, as he explores every intricate aspect of the panel. The decorative arts come alive through his brushstrokes, revealing an ornate and beautifully adorned stoup or baptismal font. The artist captures not only its physical appearance but also its spiritual significance by incorporating elements of benediction and blessing into his composition. The drawing transports us to Pisa, Italy, where this magnificent baptistery resides within Tuscany's Province of Pisa. Ruskin's work allows us to appreciate both Italian craftsmanship and European artistry during this period. As we delve into this piece further, we are drawn to the mesmerizing patterns that adorn the font's surface—a testament to Ruskin's keen eye for design. His ability to capture these intricate details invites us to marvel at their beauty while contemplating their historical context. Through Bridgeman Images' lens, we can now explore this exquisite artwork from afar and immerse ourselves in Ruskin's world—where art meets spirituality—and witness his profound appreciation for both English and Italian culture during the late nineteenth century.
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