Negative Concept Collection

"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity

The Battle of Trafalgar, (oil on canvas)
824219 The Battle of Trafalgar, (oil on canvas) by English School, (19th century); 340.5x218.5 cm; Private Collection; (add.info.: The Battle of Trafalgar. English School, 19th Century)

A Woman Reading at a Window, 1933 (oil on canvas)
824141 A Woman Reading at a Window, 1933 (oil on canvas) by Panitzsch, Robert (1879-1949); 50.8x61 cm; Private Collection; (add.info.: A Woman Reading at a Window. Robert Panitzsch (1879-1949)

A Mediterranean Beauty, (oil on canvas)
1197464 A Mediterranean Beauty, (oil on canvas) by Bls, Eugen von (1843-1931); 57.8x44.7 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Kittens Playing on Desk, (oil on canvas)
1197583 Kittens Playing on Desk, (oil on canvas) by Neuville, Alfred Brunel de (1852-1941); 55.8x66. cm; Private Collection; Photo eChristies Images; French, out of copyright

The Jewel Box, (pencil and watercolour on paper)
823500 The Jewel Box, (pencil and watercolour on paper) by Simonetti, Ettore (19th century); 75.5x53.3 cm; Private Collection; (add.info.: The Jewel Box. Ettore Simonetti (1857-1909)

Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond
1765053 Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond, late 1650s (oil on canvas) by English School

Bucking Bronco, 1903 (oil on canvas laid down on masonite)
823227 Bucking Bronco, 1903 (oil on canvas laid down on masonite) by Wyeth, Newell Convers (1882-1945); 70.4x49.5 cm; Private Collection; (add.info.: Bucking Bronco. Newell Convers Wyeth (1882-1945)

The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c
1196881 The Death of Bhishma, Mortally Wounded by Arjunas Numerous Arrows, c.1760-1770 (w/c on paper) by Indian School, (18th century)

Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)
1199561 Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas) by Beavis, Richard (1824-96); 115.5x178 cm; Private Collection; Photo eChristies Images; English

The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847
1765061 The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847, With Stonehenge Beyond, 1847 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H

Nude Boy Standing; Stehender Knabenakt, (oil on canvas)
652939 Nude Boy Standing; Stehender Knabenakt, (oil on canvas) by Rohlfs, Christian (1849-1938); 80x53.3 cm; Private Collection; (add.info.: Nude Boy Standing; Stehender Knabenakt)

Buffalo and Lion Before the Fight, (oil on canvas)
1197063 Buffalo and Lion Before the Fight, (oil on canvas) by Kuhnert, Wilhelm (1865-1926); 78.8x129.5 cm; Private Collection; Photo eChristies Images; German, out of copyright

Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper)
989123 Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper) by Schiele, Egon (1890-1918); 48x32 cm; Private Collection; (add.info.: Lying Young Girl)

A Scene from the Trojan Wars (oil on canvas)
990285 A Scene from the Trojan Wars (oil on canvas) by Calliano, Rafaelle (1785-1824); 75x135.6 cm; Private Collection; (add.info.: A Scene from the Trojan Wars)

The Farewell, 1842 (oil on board)
658764 The Farewell, 1842 (oil on board) by Becker, Jakob (1810-40); 92x73 cm; Private Collection; (add.info.: The Farewell. Jakob Becker (1810-1872). Oil on board. Signed and dated 1842

Female nude with Death as a skeleton, 1897 (etching)
990955 Female nude with Death as a skeleton, 1897 (etching) by Rassenfosse, Armand (1862-1934); 28x21.5 cm; Private Collection; (add.info.: Female nude with Death as a skeleton)

Cafe Parisien (Bal Tabarin), (oil on canvas)
1196569 Cafe Parisien (Bal Tabarin), (oil on canvas) by Pissarro, Ludovic-Rodolphe (1878-1952); 46.2x55.2 cm; Private Collection; Photo © Christie's Images

View of Limerick, c.1750 (watercolour plans)
986014 View of Limerick, c.1750 (watercolour plans) by Hobson, Samuel (18th century) (after); Private Collection; (add.info.: View of Limerick; Vue de Limerick)

The Looking Glass, (oil on canvas)
823109 The Looking Glass, (oil on canvas) by Blenner, Carle J. (1884-1952); 61x50.5 cm; Private Collection; (add.info.: The Looking Glass. Carle John Blenner (1864-1952). Oil on canvas

The Boudoir, 1896 (oil on canvas)
650811 The Boudoir, 1896 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 72.4x48.8 cm; Private Collection; (add.info.: The Boudoir. Kenneth Hayes Miller (1876-1952). Oil on canvas, 1896

The Old Miner, 1925 (oil on canvas)
823239 The Old Miner, 1925 (oil on canvas) by Dunn, Harvey T. (1884-1952); 77x101 cm; Private Collection; (add.info.: The Old Miner. Harvey T. Dunn (1884-1952). Oil on canvas. Painted in 1925

On the Terrace (oil on canvas)
1767509 On the Terrace (oil on canvas) by Buehr, Karl Albert (1866-1952) ; 71.1x91.4 cm; Private Collection; (add.info.: On the Terrace. Karl Albert Buehr (1866-1952). Oil on canvas

The Death of Hyacinth, 1920 (oil on canvas)
1769782 The Death of Hyacinth, 1920 (oil on canvas) by Morley, Harry (1881-1943); 95.4x109.3 cm; Private Collection; (add.info.: The Death of Hyacinth. Harry Morley (1881-1943). Oil on canvas

Aggressus Ressurgo, 1918 (colour etching)
1195042 Aggressus Ressurgo, 1918 (colour etching) by Barbier, Georges (1882-1932); 42x34.2 cm; Private Collection; Photo © Christies Images

The Young Rustem Slaying the White Elephant, c.1545 (gouache with gold paint on paper)
1196797 The Young Rustem Slaying the White Elephant, c.1545 (gouache with gold paint on paper) by Iranian school (16th century); 21x11 cm; Private Collection; Photo © Christies Images

The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
1196715 The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint) by Howitt, Samuel (1756-1822) (after); 46x58.5 cm; Private Collection; Photo © Christies Images

Clash of the Titans; Kampf der Titanen, c.1913-1915 (oil on canvas)
656203 Clash of the Titans; Kampf der Titanen, c.1913-1915 (oil on canvas) by Moser, Koloman (1868-1918); 130x240 cm; Private Collection; (add.info.: Clash of the Titans; Kampf der Titanen)

Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash)
827546 Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 21x26.5

A Decorative Roundel with Odysseus Fighting the Beggar, and with Sphynxs (oil on canvas)
659353 A Decorative Roundel with Odysseus Fighting the Beggar, and with Sphynxs (oil on canvas) by Wit, Jacob de (1695-1754) (school of)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Battle scene between archers and cavalry, with castle and ships, c.1495-1500 (gouache and gold paint on vellum)
986282 Battle scene between archers and cavalry, with castle and ships, c.1495-1500 (gouache and gold paint on vellum) by French School

A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)
990228 A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel) by Vrancx, Sebastian (1573-1647); 50.2x81 cm; Private Collection; (add.info)

Hercules and the Giants, c.1475-80 (engraving)
659470 Hercules and the Giants, c.1475-80 (engraving) by Pollaiuolo, Antonio (1432/3-98) (school of); 36.7x54.7 cm; Private Collection; Photo © Christies Images

Goshawk, (watercolour heightened with bodycolour)
651876 Goshawk, (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 17.1x24.1 cm; Private Collection; (add.info.: Goshawk. Archibald Thorburn (1860-1935)

Two Warriors; Zwei Kampfende, 1910 (oil on canvas)
826265 Two Warriors; Zwei Kampfende, 1910 (oil on canvas) by Macke, August (1887-1914); 63x36.7 cm; Private Collection; (add.info.: Two Warriors; Zwei Kampfende. August Macke (1887-1914)

The Romans attacking Augsburg, c.1490 (brown ink and pale coloured washes on paper)
986278 The Romans attacking Augsburg, c.1490 (brown ink and pale coloured washes on paper) by German School, (15th century); 19.7x14.5 cm; Private Collection; (add.info)

Flemish anatomist and physician, Andreas Vesalius, giving a lesson at the school of medicine in Brussels
985801 Flemish anatomist and physician, Andreas Vesalius, giving a lesson at the school of medicine in Brussels, 1543 (colour woodcut) by Venetian School

The Battle of Cosa, (black chalk, pen and brown ink.)
990023 The Battle of Cosa, (black chalk, pen and brown ink.) by Zuccari, Taddeo (1529-66); 42.9x32 cm; Private Collection; (add.info.: The Battle of Cosa. Taddeo Zuccaro (1529-1566)

Cinderella (oil on panel)
989955 Cinderella (oil on panel) by Pecrus, Charles Francois (1826-1907); 40.6x31.8 cm; Private Collection; (add.info.: Cinderella. Charles Francois Pecrus (1826-1907). Oil on panel

Hercules Killing Cacus, (woodcut)
659519 Hercules Killing Cacus, (woodcut) by Goltzius, Hendrik (1558-1617); 41x33 cm; Private Collection; (add.info.: Hercules Killing Cacus. Hendrik Goltzius (1558-1617). Woodcut

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

The Kill, 19th century (oil on canvas)
1765046 The Kill, 19th century (oil on canvas) by Alken, Samuel Henry (1810-94); Private Collection; (add.info.: The Kill. Samuel Henry Alken Jnr. (1810-1894)

Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij)
990413 Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij) by Salm, Adriaen or Abraham (c.1660-1720); 47x63.5 cm; Private Collection; (add.info.: Men-of-War Breaking Fishermens Nets)

The Pieta, (oil on canvas)
990355 The Pieta, (oil on canvas) by Carracci, Ludovico (1555-1619); 95.2x172.8 cm; Private Collection; (add.info.: The Pieta. Lodovico Carracci (1555-1619). Oil on canvas

Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel)
990011 Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); 38x24 cm; Private Collection; (add.info)

Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper)
1196814 Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper) by Mughal School, (17th century); 19.1x12 cm; Private Collection; Photo © Christies Images

A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour)
651940 A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour) by Wilkie

The Second of May, 1884 (oil on canvas)
989777 The Second of May, 1884 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 62.2x104.8 cm; Private Collection; (add.info.: The Second of May; El Dos de Mayo)

• <
• 1
• 2
• 3
• 4
• 5
• 6
• 7
• 8
• 9
• ..23
• >

All Professionally Made to Order for Quick Shipping

"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.