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Metal Print : Kinder-Waerterin " (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ", 1889 (engraving)

Kinder-Waerterin ' (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ', 1889 (engraving)



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Kinder-Waerterin " (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ", 1889 (engraving)

UTD4920868 Kinder-Waerterin " (nanny), illustration by Paul Heydel, a pushchair goes like a bicycle, from the magazine Ueber Land und Meer. Deutsche Illustrirte Zeitung ", 1889 (engraving) by Heydel, Paul (1854-?); United Archives/HistAuge

Media ID 32103668

© United Archives/HistAuge / Bridgeman Images

Bike Ride Biking Cycling Cyclist Female Cyclist Housekeeper Toddler Toddlers Unusual Feeding Bottle Field Sports New Baby New Born New Born Babes New Born Infant Newborn Newly Born Push Chair Teamsport


16"x20" (51x41cm) Metal Print

Step into the past with our exquisite Metal Print of the classic illustration, "Kinder-Waerterin" (nanny) by Paul Heydel. Originally published in the German magazine Ueber Land und Meer in 1889, this enchanting image of a nanny pushing a pushchair that resembles a bicycle is now available as a stunning Metal Print from Media Storehouse. Bridgeman Images from Fine Art Finder brings you this beautiful work of art, captured in intricate detail through our premium metal printing process. Add a touch of timeless charm to your home or office with this captivating piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This engraving from 1889 showcases the whimsical illustration skills of Paul Heydel. Titled "Kinder-Waerterin" or nanny, this artwork depicts a unique twist on traditional childcare methods. In the image, we see a female cyclist confidently riding a pushchair that resembles a bicycle. This innovative contraption allows her to transport not only herself but also two babies comfortably seated in the pushchair. The artist's attention to detail is evident as he captures the motion of the wheels and the determination on the nanny's face. The scene is set against a backdrop of what appears to be an idyllic countryside, with rolling hills and trees adding depth to the composition. The inclusion of a feeding bottle hanging from one side of the pushchair adds an element of humor and practicality. Heydel's satirical cartoon brings together elements of transportation, childcare, and sport in an unusual yet charming manner. It offers us a glimpse into how people in late nineteenth-century Germany may have envisioned alternative means for transporting infants while incorporating elements of physical activity. Overall, this engraving serves as both an artistic representation and historical artifact that highlights societal norms surrounding childcare during this period.

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