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Adam and Eve, 1901-10 (oil on canvas)
651502 Adam and Eve, 1901-10 (oil on canvas) by Stahl, Friedrich (1863-1940); 108x111.5 cm; Private Collection; (add.info.: Adam and Eve. Friedrich Stahl (1863-1940). Oil on canvas. Signed and dated 1909-1910. 108 x 111.5cm.); Photo eChristies Images; German, out of copyright
Media ID 22426132
© Christie's Images / Bridgeman Images
032012upload 1909 1910 20th Century Painting Adam Adam And Eve Apple Apples Artist German Beginning Beginnings Biblical Character Building Structure Continental Pictures Devil Eden Evil Garden Of Eden German Art German Artist Hand Out Holy Bible Negative Concept Origin Pavilion Pavillion Procreation Satan Skin Using Hands Wicked 19th Century Painting Positive Concepts Serpent Snakes Stahl
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Friedrich Stahl's masterpiece, "Adam and Eve" from 1901-10. The oil on canvas painting depicts the iconic biblical characters in a thought-provoking manner. Measuring 108x111.5 cm, this artwork is held in a private collection. Stahl's rendition of Adam and Eve is signed and dated between 1909-1910, showcasing his meticulous attention to detail. The composition explores themes of temptation, nudity, and the consequences of human actions within the Garden of Eden. The image captures Adam and Eve standing in front of a lush garden backdrop while holding an apple - symbolizing their fateful encounter with the serpent. Their nakedness signifies innocence before succumbing to evil. Stahl's portrayal emphasizes both the vulnerability and strength found within these biblical figures. The snake slithers nearby as a sinister presence, representing temptation itself. This early twentieth-century piece reflects Stahl's mastery as a German artist during that era. His use of color and brushstrokes brings depth to each character while highlighting their contrasting emotions. The architectural elements surrounding Adam and Eve add another layer to the narrative, suggesting divine intervention or moral judgment. Overall, this photograph offers viewers an opportunity to delve into religious symbolism while appreciating Stahl's artistic prowess in capturing such profound moments from ancient scripture.
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