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Pillow : Kinder-Waerterin " (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ", 1889 (engraving)
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Kinder-Waerterin " (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ", 1889 (engraving)
UTD4920868 Kinder-Waerterin " (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ", 1889 (engraving) by Heydel, Paul (1854-?); United Archives/HistAuge
Media ID 32103668
© United Archives/HistAuge / Bridgeman Images
Bike Ride Biking Cycling Cyclist Female Cyclist Housekeeper Toddler Toddlers Unusual Feeding Bottle Field Sports New Baby New Born New Born Babes New Born Infant Newborn Newly Born Push Chair Teamsport
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving from 1889 showcases the whimsical illustration skills of Paul Heydel. Titled "Kinder-Waerterin" or nanny, this artwork depicts a unique twist on traditional childcare methods. In the image, we see a female cyclist confidently riding a pushchair that resembles a bicycle. This innovative contraption allows her to transport not only herself but also two babies comfortably seated in the pushchair. The artist's attention to detail is evident as he captures the motion of the wheels and the determination on the nanny's face. The scene is set against a backdrop of what appears to be an idyllic countryside, with rolling hills and trees adding depth to the composition. The inclusion of a feeding bottle hanging from one side of the pushchair adds an element of humor and practicality. Heydel's satirical cartoon brings together elements of transportation, childcare, and sport in an unusual yet charming manner. It offers us a glimpse into how people in late nineteenth-century Germany may have envisioned alternative means for transporting infants while incorporating elements of physical activity. Overall, this engraving serves as both an artistic representation and historical artifact that highlights societal norms surrounding childcare during this period.
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